The author outlines the creation and characteristics of the obscure poetry school in contemporary Chinese literature
The Misty Poetry School was a school of Chinese poetry in the 1960s. It pursued the wholeness of form, artistic conception, and feeling. Its main representatives were Bei Dao, Shu Ting, and Gu Cheng. The main characteristics of the Obscure Poetry School included: 1. Pursuing wholeness: The Misty Poetry School emphasized the wholeness of the form and content of the poem, opposed the pursuit of superficial rhetorical effects and techniques, and paid attention to the overall feeling and artistic conception of the poem. 2. Emotional expression: The poems of the Misty Poetry School mostly express emotions as the theme, such as love, loneliness, ideals, pursuit, etc., through the exaggeration and distortion of images, they express strong emotional colors. 3. Freedom of Form: The Obscure Poetry School advocated freedom of form, free from the constraints of traditional poetry, and expressed the poet's feelings and thoughts in a free form. 4. Conciseness of language: The poets of the Obscure Poetry School usually use concise and abstract language to express their emotions and make the artistic conception of the poem more profound. Pay attention to social reality: The poems of the Obscure Poetry School reflected the reality of Chinese society at that time, such as political corruption, environmental pollution, and the sufferings of the people. They expressed their concern and reflection on society through the form and content of poetry. The Misty Poetry School has an important position in contemporary Chinese literature. Its poetry style and characteristics have had a profound impact on the development of Chinese poetry.
What is the obscure poetry tide? The characteristics of the author and the poem?
Obscure poetry was a genre of poetry that rose in the mainland of China in the 1960s. It was characteristic of the pursuit of abstract poetry and expressionism. It used obscure, metaphor, symbolism and other techniques to express thoughts and feelings about society, politics, culture and other aspects. The representative figures of the obscure poetry tide were Gu Cheng, Bei Dao, Shu Ting, Zhu Ziqing, etc. Their works of poetry include Sun City, Mistake, Cry in the Drizzle, etc. The characteristics of the obscure poetry trend included the pursuit of abstract and expressionism, the use of symbols and metaphor, the emphasis on the expression of emotions and thoughts, and the pursuit of a high degree of unity between art and philosophy.
Noun explanation: Obscure poetry school, new rhythmic poetry school
Myers-Briggs Type Indexer (MTI) was a personality classification system developed by the American psychologist Adele Jung. According to the MTI, there are 16 types of personality. Each type is composed of four characteristics, including extroversion, introversion, intuition, and feeling. Newer Imagery and Imagery-based was a genre of literature that had emerged in recent years. It focused on the creation of visual arts as the main means, focusing on the expression of images and symbols, focusing on the innovation of form, technique, and language, often with the virtual world as the theme. The representative works of this genre include William F. Scott's The Sound and the Fury and James Joyce's Ulysses.
Literature reading materials (contemporary Chinese, mainly prose, novels, poetry)
The recommendations for contemporary Chinese literature are as follows: 1. Essays: Alive, On the Road, One Hundred Years of Solitude, Border Town, Border Town Story, etc. 2. Fictions: The Ordinary World, The Three-Body Problem, Alive, Decryption, One Hundred Years of Solitude, etc. 3. Poetry collections: Red Sorghums, Hugo, Snow Country, Youth, White Night, etc. These works are all classics of contemporary Chinese literature, with profound thoughts and unique literary styles suitable for readers of different ages to read. Reading these works would help to broaden the readers 'thinking and vision, and improve their literary attainments.
Chinese contemporary literature
Chinese contemporary literature is an important part of Chinese literature. Realism and realism are the two main schools of Chinese contemporary literature. Realist literature focused on reflecting social reality, paying attention to people's lives, emphasizing the authenticity and profundity of the plot and characters. On the other hand, modern literature emphasized the uniqueness and artistry of literature, which was more focused on expressing the author's personal thoughts and emotions. The works of contemporary Chinese literature covered a wide range of fields such as novels, essays, poems, plays, movies, and so on. Among them, the novel was one of the main genre of contemporary Chinese literature, and a large number of classic works such as "Dream of the Red Chamber","Water Margins","Journey to the West","Romance of the Three Kingdoms" and so on. In the development of contemporary Chinese literature, there were also many such as Mo Yan, Yu Hua, Jia Pingao, Mai Jia, etc. Their works had a wide influence in China and internationally. The contemporary Chinese literature has made great contributions in reflecting the social reality, expressing the author's feelings and thoughts, exploring the uniqueness of literature, and so on. It is an important part of Chinese literature.
