There were many reasons why ancient scholars lived in seclusion. The Story of the Peach Blossom Spring was written by the Tang Dynasty poet Tao Yuanming. It described his secluded life of picking chrysanthemums under the eastern fence and leisurely looking at Nanshan Hill. It was said that he lived in seclusion because he despised the corruption and injustice of the society at that time and hoped to find a quiet place to hide from the noise of the world. 2. Lu Sheng lived in seclusion. The Tang Dynasty poet Bai Juyi's "Farewell to the Ancient Grass" described how he left Luoyang and lived a simple life in seclusion in the grasslands. It was said that the reason he lived in seclusion was because he opposed the corruption and darkness of politics at that time and hoped to find a quiet place to avoid political repression. 3. Living in seclusion in Nanxi. The Tang Dynasty poet Liu Yuxi's "Humble Room Inscription" described him leaving his official position and living a poor life in seclusion in Nanxi. It was said that he lived in seclusion because he thought he had seen through the noise and injustice of the world and hoped to find a quiet place to avoid the troubles of the world. Lin Bu lived in seclusion. Lin Bu, a poet of the Tang Dynasty, was a famous writer and poet. He did not like the cumbersome and oppressive officialdom and chose to live in seclusion in Nanshan. It was said that the reason he lived in seclusion was because he felt that the corruption and injustice of officialdom did not conform to his values. He hoped to find a quiet place to avoid the troubles of the world. These stories all reflected the dissatisfaction of the ancient literati towards politics and society, as well as their pursuit of a secluded life. Seclusion was also seen as an escape from the troubles of the world, but also a pursuit and exploration of one's own heart.
The reason why ancient literati liked brothels was more complicated. It was mainly because the environment and atmosphere of brothels were very suitable for literati's entertainment and creative inspiration. Brothels were usually located between mountains and rivers or above bustling markets. The surrounding environment was beautiful, providing fresh air and beautiful scenery to help relieve the pressure and fatigue of literati. At the same time, the brothel also provided all kinds of delicacies and drinks for scholars to taste and inspire their creations. Brothels usually provided all kinds of entertainment activities such as singing, dancing, chess, etc. These activities could let literati relax and inspire them, and also help to cultivate their talents and accomplishments. Brothels also provided all kinds of erotic services, which could provide inspiration and materials for literati to create. Because ancient literati were often very interested in erotic content, it also matched their interests and aesthetic standards. Therefore, the reason why ancient literati liked brothels was not because of their bad character, but because the environment and atmosphere of brothels were very suitable for literati's entertainment and creative inspiration.
There were many stories of integrity among ancient Chinese literati. The following are some famous examples: Bao Rong sold shoes: Bao Rong was a scholar in the Eastern Han Dynasty. His family was poor but he was very good at reading and writing. One day, he met an old man on the road and asked him if he needed help. Bao Rong gave all his money to the old man, but the old man only took Bao Rong away and did not give him anything. Bao Rong deeply felt that the old man was honest and reliable, so he had always respected him. Han Yu was a famous writer and ideologist in the Tang Dynasty. He attached great importance to honesty and morality. It was said that Han Yu once had a brush tomb that stored a lot of his own brushes and ink. One day, Han Yu found that one of the brushes was of particularly good quality, so he took it out and planned to use it himself. But when he picked up the brush, he accidentally splashed the ink on his face and felt very embarrassed. Thus, Han Yu decided to put the brush back into the Brush Tomb. Ding Lan was a scholar in the Northern Song Dynasty. He was proficient in mathematics and water conservancy projects. Legend has it that he once repaired a leaking well in a temple, and because of his superb skills, the well stopped leaking. However, the monks in the temple thought that Ding Lan had stolen his skills and were dissatisfied with him. However, Ding Lan did not give up his integrity and skills. He insisted on using his own skills to repair the leakage and finally got the recognition of the monks in the temple. 4. Hua Luogeng's integrity solution: Hua Luogeng was a famous mathematician in the 20th century. He always paid attention to integrity and precision in his work. Once, he encountered a complicated mathematical problem that required several hours to solve. However, he did not give up in the end. Instead, he insisted on solving the problem and finally got the correct answer. His behavior was respected and praised by his colleagues. These stories all demonstrated the integrity and moral spirit of ancient Chinese literati. They emphasized honesty, trustworthiness, integrity, diligence and other virtues, which became an indispensable part of Chinese culture.
In ancient times, scholars often chose to live in seclusion, away from political disputes and worldly troubles. This kind of lifestyle was usually to seek inner peace and spiritual satisfaction. The following are the stories of some famous scholars who lived in seclusion: Tao Yuanming, a writer and painter of the Eastern Jin Dynasty. He was once an official, but later resigned and lived in seclusion in the Peach Blossom Spring. Meng Haoran, a poet of the Tang Dynasty, once lived in seclusion in Mount Zhongnan in Xiangyang after being ostracized by officialdom. 3. Wang Wei, a poet of the Tang Dynasty, once held an official position. Later, he resigned and lived in seclusion in Xuanwu Temple on Wangwu Mountain. 4. Bai Juyi, a Tang Dynasty writer, once lived in seclusion in the White Chrysanthemum Garden in Jiangzhou after suffering a blow in officialdom. 5. Su Shi, a writer of the Song Dynasty who once held an official position, resigned and lived in seclusion at Fengle Bridge in Huizhou. 6. Xin Qiji, a writer of the Southern Song Dynasty. He once held an official position, but later resigned and lived in seclusion at his home in Daihu, Jiangnan. The stories of these scholars living in seclusion expressed their yearning for the troubles of the secular world and a free life, and also set an example for future generations.
