The Index of Chinese Literature Theory
The Origin and Evolution of Literature The types and characteristics of Chinese literature 3. Evaluation of Chinese Literature Classics The development and evolution of Chinese literary theory The Basic Concepts and Characteristics of Chinese Literature Theory The innovation and contribution of Chinese literary theory The Future of Chinese Literature Theory Chinese literary theory is an important subject that studies the history, culture, art, and literary phenomena of Chinese literature. By studying the theory of Chinese literature, we can better understand the development and changes of Chinese literature, and also better evaluate the classic works and theoretical innovation of Chinese literature.
The Index of Chinese Literature in the 20th Century
The following is a list of selected Chinese literary works of the 20th century: 1 Lu Xun: "Scream","Hesitation","Wild Grass","Canopy Collection","Morning Flowers" 2. Lao She: Camel Xiangzi, Teahouse, Four Generations Under One roof 3. Shen Congwen: "Border Town","Spring Silkworm","Memories of Blowing Xiao on Phoenix Terrace" 4. Qian Zhongshu: Fortress Besieged, Written on the Edge of Life 5. Zhang Ailing: " Red Rose and White Rose "," Love in the City "," Aquilaria Fragrance: The First Furnace of Fragrance " 6. Ba Jin: Home, Spring Silkworm, Torrent Ding Ling: The Sun Shines on the Sanggan River, The Sun Rises 8 Xiao Hong: Legend of Hulan River, Life and Death Field Lao She, Teahouse 10 Lu Xun's The True Story of Ah Q 11 Mao Dun, Midnight, Spring Silkworm Shen Congwen, Border Town Ding Ling's Sun Shines on the Sanggan River Zhang Ailing's Legend Ye Shengtao, Mr. Pan in Trouble 16 Lu Xun, The Scream 17 Lao She, Camel Xiangzi Shen Congwen, Border Town 19 Ding Ling, The Sun Shines on the Sanggan River Mao Dun's Spring Silkworm
An Introduction to the Theory and Criticisms of Chinese Literature
Chinese literary theory criticism refers to the study and criticism of Chinese literary theory as a form of literary theory. The history of Chinese literary theory and criticism can be traced back to ancient times, but the development of modern Chinese literary theory and criticism can be traced back to the early 20th century. In the 20th century, Chinese literary theory and criticism had undergone many changes and transformations, forming its own unique theoretical system and critical methods. The main characteristics of modern Chinese literary theory and criticism include: an in-depth analysis of the history of Chinese literature; emphasis on the cultural and national characteristics of Chinese literature; attention to the relationship between Chinese literature and society, politics, and economy; emphasis on the language and artistic forms of Chinese literature; and a series of standards and methods for literary evaluation. The representative works of Chinese literary theory and criticism include: Lu Xun's A History of Chinese Fictions, Zhou Zuoren's Literature and Art, Ba Jin's Literature Review, and Lao She's The Present Situation and Future of Chinese Literature. These works had a profound influence on the development of Chinese literary theory and criticism. The research content of Chinese literary theory criticism mainly includes the history and culture of Chinese literature, the literary creation and aesthetic characteristics of Chinese literature, the theoretical framework and evaluation methods of Chinese literature, and the relationship between Chinese literature and world literature.
The First Monograph on Chinese Literature Theory
The first literary theory book in China was Wen Xin Diao Long. This book was published in 1609 by Yang Shen, a Ming Dynasty writer, literary theorist, and educational scholar. Wen Xin Diao Long systematically elaborated the basic principles, techniques and methods of literary creation and emphasized the creativity and innovation of literary thoughts. It was an important literary theory work.
The influence of western literary theory on Chinese literature
The influence of western literary theory on Chinese literature is mainly reflected in two aspects: literary criticism and literary creation. 1. In the aspect of literary criticism, Western literary theory has influenced the way of criticism of Chinese literature. In the traditional Chinese literary criticism, the critics often emphasize it, while the western literary theory pays more attention to it. This kind of criticism had influenced the study and creation of Chinese literature to a certain extent. The influence of western literary theory on literary creation is also reflected in the exploration of literary forms and styles. Chinese literature usually focuses on traditional narrative methods and emotional expressions, while Western literary theory pays more attention to modern literary forms such as modernness and expressionism. The exploration of this literary form had an impact on the creation of Chinese literature, which prompted Chinese literature to explore a broader field of literature. It should be noted that the influence of Western literary theory on Chinese literature is two-way and has also produced some negative effects. For example, the influence of Western literary theory made Chinese literature pay more attention to form and technique and ignore it.
What was the influence of Western literary theory on Chinese literature?
The influence of Western literary theory on Chinese literature was mainly reflected in the following aspects: 1. Regarding the literature creation's method, the western literature theory emphasized the sociality and history of art, believing that art was a mirror that reflected society and history. This method had a profound impact on the creation of Chinese literature, and many Chinese literature thus better expressed human nature and social phenomena. 2. On the theoretical basis of literary creation: Western literary theory puts forward that literature is a reflection of human nature and human nature, and literature is an aesthetic activity. This theoretical basis had a profound impact on Chinese literary creation. Many Chinese literature, emotions, philosophy of life and other topics were better expressed in human emotions and inner world. 3. On the style and form of literary creation: Western literary theories emphasize the variety and innovation of art, and believe that different art forms should learn from each other and integrate. The influence of this style and form is also reflected in the creation of Chinese literature. Many Chinese literature can better express emotions and thoughts. Western literary theories have influenced Chinese literature in many ways. They have not only promoted the development and progress of Chinese literature, but also influenced the literary creation and aesthetic concept of Chinese literature.
