Introduction to Li Qingzhao's Ci and her own book
Li Qingzhao (1084 - 1155) was a famous female poet in the Song Dynasty of China. Her works occupied an important position in the history of Chinese literature. Her works were beautiful, emotional, and sincere, expressing her perception of life and her criticism of social reality. Li Qingzhao's Ci works were famous for their graceful, fresh, subtle and tactful style. His representative works included "Like a Dream,""Slow Voice,""The Phoenix with a Head,""The Feelings of the World" and so on. Her works often described women's feelings and lives, expressing their dissatisfaction and thoughts about love, kinship and social reality. In addition to Ci, Li Qingzhao also had a famous novel,"Dream Order: Chang Ji Xi Ting Ri Mu", which has been handed down to this day. This novel was about a woman's love story, depicting her life experience and emotional world. It was a typical masterpiece of Li Qingzhao's novel. Li Qingzhao's Ci and novel,"Like a Dream Order·Chang Ji Xi Ting Ri Mu" are both classics in the history of Chinese literature. They not only express women's feelings and thoughts, but also show Li Qingzhao's unique literary style and talent.
Li Qingzhao's Introduction and Ci
Li Qingzhao (1084 - 1155), also known as Yi 'an, was a female poet in the Northern Song Dynasty and one of the most famous female writers in the history of Chinese literature. Her Ci works were known as "the first talented woman in history" for their graceful, fresh, subtle style and profound meaning. Li Qingzhao was born into a cultured family. His grandfather and father were both scholars. She had been smart since she was young and had started learning poetry very early on. Later, she married the famous scholar, Zhao Mingcheng. Li Qingzhao's works mainly reflected her life experience and emotional experience. Her representative works included "Like a Dream,""Slow Voice,""The Phoenix with a Head,""The Feelings of the World" and so on. Li Qingzhao's Ci works were known for their graceful, fresh, and subtle style. In his representative work,"Dream of the Dream", there was a line that read,"I often remember the pavilion, and I don't know the way back when I'm drunk at dusk." It was similar to the "searching for the cold and desolate" in "Slow Voice". Such famous sentences are still widely read today. Her works had a profound influence on Chinese literature and was called "the first talented woman in history" by later generations.
Li Qingzhao's Introduction and Ci
Li Qingzhao (1084 - 1155), also known as Yi 'an and Jia Xuan, was a female poet in the Northern Song Dynasty and one of the most famous female poets in the history of Chinese literature. Her Ci works were regarded as the classics of ancient Chinese Ci works. The style of her Ci was fresh, elegant, reserved and graceful, expressing the feelings and thoughts in the depths of women's hearts. Li Qingzhao was born in Jinan, Shandong Province. Her family had been literati for generations. Li Qingzhao's father was a well-known literary scholar, and his mother was also a talented woman. During her growth, she was deeply influenced by her family environment and received a good education and literary influence. Li Qingzhao started writing poems when she was young, and her works were quickly recognized and appreciated by society. Li Qingzhao's most famous poem was "Dream Like Order". This poem expressed the loneliness and desire in the depths of a woman's heart by describing the scene of a woman's longing for a long journey. Its language was fresh and beautiful, and its artistic conception was far-reaching. It was hailed as a classic of ancient Chinese Ci. In addition to "Like a Dream", Li Qingzhao also had many other famous works such as "Slow Voice" and "The Phoenix with a Head", which had also become classics of Chinese literature. Li Qingzhao's works occupy an important position in the history of Chinese literature. Her works not only have high literary value, but also are an important part of Chinese culture. Her works expressed the deep feelings and thoughts of women, which had a profound influence on literature and art of later generations.
Li Qingzhao's Ci
Li Qingzhao wrote many poems, such as "Slow Sound·Searching for Search","Searching for Search, Cold and Clear, Miserable and Tragic";"Dream Order·Chang Ji Xi Ting Sunset","Chang Ji Xi Ting Sunset, intoxicated and do not know the way back, happy to return to the boat late, mistakenly entered the depths of lotus flowers";"Drunken Flower Shade·Mist Thick Clouds Worry Forever Day","Don't say not ecstasy, curtain roll west wind, people are thinner than yellow flowers";"Fisherman's Ao·Sky meets Cloud Tao Lian Xiao Fog","Sky meets Cloud Tao Lian Xiao Fog, Star River wants to turn a thousand sails dance";"Qingpingle·Annual Snow","In the snow every year, often inserted plum blossoms drunk";"Partridges Sky·Dark Light Yellow Body Soft Nature","Dark Light Yellow Body Soft Nature, Love Traces Distant Only Fragrance Remains"; There is also "A Cut of Plum·Red Lotus Root Fragrance Remains Jade Bamboo Autumn","Red Lotus Root Fragrance Remains Jade Bamboo Autumn, Light Untie Luo Clothes, Alone on the Orchid Boat." Who in the clouds sends a brocade letter? When the wild goose returns, the moon is full in the West Tower. In the early stage of her Ci, she wrote more about a leisurely life, and in the later stage, she lamented her life experience. The mood was sentimental, and she also revealed her nostalgia for the Central Plains. She was good at using plain drawing techniques in the form, and her language was clear and beautiful.