Chinese contemporary literature
Chinese contemporary literature refers to a literary phenomenon in the mainland of China, covering all literary writing from the 1980s to the present. The main schools of Chinese contemporary literature were: 1. Modern literature: The representative characters are Chen Zhongshi, Jia Pingao, Mo Yan, etc. Their works are mainly featured by realism and magical realism, depicting the complexity and humanity of contemporary Chinese society. 2. Modern novels: The representative characters include Ernest, Margaret Atwood, Calvino, etc. Their works explore contemporary social issues such as urban development, global development, political power, etc. 3. Poetry: The development of contemporary Chinese poetry can be traced back to the 1970s. The representative figures include Haizi, Yu Guangzhong, Beidao, etc. Their works reflect the emotions and state of mind of contemporary society. Prose: The development of Chinese contemporary prose began in the 1980s. The representative figures were Zhou Guoping, Zhu Ziqing, Lao She, etc. Their works presented the life and culture of contemporary China in the form of prose. The achievements and influence of contemporary Chinese literature were also attracting worldwide attention. His works not only reflected the social and cultural situation of contemporary China, but also deeply influenced the development of contemporary Chinese literature and world literature.
The relationship between the modern school and the hazy school in contemporary Chinese literature?
The Obscure School was an important school of literature in the Chinese modern school of literature. The Obscure School was founded in the 1960s. Its basic idea was to oppose realism literature and advocate the use of poetic and obscure language to describe social reality and pursue the "absolute freedom" of literature. In the literary concept of the Obscure School, poetry was the main way to express thoughts and emotions, so the language of literature should be poetic and romantic. Representatives of the Obscure School, Yang Lian, Ye Shengtao, and others, whose poems such as 'Back View' and 'Spring Silkworm' were widely welcomed and influenced. Similar to the Obscure School, there were also schools of modern literature such as the Avant-garde School and the New Realism School. These literary schools were established in the 1950s in different times and cultural context, and they all had different literary ideas and practices. Although there are some differences between these literary schools, they all pursue the freedom, innovation and progress of literature.
What was the difference between contemporary poetry and modern poetry? (Literature)
Modern poetry and contemporary poetry are two different forms of literature, with some notable differences in their periods and backgrounds. Modern poetry originated in the early 20th century as a criticism and challenge to traditional poetry forms and techniques, emphasizing the realism, personality and rationality of poetry. The representatives of modern poetry were masters of modern poetry such as Eliot, Jean-Paul Sartre, Pierce, and Mudan. The contemporary poetry originated in the 1960s as a reflection and inheritance of modern poetry. At the same time, it was also influenced by post-modern, consumerism, cultural multiculturalism and other factors. The representative figures of contemporary poetry were contemporary Chinese poets such as Hai Zi, Bei Dao, Shu Ting, Li Jian, Gu Cheng, etc. In addition, contemporary poetry and modern poetry were also different in terms of form and content. Modern poetry usually uses concise and abstract forms to emphasize the functionality of poetry, pursuing the expressiveness and directness of language; while contemporary poetry pays more attention to expressing the state and feelings of contemporary society and human life. The forms are more complex and diverse, and they pay more attention to expressing cultural and historical backgrounds.
A brief introduction of Wang Qingsheng, the author of contemporary Chinese literature
Wang Qingsheng was born in 1968 in Beijing, China. He is the author of the history of contemporary Chinese literature. He is mainly engaged in the research and creation of the history of modern Chinese literature. His works covered many schools of modern Chinese literature from the 1920s to the 1990s, including new literature, modern literature, scar literature, red literature, etc. He was famous for his deep insight and unique aesthetic style. Wang Qingsheng's works have won many domestic and international literary awards, including the China Literature Award, the Mao Dun Literature Award, and the Lu Xun Literature Award. His representative works include History of Modern Chinese Literature and Mirror Image of a Hundred Years of Chinese Modern Literature, which are regarded as important scholars in the study of modern Chinese literary history.
Is Chinese contemporary literature dead?
No, contemporary Chinese literature was not dead. Although the development of contemporary Chinese literature has been somewhat restricted, it still has a very important position and influence. Chinese contemporary literature can be traced back to the 1950s. With the establishment of New China, Chinese literature began a new stage of development. During this period, Chinese literature experienced great changes and challenges, but also made great achievements. With the changes of the times, Chinese contemporary literature has also experienced many developments and changes. In recent years, some outstanding literary works had received widespread attention and support, such as In the Name of the People and The Order of the State. These works not only achieved great success in China but also received international recognition. Chinese contemporary literature is not dead. It still has a very important position and influence waiting for us to explore and explore.