There were many reasons why ancient scholars chose to live in seclusion after being demoted and hoped to be appreciated again. On the one hand, ancient scholars often had high academic qualifications and profound cultural heritage, but for various reasons, they were demoted to an unfamiliar environment and lost their social status and reputation. Under such circumstances, they might feel lost, desperate, and helpless. Therefore, living in seclusion was a way of self-protection, hoping to ease their emotions through a quiet lifestyle and wait for an opportunity to rise again. On the other hand, ancient scholars often had a strong sense of self-esteem and self-worth deep in their hearts. They believed that their talent and knowledge should not be belittled or ignored, so they hoped to be appreciated and recognized again. This desire might be their motivation to regain their social status and prestige, as well as one of their mentality to seek revenge and revenge. In addition, the social environment and cultural background of ancient scholars also affected their psychological state. In that era, people attached great importance to social status and prestige. After being demoted, they might feel that their lives and dignity were violated and insulted. Therefore, they hoped to regain recognition and prove their worth, as well as regain their dignity and status. The reason why ancient scholars chose to live in seclusion after being demoted and hoped to be appreciated again was because they had a strong sense of self-esteem and self-worth, as well as a desire for social status and prestige. These psychological and environmental factors interacted with each other, resulting in their contradictory mentality.
There were many reasons why ancient Chinese literati liked "fireworks girls". The following are some of the possible reasons: 1. The beautiful fireworks girl could attract the attention of scholars. The fireworks girls usually had gorgeous appearances and charming amorous feelings that could arouse the sexual desire and emotional resonance of literati. Firework girls usually did not rigidly adhere to traditional moral norms and had a more open lifestyle. It was easier for them to communicate freely and equally with literati. 2. The fireworks girl could provide entertainment and enjoyment for scholars. In ancient times, literati often lived a monotonous life and needed to relieve their stress through entertainment activities. The fireworks show, poetry, and other entertainment activities provided by the fireworks girl could bring pleasure and satisfaction to the literati. 3. The fireworks girl could satisfy the literary needs of literati. The stories, legends, poems and other literary works of the fireworks girl were an important part of ancient Chinese literature. These literary works provided scholars with rich literary creation materials and inspiration, and to a certain extent, influenced the development and progress of Chinese literature. It should be noted that the above reasons are only possible explanations. The specific reasons still need to be analyzed according to the specific situation.
There were many names for the study of ancient literati. The following are some common names: 1. Qingyi House: It means "a beautiful and comfortable study". 2. Hanxu Hall: It means "a study that can accommodate one's empty mind." 3. Mustard Seed Garden, which means "a small garden with profound meaning". 4. Drunken Immortal Restaurant: It meant "a building for drinking and making merry." 5 Nanxuan Zhai: Meaning "the room facing south". 6 Cuiwei Residence, which means "a study with a faint green mist". 7. Spring Garden: It means " garden that opens in spring." 8 Yuefu Zhai: Meaning " Music-related study." 9 Ziwei Residence: It means "study of purple clouds". Source Nurturing Hall, which means " study that protects water sources."
The beauty of the willow tree was described in " The grass on the plain withers and thrives once a year. The wildfire never ends, and the spring breeze blows, it grows again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the king's grandson away, full of parting feelings. This poem was written by Wang Zhihuan, a poet of the Tang Dynasty. It described the growth and changes of willows on the prairie to express the feeling of parting. The willow tree in the poem was not only an important element in the natural landscape, but also a symbol of the female image. It was praised for its gentle beauty.
In martial arts novels and online novels,"poets" usually referred to a group of swordsmen with strong literary and artistic aura. They had talent, hobbies, and specialties. They often showed their style in the form of poetry, novels, essays, and so on. The literati often traveled in Jianghu to communicate with various people and gradually became legendary figures in Jianghu. In some novels, the poets often appeared as the main characters to show their adventures and stories.
In ancient China, fake literati referred to those who wrote many articles, poems, music movements, etc. on the surface, but in fact, they did not have real talent. They often used their talent and writing style to decorate their reputation to cover up their true level. In Chinese history, the image of fake literati often appeared in various literary schools and literati groups. For example, in the Tang Dynasty, Bai Juyi was a typical fake literati. Although he had written many excellent poems and articles, he was actually not a real poet or writer.
In the minds of the ancient literati, the fisherman was a character full of adventure and creativity. Fishermen were often portrayed as brave, fearless, quick-witted and flexible people in many novels. They often showed their talent and courage through adventures and challenges in the ocean. Some ancient literati had an innovative description of the image of fishermen. They described fishermen as people with noble moral character and moral cultivation. They emphasized the diligence and wisdom of fishermen, believing that they were a challenging and creative profession that could explore the unknown through ocean adventures. The image of a fisherman in the hearts of ancient literati was a person full of adventurous spirit and creativity, hardworking and noble, and outstanding wisdom.