Translations of Li Qingzhao's Ci
The translation of Li Qingzhao's Ci is as follows: Li Qingzhao's poem,"Like a Dream," described a woman who missed her lover who had traveled far away at night. In her dream, her longing turned into tears that fell on her pillow. In the poem, the fresh and graceful strokes expressed the deep longing and helplessness of women towards love. Original text: I often remember that I was drunk at dusk in the stream pavilion and didn't know how to return. At night I return to my boat and mistakenly enter the depths of lotus flowers. Fighting to cross, fighting to cross, startled a pool of gulls and egrets. Translated: I often remember when the sun was setting in the creek pavilion, I was so intoxicated that I forgot the way home. When he returned home late, he accidentally entered the depths of the lotus flower. Zheng Du, Zheng Du accidentally startled a flock of gulls.
Li Qingzhao's Ci of Yi 'an
Yi 'an Ci referred to Li Qingzhao's Ci and its style. Li Qingzhao was known as Yi 'an Jushi. In the early stage of her Ci, she wrote more about leisure life. She was good at using the method of plain drawing in the form. Her language was clear and beautiful, with the characteristics of the secluded house. For example, she had lived a comfortable life in her early years. She and Zhao Mingcheng worked together to collect and sort out calligraphy, painting, gold and stone. The Ci of this period mostly reflected the state of this rich and comfortable life. Later, due to the demise of the Northern Song Dynasty and the death of her husband, Zhao Mingcheng, the style of her Ci turned into sadness, mostly lamenting her life experience, sentimental mood, and some also revealed nostalgia for the Central Plains. After experiencing so many changes, her words were filled with the longing for her deceased husband and the lamentation of her own wandering situation. In the creation of Ci, she emphasized the harmony of rhythm, advocated elegance and emotion, and proposed the theory of Ci "not being a family", opposing the method of writing poetry. She could also write poems, but she didn't keep much. Some of her poems were written in a historical style, which was different from her Ci style. Her works include "Yi An Ju Shi Wen Ji","Yi An Ci"(already lost), and later generations have "Shuyu Ci" compilation. Yi 'an's Ci also used the image of flowers, such as plum blossoms, chrysanthemums, begonia, pear blossoms, etc., to express his mood with flower patterns.
Li Qingzhao's Canhua Ci
Li Qingzhao's "Canhua" poem is: "Flowers bloom and fall without regret, fate comes and goes like water." Flowers wither for flowers bloom, flowers fly for flowers sorrow. Flower sorrow is flower tears, flower tears are flower fragments. Flowers danced, flowers shed tears, flowers cried, petals flew. For whom do the flowers bloom and wither, and for whom do the flowers wither and grieve?" There are 54 words in this word, of which the word "flower" is repeated 17 times. It described the process of the flower from the moment it bloomed to the moment it was destroyed by the outside world. Li Qingzhao compared herself to a flower. She was once as beautiful as a flower, but she had suffered through the hardships of life. Seeing the flowers wither, she thought of her own fate. She shed tears because of the flowers 'short life and the passing of their youth. She was sad for the flowers' hardships and her own tragic experience. She was sad for the flowers 'withering and her future fate that might be like the flowers. Li Qingzhao's works were mostly related to melancholy. Whether it was the early love sorrow, the family sorrow of the family's destruction, or the country's sorrow of the broken mountains and rivers, melancholy always accompanied her. Although these worries made her physically and mentally tired, it also made her Ci work bloom with a unique charm. She was like the plum blossoms in the literary world, still fragrant despite the harsh winter. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Li Qingzhao's "Shuyu Ci"
Shuyu Ci was a collection of Ci written by Li Qingzhao in Song Dynasty. Li Qingzhao, known as Yi 'an Jushi, was born in Jinan. She was the daughter of Li Gefei, a member of the Ministry of Rites, and the wife of Zhao Mingcheng, the prefect of Huzhou. The name of the collection originated from the Shuyu Spring in front of Li Qingzhao's former residence in Jinan. The spring water was clear and poured out from the bottom of the pool. When it fell on the stone, the water and stone collided with each other. It was said that Li Qingzhao used to wash by this spring in his early years. The spring is now located at the entrance of Li Qingzhao Memorial Hall in Baotu Spring Park in Jinan. Li Qingzhao was good at poetry and prose, especially famous for his Ci. He was one of the representatives of the graceful school. The works in Shuyu Ci were mostly about his leisurely life in the early stage, but in the later stage, they were mostly lamenting about his life experience and sentimental sentiments. Some also revealed nostalgia for the Central Plains. In terms of form, he was good at using plain drawing techniques, opening up his own way, and his language was clear and beautiful. The characteristics of his Ci were that his writing style was amazing, unique, and changeable. Some were beautiful