Why couldn't the 2D become mainstream culture in China?
Two-dimensional culture referred to the cultural phenomena in the virtual world such as Japanese anime, manga, and games, which also had a great influence in China. However, the development of the 2D culture in China was not as smooth as in other countries and regions. China's traditional culture was very rich, and people loved it even more. In contrast, the 2D culture was not a part of traditional Chinese culture, so in people's perception, the 2D culture was not as important as traditional culture. China's Internet and entertainment industry was very developed, but the audience of the two-dimensional culture in China was relatively small. Because the works of the 2D culture usually need to be paid to watch or download, the threshold for ordinary consumers to buy or download these works is relatively high, which makes the 2D culture difficult to spread as widely as other forms of entertainment. There were some disputes about the values and moral values of the 2D culture. For example, some 2D works may involve sensitive topics such as gender, race, sexual orientation, etc. These contents may cause some people's disgust and controversy, which made the 2D culture encounter some difficulties in the promotion process. Although the influence of the 2D culture in China is limited, it is still an important cultural phenomenon. With the continuous development of Chinese society, the 2D culture may have a broader space for development in the future.
The fashion culture was so silly that she couldn't tell. Wasn't JK part of the 2D culture?
JK was the Japanese word for "Japanese culture" or "Japanese clothing". It was a very popular girl's clothing in Japan. Two-dimensional culture originated from Japanese anime, manga, games and other virtual cultural phenomena. It had no direct connection with JK's clothing culture. Although JK clothing culture was very popular in Japan, it did not belong to the two-dimensional culture.
Why couldn't novels become reality?
The novel is a fictional art form that provides the reader with an experience of imagination and exploration by creating fictional worlds and characters. Although novels could resonate and inspire people, they were usually not completely equivalent to reality. The plots and characters in novels were usually constructed by the author's imagination and creativity, and they might break away from the restrictions and rules of real society. In addition, the worldview and values in the novel may also be different from those in the real world. These differences may lead to situations that cannot be completely coordinated. The creation of novels usually required the author to have a high imagination and creativity, as well as rich life experience and cultural background in order to create a unique and complex world and characters. In comparison, the real world was more specific and clear, with stricter rules and restrictions. Although novels could provide people with unique experiences and thoughts, they were usually not completely equivalent to reality. Therefore, if he wanted to turn the plot and characters in the novel into reality, he needed to carefully consider and plan, as well as have the corresponding technology and resources.
Why couldn't China produce Sherlock Holmes?
It wasn't that China didn't have mystery novels like Sherlock Holmes, but that the creation of mystery novels in China was relatively late and not as developed as in western countries. The development of mystery novels in China can be traced back to the 1950s and 1960s, but at that time, for various reasons, this kind of novel did not receive enough attention. Later, with the rapid development of China's economy and the improvement of people's living standards, the creation of mystery novels gradually received more attention and support. There might be some differences in terms of subject matter and content between Chinese mystery novels and Western mystery novels such as Sherlock Holmes. For example, Chinese detective novels usually focused more on the construction of the plot and the description of the characters rather than emphasizing mathematics and logical reasoning. In addition, due to the different cultural background and social environment, the creation of Chinese mystery novels also had some challenges. Although there were no detective novels like Sherlock Holmes in China, there was still a vast space for the development of detective novels in China. With the continuous development of China's economy and culture, it was believed that the creation of Chinese mystery novels would become more and more exciting.
Why can't online literature become mainstream?
The main reasons why online literature could not become mainstream were as follows: 1. Limited audience: Online literature is usually published on a network platform with a relatively limited audience. Most of the readers of online literature were young people, and their favorite genre and subject matter were relatively simple, which was difficult to meet the needs of the public. In contrast, traditional literature had a wider audience and could attract readers of different ages and cultural backgrounds. 2. Lower threshold for creation: The threshold for creating online literature is relatively low. It does not require a deep literary foundation and creative experience like traditional literature. This allowed some people who lacked writing experience or literary attainments to participate in the creation of online literature, but it also easily led to the uneven quality of online literature, making it difficult to reach the level of traditional literature. 3. The lack of regulation and supervision: The lack of effective supervision and regulation in the online literature market has led to the emergence of some inappropriate content. In addition, the publishing and circulation process of online literature was relatively simple and easy to breed corruption and bad phenomena. 4. The business model is not mature enough: The business model of online literature is not mature enough to obtain sufficient financial support. The business model of traditional literature was usually publishing, distribution, and performance. The business model of online literature was relatively simple and difficult to achieve commercial operation. For all these reasons, online literature could not become mainstream literature. Although online literature has its unique advantages in creation and communication, with the continuous development and progress of traditional literature, the status of online literature is gradually declining.
Why did the reclusive culture of the Wei and Jin Dynasties become a different mainstream?
