Lin Huiyin's books are better.
Lin Huiyin was a famous architect and poet in modern China. She was also known as the "poet of the architectural world". Her works include architectural plans and architectural designs, as well as literary works such as poetry, prose, and novels. Here are some recommended books about Lin Huiyin: Liang Sicheng and Lin Huiyin: This is a book that records the many important construction projects completed by two outstanding architects. The author is Liang Sicheng and Lin Huiyin's son, Liang Zaibing. This book had high historical value, literary value, and artistic value. 2 Biography of Lin Huiyin: This is a comprehensive introduction to Lin Huiyin's life and career, written by historian Lin Yutang. This book not only described Lin Huiyin's academic and architectural achievements, but also her literary creation and life experience. It was highly readable and collectible. "Everyone You Meet in Heaven": This is a collection of Lin Huiyin's essays about her thoughts and feelings about life, nature, culture, and so on. This book has a high literary value and philosophical depth, suitable for readers to reflect and comprehend. 4 "How many flowers fall in my dream": This is a collection of some of Lin Huiyin's poems. This book has a high literary value and artistic value. It shows the characteristics and style of Lin Huiyin's poetry creation, which is suitable for readers to appreciate and taste. These are some books about Lin Huiyin. They not only have high literary value and historical value, but also bring readers different life experiences and thoughts.
Which biography about Lin Huiyin was better?
For biographies of Lin Huiyin, you can refer to the following popular biographies: Liang Sicheng and Lin Huiyin, written by Liang Sicheng and Lin Huiyin's eldest son, Liang Zaibing, tells the story of the cooperation and dispute between the two master architects in the protection of ancient buildings and architectural creation, as well as their personal lives. Lin Huiyin: Written by the famous historian Li Jishen, it gives a comprehensive introduction to Lin Huiyin's life and career. It tells about her contributions in architecture, culture, politics and many other fields. 3. Lin Weiyin: Written by Lin Huiyin's daughter, Lin Weiyin, it narrates her mother's legendary life in the first person, including her achievements and contributions in many fields such as culture, politics, and architecture. 4. Liang Sicheng and Lin Weiyin: The Family Life of a Master Builder: Written by Liang Sicheng and Lin Huiyin's grandson, Liang Zaibing, it narrates the family life, emotional experiences, and the growth of their children of two master architects. The above biographies all had relatively detailed descriptions, which could be read according to one's own interests and needs. However, it should be noted that biographies are fictional works of literature. There may be some fictional and exaggerated parts. The readers need to maintain a rational and objective attitude to evaluate and judge.
Lin Huiyin's Masterpiece
Lin Huiyin was a famous architect, poet, and writer in modern China. She was known as the "poet of the architectural world". Her representative works include: Lin Huiyin's residence, Xihua Hall, was located in Dongcheng Area Beijing City. It was Lin Huiyin's residence when she worked in Beijing. The building used traditional Chinese architectural styles, including glazed roof tiles, bucket arch, colored paintings and other elements, and was hailed as the "treasure of ancient Chinese architecture." 2. Lin Huiyin's Taj Mahal: The Taj Mahal is a famous mausoleum in India and one of the world's cultural heritages. It was designed and built by the famous Indian architect, Rama Taj Mahal. It is one of the greatest buildings in the world and one of the greatest buildings in Indian history. 3. Lin Huiyin's " Tsinghua University's Department of Construction ": Lin Huiyin was not only an outstanding architect but also a famous writer. She studied at Tsinghua University and participated in the establishment of the Department of architecture of Tsinghua University, making an important contribution to the modern architecture industry in China.
Lin Huiyin's Book
Lin Huiyin was a famous poet, writer, architect, and social practitioner in modern China. She was known as the "Goddess of the Construction World". Her masterpieces included You Are the April Day of the Human World and How Many Flowers Have Fallen in My Dream.
What books were there about Lin Huiyin's life?
Lin Huiyin (January 15, 1907-September 24, 1966), formerly known as Lin Huiyin, was a famous poet, architect, and social organizer in modern China. The following are books about Lin Huiyin: 1 Biography of Lin Huiyin ( ) 2 "With Lin Huiyin"( ) 3 "How many flowers fall in my dream"( ) 4. I'm repairing cultural relics in the Forbidden City ( ) 5. A Century of Buildings: A Catalog of Modern Chinese Buildings ( ) Lin Huiyin: A Woman's Art Life ( ) 7 History of Ancient Chinese Buildings ( ) 8. Modern Chinese architectural history ( ) These books systematically introduced Lin Huiyin's life and contributions. The readers could choose to read according to their own needs.
What books did Lin Huiyin write?
