Only after a thousand calls did he come out, still holding the pipa half covering his face. Who was this poem about?
This poem described the protagonist of 'Dream of the Red Chamber', Jia Baoyu. Jia Baoyu was Cao Xueqin's fictional character, the male lead in 'Dream of the Red Chamber'. He experienced many twists and turns in the novel, but in the end, he was able to show off his charm and wisdom. This poem was used to describe Jia Baoyu's state when he first appeared. It expressed his feelings of being surrounded and paid attention to, and also hinted at his complicated interpersonal relationships and inner world in the novel.
The author of the poem that comes out after a thousand calls, still holding the pipa and half covering his face, is
The author was Bai Juyi, a poet of the Tang Dynasty. This poem was called Song of the Pipa. It described the experience of the pipa girl who had been invited to play the pipa in Chang 'an many times but was never accepted. It expressed her dissatisfaction and disappointment with the social reality and interpersonal relationships in Chang' an.
After a thousand calls, I finally come out, still holding the pipa and half covering my face.
The translation of this poem was: He came out after thousands of calls, still holding the pipa and half covering his face. This poem came from the Tang Dynasty poet Bai Juyi's Song of Everlasting Regret, which described the love story between Emperor Xuanzong of the Tang Dynasty and Yang Guifei. The meaning of the whole poem is: He has been summoned for a long time before he comes out, still holding the pipa and half covering his face. This sentence described a person who was valued but was unwilling to easily reveal his true colors or hide his attitude and thoughts.
Only after a thousand calls did he come out, still holding a pipa to cover his face! From which article?
This sentence came from Bai Juyi's "Fu De Gu Yuan Cao Farewell" in the Tang Dynasty. The original text was as follows: The grass on the plain withers and thrives once a year. The wildfire never ends, and the spring breeze blows, it grows again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the king's grandson away, full of parting feelings. I come out after a thousand calls, still holding a pipa half covering my face. I turn to the vermilion pavilion, and the low door of the palace is illuminated by the light, sleepless. Should not hate, what long will it last until the time of parting? Outside the pavilion, by the ancient road, fragrant grass and green sky. The evening breeze blows the willows, and the flute's sound remains the setting sun beyond the mountains. At the end of the sky, at the corner of the earth, my friends are half gone. A ladle of wine to the end of the world road at this time this night embarrassed. This was a farewell poem that described the poet's mood and scenery when he bid farewell to his good friend. Among them," After a thousand calls, I finally come out, but I still hold the pipa and cover my face halfway " depicted the poet waiting in front of his friend for a long time, but his friend never showed up.
Only after a thousand calls did he come out, especially holding a pipa to cover his face. Which poem did these two lines come from? Who did it?
These two lines of poetry came from the Tang Dynasty poet Bai Juyi's "Fu De Gu Yuan Cao Farewell." The original text was as follows: The grass on the plain withers and thrives once a year. The wildfire never ends, and the spring breeze blows, it grows again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the king's grandson away, full of parting feelings. Among them, the phrase " A thousand calls to come out, especially with a pipa half covering his face " came from the 39th line of the poem. The phrase " A thousand calls to come out " described the poet who had been waited for by readers for a long time and was very much looking forward to the release of his new book. The phrase " especially with a pipa half covering his face " described the author's state of writing, still holding a pipa half covering his face, as if he had reservations and was unwilling to reveal the truth.
(Of poetry) I come out after a thousand calls, still holding the pipa half covering my face. What kind of realm did these two lines of poetry bring out?
These two lines of poetry described the image of a person who had finally appeared after a long time of waiting and calling. It reflected a kind of tenacious and indomitable spiritual realm. The phrase 'come out after a long time' was used to describe a person who had finally appeared after a long time of waiting and calling. This process of waiting and calling showed the tenacity and perseverance of this person. He was not afraid of difficulties, was not afraid of waiting, and was firm in his beliefs. Finally, after a long wait, he realized his goal. " Still holding a pipa and half covering his face " described the way this person appeared to be very mysterious and low-key, not allowing people to fully understand his true colors. This mysterious feeling reflected this person's concealment and mysteriousness. He was unwilling to easily expose himself and chose to appear in a low-key manner to leave a deep impression on others. This also hinted that this person might have complex emotions and thoughts that were difficult to describe. These two lines of poetry expressed the realm of a person who could still be tenacious and indomitable after a long time of waiting and calling. He appeared in a mysterious and low-key way to leave a deep impression on others. This realm embodied a spirit of courage, fearlessness, and self-pursuit. It also hinted that a person's inner world might have complex emotions and thoughts that were difficult to describe.