The Theory of Reappearance and the Theory of Performance in the Theory of Literature
In literary theory, the theory of representation and the theory of expression are two different theoretical approaches. They mainly discuss how literature can convey information, shape images, reflect life, and express ideas by representing or expressing historical, social, and human topics. The theory of representation advocates that literature should faithfully reproduce the subjects of history, society, and human beings as much as possible and emphasize that literature should express the subjects of history, society, and human beings objectively and fairly. This theory believes that literature should express real history and society through real historical events, characters, places, etc., so that readers can truly feel the atmosphere and appearance of history and society. The theory of expression advocated that literature should express history, society, human beings and other topics through literary images, plots, language and other means. It emphasized that literature should take emotions, thoughts, values and other topics as the theme to resonate with readers through artistic means. This theory believed that literature should convey the author's emotions, thoughts, and values through fictional images, plots, and language to arouse the reader's resonance and thinking. Both theories have their own advantages and disadvantages, but generally speaking, the theory of representation emphasized the objectively and authenticity of literature, while the theory of expression emphasized the subjective and personal nature of literature.
The Impact of Hu Shi's Theory of Vernacular Literature on Modern Chinese Literature
Hu Shi was one of the leaders of the Chinese New Culture Movement. His theory of vernacular literature advocated the use of easy-to-understand language to express ideas, which greatly promoted the development of modern Chinese literature. Hu Shi's theory of vernacular literature had a great impact on the history of modern Chinese literature in the following aspects: 1. To promote the development of modern Chinese literature: Hu Shi's theory of vernacular literature advocated the use of easy-to-understand language to express ideas. This new language style brought new blood and vitality to the development of modern Chinese literature. The rise of vernacular writing enabled many literary works to be more widely spread, expanding the readership and laying the foundation for the development of modern Chinese literature. 2. Denying traditional literature: Hu Shi's theory of vernacular literature criticized and denied traditional literature. He believed that the language and ideas of traditional literature were too complicated and profound for the public to understand and accept. This negation of traditional literature laid the foundation for the new trend of thought in modern Chinese literature, which made modern literature pay more attention to innovation and expression. 3. Forming a new literary style: Hu Shi's theory of vernacular literature formed a new literary style for modern Chinese literature. On the basis of vernacular writing, many new literary schools such as the New Moon School and the Revolutionary School appeared in modern Chinese literature. Each of these literary schools had its own language style and ideology. Hu Shi's theory of vernacular literature had a far-reaching impact on the history of modern Chinese literature, which pushed forward the development of modern Chinese literature, negated the traditional literature, formed a new literary style, and laid a solid foundation for the development of modern Chinese literature.
Literature Theory
Literature theory was a theoretical framework for analyzing and studying literary works. It usually includes an analysis of the historical background, author, genre, genre, and theme of literary works, as well as how these works reflect social, political, and cultural reality. The development of literary theory can be traced back to the ancient Greek period, but it was formally formed and widely used in the 19th century European cultural studies. At the beginning of the 20th century, with the development of the industrial revolution and the acceleration of social change, literary theory began to expand from a simple cultural study to a broader field of social criticism. In modern times, literary theory had become an important tool for literary research and creation. Different schools of literary theory and theorists have different views and theoretical tools, but they work together to better understand the essence and significance of literature.
Freshmen majored in Chinese language and literature were a little confused, especially in the general theory of modern Chinese and the history of modern Chinese literature.
As a fan of online literature, I'm very happy to be able to help you. The General Theory of Modern Chinese and the History of Modern Chinese Literature were two very important courses in the Chinese Language and Literature major. They involved all aspects of Chinese and Chinese literature. Modern Chinese General Theory mainly studies the language, grammar, vocabulary, pronunciation and tone of Chinese, as well as the application and influence of Chinese in the world. This course may involve some ancient Chinese and classical Chinese, so if you have a certain understanding of ancient Chinese, it may be easier to understand. The history of modern Chinese literature mainly studied the development and characteristics of modern Chinese literature, including the works of famous writers such as Lu Xun, Lao She, Mao Dun, and Zhang Ailing. This course may involve some modern and contemporary literature, so if you have a certain understanding of modern and contemporary literature, it may be easier to understand. In addition, you can try to take some notes during the lecture to record the content that you don't understand or ask the teacher or classmates for advice. Reading more related books and articles would also help to better understand the course content. Chinese Language and Literature is a major that requires constant accumulation and learning. I hope you can achieve good results in the course and explore this field in depth.
Literature theory, creation theory, noumenon theory, reception theory, what else?
Literature theory includes creation theory, noumenon theory, and acceptance theory. The specific differences are as follows: Creation theory refers to the theory of the basic principles and methods of literary creation. It paid attention to the process of producing literary works, the psychology of creation, and the methods of creation. Ontology is the theory of existence, noumenon, and essence in philosophy. In literary theory, noumenon usually refers to the theory of literature itself and its existence. It explored the essential features of literature such as language, structure, theme, and style. 3. The theory of reception refers to the theory of literary acceptance and readers 'response. It focuses on the readers 'reaction and acceptance of literary works in the process of communication, and probes into the value and significance of literature. In addition, there were also some theories related to literary theory such as aesthetic theory, cultural theory, ideology theory, etc. They discussed literary phenomena from different perspectives, which had a profound impact on the development of literary theory.