and graceful, some were dreamy and hazy, some were flying with melancholy, some were sad and regretful, and the meaning was full. The Ci of Shuyu included Southern Songs, Transferring Mantingfang, Yu Jia Ao, Ru Meng Ling, Ode to White Chrysanthemum, Bodhisattva Man, Huanxi Sha, Recalling Blowing Flute on Phoenix Terrace, One Cut Plum, Butterfly Love Flowers, Partridges Sky, Xiaozhong Mountain, Resentment of the Royal Sun, Linjiang Immortal, Drunken Flower Yin, Wuling Spring, Qingping Music, Red Lips, etc. Among them, there were many famous works that have been passed down to this day. For example," Memories of Blowing Xiao on Phoenix Terrace " expressed the character image through subtle shots, revealing the poet's feelings and emotions to express the deep-rooted yearning; In " Drunken Flower Yin,"" Mo Dao is not ecstasy, the curtain rolls in the west wind, and people are thinner than yellow flowers " used the image of " yellow flowers " to show the poet's emotional persistence. These words reflected her deep and beautiful husband and wife love, which was different from the love between Liu Yong and other literati and geisha dancers. Her lyrics displayed her happy relationship as husband and wife. It was a kind of noble emotion with common interests and deep longing. When expressing love, she had rationally refined it, with high feelings and elegance, elegant and dignified demeanor. In terms of the edition of Shuyu Ci, Chen Zhensun's Shu Lu Jie Ti recorded Qingzhao's Shuyu Ci in one volume, and said that it was another five volumes; Huang Sheng's Hua An Ci Xuan called Shuyu Ci three volumes, but now these versions are not passed down. The current version only has seventeen poems, accompanied by a Preface to the Record of Gold and Stone. It was compiled by later generations and is no longer the old version. Moreover, the Preface to the Record of Gold and Stone is not complete. While waiting for the TV series, he could also read the exciting content related to this site!
What is Li Qingzhao's Ci?
Li Qingzhao's Ci was mostly graceful and restrained. His Ci works are exquisite in emotion, good at using scenery to express his feelings, expressing his thoughts, expressing his feelings of life, love, longing, sadness of life experience, etc. Her words were fresh and natural in language, but they were also very expressive. For example," No one is not in ecstasy, the curtain rolls up in the west wind, and people are thinner than yellow flowers ", using yellow flowers to compare people's thinness, vividly describing the torture of missing people;" searching, cold and clear, miserable and miserable " through the use of overlapping words, it rendered a lonely and bitter atmosphere. In terms of content, there were poems describing the feelings of a young girl, such as " walking with shame, leaning against the door and looking back, but smelling the green plum ", vividly depicting the shy expression of the young girl; there were also poems expressing the hatred of the subjugation of the country and the feeling of wandering life, such as " Zhongzhou is prosperous, the boudoir is full of flaws, remember to emphasize three or five." The crown of jade is spread, the golden snow willow is twisted, and the belt is gathered to compete with the Chu people. Now haggard, white hair, afraid to go out at night. It was better to listen to people's laughter under the curtain, comparing the prosperity of the past with the desolation of the present, reflecting the changes of the times and the ups and downs of personal destiny.
Li Qingzhao's Contribution to Ci
Li Qingzhao's contributions to Ci were mainly reflected in two aspects. Firstly, his works were very artistic. Although the number of works was not large, with only 50 poems, the quality and influence of his works were very great. Her Ci was divided into two periods with the south crossing as the dividing line. The early Ci reflected the different stages of her life, such as the carefree life of a young girl and the slight sadness of a young woman. In the later period, her masterpiece, Slow Sound, the beginning of the poem, such as "searching, cold and desolate, miserable and miserable", vividly expressed the miserable situation of her family after crossing south. This poem not only reflected her highest artistic attainments, but also reflected the precarious situation of the small court of the Southern Song Dynasty. In the evaluation of Ci, she was on par with Li Yu and Li Bai, which showed her high artistic achievements. Secondly, she wrote "On Ci" and put forward the theory that "Ci is a family". In the course of the development of Ci, the Ci of the late Tang Dynasty, the Five Dynasties and Ten Kingdoms, and the Northern Song Dynasty were strongly influenced by Tang poetry. Most of them were small works and were mostly games of personal feelings. Even in the Northern Song Dynasty, not many people regarded Ci as the main literary form. However, Li Qingzhao believed that Ci should no longer be regarded as a "poem with unrepaired sentences". Ci was based on music, but it had evolved into a literary genre at that time, so it should no longer be regarded as "poetry". This theory justified Ci and promoted Ci to the same status as poetry, which played an indelible role in promoting the comprehensive development of Ci in the Southern Song Dynasty.