After a long time, he came out, still holding the pipa half covering his face, lowering his eyebrows and playing the pipa, saying all the infinite things in his heart. What did this poem mean?
This poem was from the Tang Dynasty poet Bai Juyi's "Farewell to the Ancient Grass." It was as follows: The grass on the plain withers and thrives once a year. The wildfire never ends, and the spring breeze blows, it grows again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the king's grandson away, full of parting feelings. This poem described the feelings of parting on the grasslands. The first sentence," The grass on the plains withers and thrives every year ", depicted the climate change of the prairie throughout the year, hinting at the impermanence and helplessness of parting. The second sentence," The wildfire can't burn, and the spring wind blows, and it grows again ", described the tenacious vitality of the grassland. Even if it was destroyed by wildfire, it could grow again under the spring wind. The third line," Fragrance encroaches on the ancient road, green and clear, connecting the barren city ", depicted the fragrance of the ancient road, the green grass, and the barren city, the place of parting, the future unknown. The last sentence," I'll send the royal grandson to the luxuriant land to bid farewell," expressed the reluctance and helplessness of parting. The whole poem described the feeling of parting and the beauty of the grassland. Through the description of nature, it expressed the fragile and tenacious relationship between human beings and nature, and also showed Bai Juyi's deep understanding of parting.
The pipa player came out after a thousand calls, still holding the pipa half covering his face. We are both people who have fallen from grace, why should we meet again? Translator.
I come out after a thousand calls, still holding a pipa half covering my face. Why should we know each other when we meet again? This sentence came from the Tang Dynasty poet Bai Juyi's "Pipa Song." It means: Although I was called out for a long time, I still covered my face with my pipa. Why should we know each other when we meet again? This sentence depicted the poet's journey with the pipa master, expressing his feelings for the fallen and his joy at meeting.
The poem came out after a long time, and the author who still held the pipa half covered his face was
The author was Bai Juyi, a poet of the Tang Dynasty. This poem was from Bai Juyi's "Farewell to the Ancient Grass", which read as follows: The grass on the plain withers and thrives once a year. The wildfire never ends, and the spring breeze blows, it grows again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the prince away from the luxuriant and full of parting feelings. I come out after a thousand calls, still holding a pipa half covering my face. This was a famous line in the poem that described the protagonist's feelings when he left.
From which poem did it come out after a thousand calls?
It came out after thousands of calls from Du Fu's Spring View of the Tang Dynasty. This poem is about the poet looking into the distance in spring, hoping that his relatives and friends would come back soon, but it was not until the sun rose that they finally appeared. This poem expressed the poet's longing for his distant relatives and friends, as well as the difficulty of waiting and the determination of hope.
Appreciate Bai Juyi's poem,"I came out after a thousand calls, but I still held the pipa and half covered my face" How to appreciate it?
This poem came from the Tang Dynasty poet Bai Juyi's "Song of the Pipa." It described the scene of the pipa girl being called out in front of Emperor Xuanzong of the Tang Dynasty, with her face half-covered by the pipa. The concise language of this poem is profound and profound. Through describing the situation of the pipa girl in front of Tang Xuanzong, it shows the difference in her talent and status. At the same time, it also implies the hypocrisy and cruelty of Tang Xuanzong. Among them, the phrase "I only come out after a thousand calls" showed the impatience and helplessness of the pipa girl while the phrase "I still hold the pipa and cover my face" showed the silence and euphemism of the pipa girl in her predicament. The "half-masked face" in this poem added a mysterious atmosphere to the image of the pipa girl, adding more artistic charm. This poem was praised as a classic in Chinese classical poetry for its concise, profound and implicit expression. It was worthy of readers 'taste and appreciation.