Why couldn't the works of the literati in the past hundred years surpass the poems of the Tang and Song Dynasties?
There were many reasons why the works of literati in the past hundred years could not surpass the poems of the Tang and Song Dynasties. 1. Different cultural backgrounds: The poems of the Tang and Song Dynasties are an important part of Chinese culture, with profound cultural implications and historical value. Most of the literary works in the past hundred years were created by individuals without the support and influence of traditional culture. 2. Different literary forms: The poems of the Tang and Song Dynasties adopted strict meters and rhythms, which required them to be musical and emotional. However, most of the literary works in the past hundred years did not have such requirements. They could be created at will and lacked the beauty of traditional poetry. 3. Different writing styles: The creators of poems in the Tang and Song Dynasties paid attention to expressing their inner world and emotions, pursuing the profoundness of the artistic conception and the accuracy of the expression. However, most of the literary works in the past hundred years focused on the plot and the creation of characters, lacking the perceptual and artistic conception of poetry. 4. Different literary environment: The creation of poetry in the Tang and Song Dynasties was prosperous and the cultural atmosphere was strong. A large number of outstanding poets and works emerged. In the past hundred years, the creation of literary works was relatively scattered and lacked the overall prosperity and cultural atmosphere of the Tang and Song Dynasties. The reason why the works of the literati in the past hundred years could not surpass the poems of the Tang and Song Dynasties was that there were differences in culture, literary form, creative style, literary environment, and so on. They could not meet these requirements at the same time.
The poems of the literati of the past dynasties describing lilac
Lilac was a common flower that had been vividly described by many literati in history. The following are some representative poems: In Bai Juyi's "Farewell to the Ancient Grass", there was a line that said,"The grass on the plain withers and thrives every year." The word "Li Li" described the shape of cloves. 2 In the Song Dynasty poet Su Shi's "Shuidiao Getou·When will the bright moon appear", there was a line "The dark fragrance floated at the dusk of the moon". The "dark fragrance" referred to the fragrance of cloves. 3. In the Ming Dynasty poet Cao Xueqin's Dream of the Red Chamber, there were many sentences describing lilacs, such as " purple stems, green leaves, lilacs, red as jade, beauty makeup " and so on. In the modern self-deprecating article, it was written,"I have a lot of lilacs at home, but they are all for others to see." Lilac was highly praised for its beautiful flowers and fragrance. It was vividly described by scholars of all generations and became one of the classic flowers in literature.
The poems of the literati of the past dynasties describing lilac
Lilac was a common flower and a symbol of traditional Chinese culture. The following is a poem written by scholars of the past dynasties describing lilac: In the poem "Farewell to the Ancient Grass" written by the Tang Dynasty poet Bai Juyi, there was a line: "The grass on the plains withers and thrives every year." The wildfire never ends, and the spring breeze blows, it grows again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the prince to the lush garden to bid farewell." It depicted the growth of lilacs. 2 In the Song Dynasty poet Su Shi's "Sapphire Case·Yuanxi", there was a poem: "The east wind blows down the flowers and trees, and the stars fall like rain." The fragrance of the precious horse and carved carriage fills the road, and the sound of the phoenix and the flute moves the light of the kettle, and the dragon and fish dance all night." It depicted the night of the Lantern Festival, where the lanterns were bright and fragrant. The "lilac" also appeared as a kind of lantern. 3. In the Ming Dynasty poet Wen Zhengming's "Journey to the Western Regions: The Story of the Two Towers", there was a line: "The lilac flowers on the tower are fragrant and fill the ancient platform." The moon is as bright as day, and the night is quiet." It depicted the lilac flowers in the ancient temple. In the Song of Everlasting Regret by Nalan Xingde, a poet of the Qing Dynasty, there was a play called "The First Time My Hair Is Covered and My Forehead Is Broken". I ride a bamboo horse to play with green plums around my bed. Living together in Changgan, the two little ones have no suspicion. At the age of fourteen, I was ashamed of my wife's face. He lowered his head and looked at the dark wall. At the age of fifteen, I opened my eyebrows and wished to be with the dust and ashes. Chang Cun holds the pillar and is faithful. How can he go up to Wangfutai? The sixteen kings traveled far away to Qutang and Yandui. In May, fishermen reminisce about the sound of monkeys and sad fans. A bucket of wine in a golden cup costs ten thousand dollars, and a jade plate worth ten thousand dollars. I stopped drinking, threw down my chopsticks, couldn't eat, pulled out my sword, looked around, and felt lost. I want to cross the Yellow River, the frozen river will climb the Taihang Mountains full of snow. When I'm free, I go fishing on the green stream. Suddenly I take a boat and dream of the sun. It was difficult to travel! It was difficult to travel! Where are the many forks now? The wind and waves will sometimes hang the clouds and sail across the sea." It depicted the poet's encounter with lilacs on his journey. The above are the poems written by the literati of the past dynasties describing the lilac, showing the beauty and unique meaning of lilac.