An Analysis of Li Qingzhao's Ci
The following is an analysis of some of Li Qingzhao's works: ** 1. Works of a teenage girl ** 1. **"Like a Dream Order, Always Remembering Sunset in the Stream Pavilion"** - This poem described the experience of a young girl, Li Qingzhao. The poem depicted a scene of a young girl taking advantage of the sunset to play on the water in the beautiful scenery of the clear water and the lotus pond. She hummed a Jiangnan tune and sat on the boat with a smile, chasing the setting sun. She paddled and created layers of ripples. Play to the end of the fun did not return, the drunkenness gradually thick, on the way home mistakenly into the depths of lotus flowers, startled waterbirds. This short order of less than 40 words was completed in one go. It used ordinary words to describe the picture of a young girl's love for nature, and it completely presented the beautiful time when she was enjoying herself. During this period, Li Qingzhao was not familiar with the world, and his Ci was full of a sense of agility, but there was no sorrow. 2. ** Red Lips, Cuiba Swinging ** - It was about the budding state of a young girl's love. It vividly portrayed the image of an innocent, pure, emotional, yet reserved and shy girl. For example," She left in shame, leaned against the door and looked back, but sniffed the green plum ", which expressed the innocence and shame of the young girl very vividly. ** 2. Works during the period of marriage ** 1. **< Remembering the Flute on the Phoenix Platform·Fragrant Cold Golden Lion >** - The opening chapter started with multiple close-ups." Fragrant Cold Golden Lion, overturned by red waves. By describing the details such as the incense burner being cold, the quilt not folded, the laziness of combing hair, the dust in the dressing box, and the high sun not doing anything, the atmosphere of laziness and melancholy was layered. Then, she said that the reason was that her husband was about to travel far away, and she was suffering from boredom and hatred. Among them, the phrase " being turned over in red waves " was bold and ingenious, implying the love between husband and wife. This phrase was also the origin of this idiom. Li Qingzhao also used allusions in the poem, such as "Remembering the people of Wuling, the smoke locks the Qin Tower". In addition, Li Qingzhao was once called "Li Sanshou", and the "new thin" in this phrase was one of the three times she used the word "thin". 2. **< Drunken Flower Shade, Mist Thick Clouds Sorrow Forever >** - With the Double Ninth Festival as the background to express his longing. " The mist is thick and the clouds are sad for the day, and the brain is full of gold." It depicted the gloomy atmosphere in the long day. " It's the Double Ninth Festival during the festive season. A jade pillow and a gauze cupboard. It's cold at midnight." It further highlighted the loneliness of missing her husband during the Double Ninth Festival. " After the evening, there is a dark fragrance in the sleeves of the wine in the east fence " wrote the scene of drinking alone and admiring chrysanthemums, while " Don't say that it is not ecstasy, the curtain rolls in the west wind, and people are thinner than yellow flowers " was a famous sentence through the ages. Through the comparison between people and yellow flowers, it vividly wrote the state of women who were haggard and thin because of missing. ** 3. Work after experiencing an accident ** 1. ** Qingpingle·In the Snow Every Year ** - The first half of the poem was written from the poet's memories." In the snow every year, I often get drunk with plum blossoms." It depicted the happy scene of her youth and her husband walking in the snow to find plum blossoms. The word " drunk " reflected the happy mood at that time. After that," The plum blossoms are not well-intentioned, and the clothes are full of tears " wrote about the sorrow brought by the separation from her husband in her middle age and the family accident. She compared the changes in her mood from the different attitudes of admiring the plum blossoms. The second half of the poem,"This year's ends of the world, Xiao Xiao's two sideburns grow flowers", wrote about her own wandering world after her husband's death, her face haggard situation,"Looking at the late wind, so it should be ugly plum blossoms" on the surface wrote that the plum blossoms withered in the wind, but in fact, it used flowers as a metaphor for people, living in the feeling of life and country. The whole poem wrote a lifetime of sorrow and joy through the comparison of three different periods of plum appreciation.