The first vernacular poetry collection in the history of Chinese new literature was not Goddess. 'Goddess' was a long poem written by the Tang Dynasty poet, Bai Juyi. It belonged to the category of Tang poetry. The first vernacular poetry collection in the history of Chinese new literature was the Madman's Diary written by Wang Xinjian, a poet of the Ming Dynasty. This poem used the image of a madman to express the author's dissatisfaction with reality, marking the beginning of the enlightenment of modern Chinese literature.
Not a Goddess was not the first new poetry collection in the history of modern Chinese literature. The first collection of new poems in the history of modern Chinese literature was "Goddess"(D�N�), written by the modern Chinese poet Guo Moruo in 1918. This collection of poems included one of Guo Moruo's early masterpieces, Praise of the Goddess, as well as other lyric poems, narrative poems, and satirical poems. Goddess was regarded as the foundation of modern Chinese poetry, and it had a profound influence on the development of modern Chinese poetry.
The first vernacular poetry collection in Chinese history was the "White Poetry" or the "Nineteen Ancient Poems". It was a group of poems written by Bai Juyi, a poet of the Tang Dynasty, around 762 A. D., which were easy to understand and simple in content. They were called "vernacular poems" or "white poems". In "White Poetry", the author's thoughts and feelings were expressed in simple and easy-to-understand language with the theme of natural scenery and daily trifles. It created the "white poetry" school of Chinese poetry and had a profound influence on the poetry creation of later generations. One of the most famous was Song of Everlasting Sorrow, which was still a classic in the history of Chinese literature.
The first collection of new poems in the history of Chinese literature was the New Moon Collection.
In the history of Chinese literature, Bai Juyi of the Tang Dynasty was the pioneer of vernacular poetry. Bai Juyi was a famous poet in the Tang Dynasty. His poetry style was easy to understand and close to reality, which was the first of its kind. His representative works include Song of Everlasting Regret and Song of Pipa.
The first vernacular novel in the history of Chinese literature was The White-Haired Girl.
The first collection of vernacular short stories in the history of modern Chinese literature was Golden Age. This collection of novels was published by China Modern in 1926. It included some of Lu Xun's early works, including short stories and essays, which reflected the darkness of society and the sufferings of the people. This collection of novels was regarded as one of the important milestone in the history of modern Chinese literature, which had a profound influence on later literary creation.
The name of the first new poetry collection in modern Chinese literature was Liberation.
The first vernacular novel in the history of modern Chinese literature was A Madman's Diary.
The first vernacular novel in the history of Chinese literature was The Madman's Diary.
The first vernacular novel in the history of modern Chinese literature was A Madman's Diary.