Why couldn't the works of modern authors surpass the Four Great Classics?
There was no simple answer to this question because the term "modern" was not completely correct. Although the four masterpieces have a very high status in the history of Chinese literature and have been an important representative of Chinese literature in the past few decades, modern times may surpass these masterpieces in some aspects. However, if we want to answer this question, we can consider the following aspects: 1. The difference between traditional literature and modern literature: traditional literature emphasized plots, characters, and topics, while modern literature emphasized expression, innovation, and form. Therefore, modern literature did not just follow the norms of traditional literature. 2. Literature style and language: The four masterpieces are masterpieces of novels of the Ming and Qing Dynasties. They adopt a distinct classical literary style and superb language expression skills. These elements became a literary feature that was difficult to replicate in modern literature. 3. The audience and cultural background: The readers of the four masterpieces are mainly ancient Chinese readers, while the readers of modern literature are more extensive, including modern Chinese and foreigners. Therefore, modern works were created to better adapt to the needs of different markets. 4. Historical and social background: The four masterpieces are all based on the cultural and social background of ancient China. These backgrounds and reality have become an important part of Chinese culture. From then on, he could create works that were more suitable for the needs of contemporary society. Although it was modern, many factors needed to be considered when writing, including traditional literary elements, literary style and language, audience groups and cultural background, as well as the development and changes of modern society. Therefore, it could not be simply described as modern.
Why was it said that the literati of the Song and Ming Dynasties were the most elegant?
The literati of the Song and Ming Dynasties had unique styles and characteristics in literature, art, culture, and so on. It was called the "Elegant Sense" period. In terms of literature, the literary creation of the Song Dynasty was represented by the graceful and unrestrained school. The style was beautiful and the emotions were delicate. Many literary works were still praised and appreciated by people today. The literary creation of the Ming Dynasty was mainly composed of essays, novels, essays, etc., which paid more attention to expressing personal feelings and thoughts. The form was concise, and the language was fresh and widely praised. In terms of art, the literati in the Song and Ming Dynasties paid attention to the expression and performance of art forms such as painting, music, calligraphy, etc., forming a unique artistic style and technique. For example, the painters of the Song Dynasty used landscape paintings, flowers, birds, fish, and insects as subjects to show deep feelings and delicate strokes; the musicians of the Ming Dynasty paid attention to the innovation and development of musical forms, such as the works of masters such as Bach and Handel. In addition, the literati of the Song and Ming Dynasties also made great contributions to culture. They paid attention to the inheritance and development of culture and actively spread knowledge and ideas to promote the prosperity and progress of culture. At the same time, the literati in the Song and Ming Dynasties also paid attention to personal cultivation and self-improvement, forming a unique literati style and personality charm. This was also one of the important reasons why they were called the "Elegant Sense" period.
Seeking the complete poems of "Chang 'an" and "Luoyang" in the Tang and Song Dynasties
As a person who loves reading novels, I don't have the ability to obtain Tang poetry and Song poetry in real time, so I can't provide the complete poems about Chang 'an and Luoyang. But I can recommend some Tang and Song poems to you. You can read them to learn more about Chang 'an and Luoyang. Chang 'an and Luoyang in the Tang Dynasty were both very important cities and were often mentioned in literature. The following are some poems that include Chang 'an and Luoyang: - Du Fu's "Climbing High":"The wind is fierce, the sky is high, the apes are howling, and the white birds fly back to the clear sand." Endless falling trees rustle and the endless Yangtze River rolls over." - Bai Juyi's "Fu De Gu Yuan Cao Farewell":"The grass on the plain withers and thrives every year. The wildfire can't burn, and the spring wind blows again." - Liu Yuxi's "Humble Room Inscription":"The mountain is not high, there are immortals; the water is not deep, there are dragons." This is my humble house, but I am virtuous." - Wang Wei's "Luoyang City":"The Luo River ripples and the clear apes cry in Chang 'an. Looking back at the piles of embroidery." The top of the mountain has thousands of households, and the bottom of the sea has a star that shines ten thousand miles." Luoyang in the Song Dynasty was also a very important city, which was different from the Tang Dynasty. The following are some of the Song Ci poems that include Chang 'an and Luoyang: - Zhang Xian's "Tianjing Sand·Spring":"Spring mountains are full of green water. The grass is luxuriant, and the boat painted on Parrot Island sleeps in the rain." - Su Shi's "Shuidiao Ge Tou":"When will the bright moon have wine to ask the blue sky?" I wonder what year it is in the palace in the sky." - Xin Qiji's "Sapphire Case·Yuanxi":"The east wind blows flowers and trees at night, and the stars fall like rain. The fragrant carvings of precious horses and chariots fill the road with the sound of phoenixes and whistles. The light of the teapot turns and the dragon and fish dance all night." I hope these poems can help you better understand Chang 'an and Luoyang.
