The pipa player came out after a thousand calls, still holding the pipa half covering his face. We are both people who have fallen from grace, why should we meet again? Translator.

2024-09-20 02:26

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2024-09-20 03:04

I come out after a thousand calls, still holding a pipa half covering my face. Why should we know each other when we meet again? This sentence came from the Tang Dynasty poet Bai Juyi's "Pipa Song." It means: Although I was called out for a long time, I still covered my face with my pipa. Why should we know each other when we meet again? This sentence depicted the poet's journey with the pipa master, expressing his feelings for the fallen and his joy at meeting.

The author of the poem that comes out after a thousand calls, still holding the pipa and half covering his face, is

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2024-09-25 16:40

The author was Bai Juyi, a poet of the Tang Dynasty. This poem was called Song of the Pipa. It described the experience of the pipa girl who had been invited to play the pipa in Chang 'an many times but was never accepted. It expressed her dissatisfaction and disappointment with the social reality and interpersonal relationships in Chang' an.

After a thousand calls, I finally come out, still holding the pipa and half covering my face.

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2024-09-20 02:23

The translation of this poem was: He came out after thousands of calls, still holding the pipa and half covering his face. This poem came from the Tang Dynasty poet Bai Juyi's Song of Everlasting Regret, which described the love story between Emperor Xuanzong of the Tang Dynasty and Yang Guifei. The meaning of the whole poem is: He has been summoned for a long time before he comes out, still holding the pipa and half covering his face. This sentence described a person who was valued but was unwilling to easily reveal his true colors or hide his attitude and thoughts.

Only after a thousand calls did he come out, still holding the pipa half covering his face. Who was this poem about?

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2024-09-25 16:43

This poem described the protagonist of 'Dream of the Red Chamber', Jia Baoyu. Jia Baoyu was Cao Xueqin's fictional character, the male lead in 'Dream of the Red Chamber'. He experienced many twists and turns in the novel, but in the end, he was able to show off his charm and wisdom. This poem was used to describe Jia Baoyu's state when he first appeared. It expressed his feelings of being surrounded and paid attention to, and also hinted at his complicated interpersonal relationships and inner world in the novel.

Only after a thousand calls did he come out, still holding a pipa to cover his face! From which article?

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2024-09-12 17:09

This sentence came from Bai Juyi's "Fu De Gu Yuan Cao Farewell" in the Tang Dynasty. The original text was as follows: The grass on the plain withers and thrives once a year. The wildfire never ends, and the spring breeze blows, it grows again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the king's grandson away, full of parting feelings. I come out after a thousand calls, still holding a pipa half covering my face. I turn to the vermilion pavilion, and the low door of the palace is illuminated by the light, sleepless. Should not hate, what long will it last until the time of parting? Outside the pavilion, by the ancient road, fragrant grass and green sky. The evening breeze blows the willows, and the flute's sound remains the setting sun beyond the mountains. At the end of the sky, at the corner of the earth, my friends are half gone. A ladle of wine to the end of the world road at this time this night embarrassed. This was a farewell poem that described the poet's mood and scenery when he bid farewell to his good friend. Among them," After a thousand calls, I finally come out, but I still hold the pipa and cover my face halfway " depicted the poet waiting in front of his friend for a long time, but his friend never showed up.

(Of poetry) I come out after a thousand calls, still holding the pipa half covering my face. What kind of realm did these two lines of poetry bring out?

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2024-09-20 02:20

These two lines of poetry described the image of a person who had finally appeared after a long time of waiting and calling. It reflected a kind of tenacious and indomitable spiritual realm. The phrase 'come out after a long time' was used to describe a person who had finally appeared after a long time of waiting and calling. This process of waiting and calling showed the tenacity and perseverance of this person. He was not afraid of difficulties, was not afraid of waiting, and was firm in his beliefs. Finally, after a long wait, he realized his goal. " Still holding a pipa and half covering his face " described the way this person appeared to be very mysterious and low-key, not allowing people to fully understand his true colors. This mysterious feeling reflected this person's concealment and mysteriousness. He was unwilling to easily expose himself and chose to appear in a low-key manner to leave a deep impression on others. This also hinted that this person might have complex emotions and thoughts that were difficult to describe. These two lines of poetry expressed the realm of a person who could still be tenacious and indomitable after a long time of waiting and calling. He appeared in a mysterious and low-key way to leave a deep impression on others. This realm embodied a spirit of courage, fearlessness, and self-pursuit. It also hinted that a person's inner world might have complex emotions and thoughts that were difficult to describe.