The reclusive culture in the Wei and Jin Dynasties was a special cultural phenomenon. At that time, the literati tended to give up the troubles of the world and pursue the peace and freedom of the heart. The formation of this cultural phenomenon was closely related to the political, social and cultural background at that time. During the Wei and Jin Dynasties, the political situation was unstable and the social class was divided. People's lives were extremely difficult. In this context, scholars tended to seek a way of life that was beyond the secular world to seek inner balance and peace. During the Wei and Jin Dynasties, the social atmosphere was more open, and people's pursuit of freedom and independence became stronger and stronger. At that time, scholars not only pursued personal freedom and independence, but also social freedom and equality. Therefore, the reclusive culture of the Wei and Jin Dynasties represented a cultural value that pursued freedom and independence. The cultural phenomenon of the Wei and Jin Dynasties also reflected the reflection and criticism of the traditional culture and history at that time. Scholars at that time believed that traditional culture and history had some unreasonable and defects, so they tried to replace traditional culture and history by finding new cultural and historical forms. This also provided the soil for the formation of hermit culture. In summary, the reason why the reclusive culture of the Wei and Jin Dynasties became a different mainstream was due to many aspects, including the pursuit of freedom and independent cultural values in the political, social and cultural background, as well as the reflection and criticism of traditional culture and history.
Why couldn't Doujin novels be written in China anymore?
Doujinshi referred to a literary form that used specific works (usually novels, comics, animations, games, etc.) as the basis to create their own story. Doujin novels were once widely spread in China, but in recent years, due to the restrictions of relevant laws and regulations, the creation of Doujin novels in China has been restricted. These restrictions were mainly due to the copyright issues involved in Doujin novels. The creators might violate the copyright of the original works. Therefore, the government issued a series of laws and regulations to regulate the creation and distribution of Doujin novels. In addition, the cultural and social environment in China was different from that in foreign countries, which also had an impact on the creation of doujin novels. Due to some cultural differences and different moral values, domestic creators and readers may have some differences and contradictions, which will also have a certain impact on creation and communication. Therefore, although domestic Doujinshi creation was restricted, some outstanding Doujinshi creators could still create and spread their Doujinshi works through other means such as overseas creation and online creation.
Why couldn't wuxia novels become famous novels?
Although Wuxia novels were a unique genre in the field of literature, they were not generally recognized as masterpieces. Although wuxia novels often have deep character descriptions, thrilling plots, and unique artistic styles, they usually lack the universal meaning and depth that literary works need. Wuxia novels tended to focus on revealing the grudges of Jianghu, the loyalty of heroes, and martial arts secret manuals. They often ignored the discussion of society, human nature, and history. In addition, the narrative style of martial arts novels was often too exaggerated and fictional, and it was difficult to be accepted by the general public. Although wuxia novels have a wide influence in the literary market, it doesn't mean that they can become masterpieces because they lack universal value and depth, making them difficult to compete with better literary works.
Why couldn't wuxia novels become famous novels?
Wuxia novels were a relatively young branch in the field of literature. Although they had a wide range of readers and a large number of works, they had not received enough recognition and settlement. It was difficult to compare them with classic literature. Wuxia novels usually used the Jianghu as the background to describe the chivalrous men, sects, and old things in the martial arts world, as well as the struggles and cooperation between them. Although Wuxia novels played a certain role in expressing social reality and human nature, their literary value and depth were often incomparable to classic literature works. There were also some limitations to the narrative style and writing style of martial arts novels. Wuxia novels usually required a lot of action descriptions and battle scenes, and the length of the text was relatively short, making it difficult to show enough plot and character creation. These characteristics made it difficult for martial arts novels to reach the height of classic literature. Although wuxia novels have a certain literary value, they are difficult to compare with classic literature works, so they are difficult to become famous works.
Will otaku culture become a trend in China?
Otaku culture was a sub-cultural phenomenon that was popular in the entertainment culture fields such as anime and games in Japan. It mainly referred to people who liked to watch anime, manga, games, and other virtual world works and thought that they were the protagonists or people with special abilities in these virtual worlds. Since the origin and popularity of otaku culture were all in Asian countries, this cultural phenomenon had a certain influence in Asian countries. However, due to the cultural differences between China and Japan, the influence of otaku culture in China may be affected to a certain extent. In the field of entertainment culture in China, the influence of otaku culture was mainly reflected in animation, games, and comics. However, with the continuous development of Chinese culture, the otaku culture was constantly being redefined and spread. Although the influence of otaku culture in China may be affected, it is still a unique cultural phenomenon that attracts the attention and love of many Chinese young people. Therefore, the future development trend of otaku culture in China still had a certain potential.
Why couldn't humans become immortals? Were there really immortals?
In the novel, becoming an immortal referred to achieving a state of existence that surpassed humans through cultivation or rituals. However, in reality, science did not prove that humans could achieve the state of immortality through any means. As for why people can't become immortals, it's because becoming an immortal is a supernatural state of existence. Humans have yet to find any scientific evidence to explain it. At the same time, becoming an immortal was usually considered a mysterious and supernatural experience. Humans might not be able to explore and confirm it through scientific methods. As for whether or not there really were immortals, this was also a supernatural existence. Although we have not found any evidence of the existence of immortals in real life, in novels, immortals are often a mysterious existence with supernatural power and wisdom. In novels, immortals are usually regarded as beings that humans cannot understand. They have their own laws and rules, which are different from humans. We cannot judge whether immortals really exist or not.