What were the poems that wrote "sorrow" in the Tang and Song Dynasties?
Tang poetry and Song poetry were the treasures of Chinese literature. There were many poems that described "sorrow". Here are some famous poems describing sorrow: 1. Sad Face·Li Bai's " Going to Drink " 2. Worried Wind and Angry Rain. Du Fu's Climbing High 3. Worry about the Smoke Cage House. Bai Juyi's Farewell to the Ancient Grass. 4. Melancholy Falling Plum Blossom·Yuan Zhen,"Five Songs of Separation·IV" 5. Worry about the sunset clouds and the lonely ducks flying together. Wang Zhihuan's "Climbing the Stork Tower" 6. Worry about White Hair. Li Qingzhao's Dream 7 Sorrow Leaning on the Floor, Liu Yong,"Rain Linling" 8. Worry about the long night. Tang Wan's "The Phoenix with a Shroud Head. The Feelings of the World" 9. Sorrow over spring and hurt autumn. Su Shi's "Water Melody Song Head. When will the bright moon appear?" 10 Gloomy Clouds·Xin Qiji's "Sapphire Case·Yuan Xi"
Why couldn't " Everyday Up " surpass " Happy Camp "?
As a fan of online literature, I can't give a specific evaluation of a particular TV show surpassing another. However, generally speaking, the success of a TV show depended on many factors, including the quality of production, audience preferences, marketing strategy, guest lineup, and so on. " Day Day Up " and " Happy Camp " were both famous variety shows in China that had created a glorious history. The styles and theme of the two programs were different, each with its own unique charm. " Day Day Up " focused on interviews and talk shows to explore social issues and human emotions, while " Happy Camp " focused on entertainment and games to attract young audiences. Although the two programs had their own unique charm, their audience groups and target audiences were also different. The target audience of " Day Day Up " was mainly people who had a certain degree of cultural attainment and were concerned about social issues, while the target audience of " Happy Camp " was mainly young audiences, especially young people. Due to the different audiences and target audiences, the publicity and marketing strategies of the two programs were also different. Therefore, in order to surpass another program, it needed to be analyzed and improved according to the specific situation. Whether it was " Day Day Up " or " Happy Camp," they had to constantly adapt to the audience's needs and constantly improve the quality of production in order to maintain their leading position.
three hundred Tang poems
300 Poems of the Tang Dynasty was a widely circulated anthology of the Tang Dynasty. It included 77 poems, totaling 311 poems. It was written in the 29th year of Qianlong (1764) and edited by Sun Zhu, a retired scholar from Hengtang in the Qing Dynasty. The purpose of this anthology was to improve the popular children's enlightenment poetry anthology,"Thousands of Songs," to make it more detailed and easier to learn. The range of poems selected for "300 Poems of the Tang Dynasty" was quite wide, including the works of Du Fu, Wang Wei, Li Bai, Li Shangyin, and many other famous poets of the Tang Dynasty. It was regarded as the first choice for introductory reading of Tang poetry and had an important influence on Chinese culture.
three hundred Tang poems
The 300 Tang poems referred to the 300 poems of the Tang Dynasty. They were the classics in the history of Chinese classical poetry and were known as the "treasure house of poetry." The Tang Dynasty was one of the most prosperous periods in the history of Chinese poetry. Its poetry style was diverse, its content was extensive, its form was beautiful, and its expression was strong. It was known as the peak of Chinese classical poetry. The 300 Tang poems included many famous poets and works such as Li Bai, Du Fu, Bai Juyi, Wang Zhihuan, Wang Wei, Meng Haoran, etc. Their works had different styles and rich contents, which had high artistic value and historical value. The 300 poems of Tang not only occupied an important position in the history of Chinese literature, but also had a high reputation and influence in the world. They were regarded as treasures in the history of world poetry.
three hundred Tang poems
The 300 Poems of the Tang Dynasty referred to the collection of poems from the Tang Dynasty (618 - 907), which included nearly 3000 poems by famous poets of the Tang Dynasty. The Tang Dynasty was one of the periods of cultural prosperity in Chinese history, and poetry creation reached its peak. Tang poetry is known as one of the treasures of Chinese culture for its superb artistic expression, profound ideology and unique aesthetic style. The collection of 300 Tang poems covered a wide range of poems, such as landscape poems, poetry, love poems, political poems, historical poems, etc. These works, with their superb artistic expression and profound ideology, show the unique charm of the Tang Dynasty poetry, and also provide important information for us to understand and study the culture of the Tang Dynasty.