After a long time, he came out, still holding the pipa half covering his face, lowering his eyebrows and playing the pipa, saying all the infinite things in his heart. What did this poem mean?

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2024-09-20 02:11

This poem was from the Tang Dynasty poet Bai Juyi's "Farewell to the Ancient Grass." It was as follows: The grass on the plain withers and thrives once a year. The wildfire never ends, and the spring breeze blows, it grows again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the king's grandson away, full of parting feelings. This poem described the feelings of parting on the grasslands. The first sentence," The grass on the plains withers and thrives every year ", depicted the climate change of the prairie throughout the year, hinting at the impermanence and helplessness of parting. The second sentence," The wildfire can't burn, and the spring wind blows, and it grows again ", described the tenacious vitality of the grassland. Even if it was destroyed by wildfire, it could grow again under the spring wind. The third line," Fragrance encroaches on the ancient road, green and clear, connecting the barren city ", depicted the fragrance of the ancient road, the green grass, and the barren city, the place of parting, the future unknown. The last sentence," I'll send the royal grandson to the luxuriant land to bid farewell," expressed the reluctance and helplessness of parting. The whole poem described the feeling of parting and the beauty of the grassland. Through the description of nature, it expressed the fragile and tenacious relationship between human beings and nature, and also showed Bai Juyi's deep understanding of parting.

The poem came out after a long time, and the author who still held the pipa half covered his face was

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2024-09-25 16:35

The author was Bai Juyi, a poet of the Tang Dynasty. This poem was from Bai Juyi's "Farewell to the Ancient Grass", which read as follows: The grass on the plain withers and thrives once a year. The wildfire never ends, and the spring breeze blows, it grows again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the prince away from the luxuriant and full of parting feelings. I come out after a thousand calls, still holding a pipa half covering my face. This was a famous line in the poem that described the protagonist's feelings when he left.

We're both people who have fallen from grace, why should we meet again? Where did the author write it? Who was the author?

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2024-09-16 14:12

This sentence came from a poem written by the Tang Dynasty poet Bai Juyi in the poem "Farewell to the Ancient Plains". It was written by him when he left the Ancient Plains. Even if we are from the same world, why should we know each other? When we part, we should cherish our encounters and not have unnecessary disputes and contradictions because of the differences in the past.

We are both people who have fallen from grace, why should we meet again? What kind of thoughts and feelings does the author express?

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2024-09-16 15:17

Why should we meet again when we are both in dire straits? This famous sentence in the poem "Farewell to the Ancient Grass" written by Bai Juyi, a poet of the Tang Dynasty, expressed the author's feelings and thoughts about parting and meeting again. The meaning of this sentence is that even if we come from different places and suffer different experiences, since we meet now, why let the parting of the past affect our mood and understanding? We should cherish every person and every experience in front of us and not let the parting of the past leave us with regrets. This sentence expressed the author's open-mindedness and tolerance. He believed that no matter where people came from or what kind of experience they had suffered, they could understand, respect and cherish each other. At the same time, the author also emphasized that he should cherish everything in front of him and not let his past experiences affect his current mood and actions.

The latest-a long-awaited appearance, still holding a pipa half covering the meaning of the fine

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2024-09-12 17:07

" When I come out after a thousand calls, I still hold the pipa and cover my face halfway." This was a poem from Bai Juyi's " Farewell to Ancient Grass " of the Tang Dynasty. After a long time of calling and summoning, he finally showed up with a half-covered smile. It was a metaphor for a person who hid his shortcomings or inadequacies, or deliberately kept his secrets and was unwilling to show his strength publicly. It could also be understood as having a chance to show off after a long wait, but the performance was still insufficient and needed more effort and tempering. This phrase is often used to describe something that gradually appears after a long wait, such as waiting for someone, the result of something, or waiting for the arrival of some good news.