Lin Huiyin was a famous architect and poet in modern China. Her works included novels, essays, poems and many other styles. Lin Huiyin's masterpiece was " How Many Flowers Have Fallen in My Dream ", which told a complicated story about love, marriage, and life. It described the work and life of Lin Huiyin, Liang Sicheng, and other characters in architectural design and scientific research. The novel won the first Mao Dun Literature Prize in China. Lin Huiyin's masterpiece of prose was " Flowers in the Rainy Season ", which described her life and travel experience in a small town in Jiangnan and showed her love and exploration of life, nature and humanity. In addition, Lin Huiyin also wrote many works such as "History of Chinese architecture" and made important contributions to the development of ancient and modern Chinese architecture.
Lin Huiyin's Love Experience
Lin Huiyin's love experience was as follows: - Xu Zhimo: Lin Huiyin met Xu Zhimo when she was studying in England. Xu Zhimo fell in love with Lin Huiyin and began to pursue her. Lin Huiyin also had a good impression of Xu Zhimo, but she knew that Xu Zhimo was already married, so she rejected his pursuit. - Liang Sicheng: After Lin Huiyin returned to China, she met Liang Sicheng. The two soon fell in love and got married. Liang Sicheng was Lin Huiyin's classmate and friend, as well as her lifelong partner. - Jin Yuelin: After Lin Huiyin and Liang Sicheng got married, Jin Yuelin had always been in love with Lin Huiyin. He knew that Lin Huiyin and Liang Sicheng had a good relationship, but he still couldn't control his feelings. He had been silently guarding Lin Huiyin until Lin Huiyin died. In general, Lin Huiyin's love experience was very rich. She had emotional entanglements with Xu Zhimo, Liang Sicheng, and Jin Yuelin. Her love story also became a much-told story in the history of modern Chinese literature. While waiting for the anime, you can also click on the link below to read the classic original work of " Full-time Expert "!
Lin Huiyin's Biography of 50 Classics
I came to the foot of Yuelu Mountain and looked at the lofty mountain peak, and my heart couldn't help but feel a sense of reverence. Liang Sicheng and Lin Huiyin Lin Huiyin was a famous architect and designer in China in the 20th century. Together with Liang Sicheng, she devoted herself to the protection and reconstruction of ancient Chinese buildings and became one of the founders of the protection of ancient Chinese buildings. 3. A gentle breeze blows over the hills, and there are homes where white clouds grow. Stop and sit in love with the maple forest. The evening frost leaves are redder than the flowers in February. The mountain is not high, there are immortals; the water is not deep, there are dragons. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the fifth day, the street was wet with light rain, like the crisp grass color. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. Six days high, the clouds are thin, looking at the wild geese flying south. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 7 Alone in a foreign land, as a stranger, I miss my family more than ever during the festive season. I know from a distance that my brothers are short of one person by planting dogwood everywhere. Do you know that the flowers are full of fragrance? Fragrance filled the whole building, do you know? The mountain is heavy and the water is heavy. There is no way out. The willows are dark and the flowers are bright. Another village. 10 ambition hungry meal Hu Krupp meat laughing talk thirsty drink Xiongnu blood. To clean up the old mountains and rivers from the beginning. On the 11th day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there is a fairy name; The water is not deep, there is a dragon spirit. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. How much sorrow can you have? Like a river flowing eastward in spring. I was born to be useful. Cook sheep, slaughter cattle, and enjoy the party. You must drink three hundred cups at a time. On the 15th day, the street was drizzling like the crisp grass, but it was not near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. 16 mountains and heavy water, there is no way out, there is another village. 17 days high, the clouds are thin, looking at the wild geese flying south. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 18 Alone in a foreign land, as a stranger, I miss my family more every festival. I know from a distance that my brothers are short of one person by planting dogwood everywhere. On the 19th day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 21st day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The twenty-two days are high, the clouds are light, and the wild geese flying south are broken. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 23 Alone in a foreign land, as a stranger, I miss my family more every festival. I know from a distance that my brothers are short of one person by planting dogwood everywhere. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 25th day, the street was wet with light rain, like the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The twenty-seven days high, the clouds are light, and the wild geese fly south. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 28 Alone in a foreign land, as a stranger, I miss my family more every festival. I know from a distance that my brothers are short of one person by planting dogwood everywhere. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 30 days of light rain on the street, moist like crisp grass, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there is a fairy to be famous; The water is not deep, there is a dragon to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 32nd day, the street was drizzling like grass, but it was not near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 34th day, the street was drizzling like grass, but it was not near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The 36th day of the street is drizzling like the crisp grass, but there is nothing near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 38th day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there is a fairy to be famous; The water is not deep, there is a dragon to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 40 days of light rain on the street, moist like crisp grass, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 42 days street light rain moist like crisp grass color, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The light rain on the 44th Heaven Street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The light rain on the 46th Heaven Street is as moist as the crisp grass color. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The light rain on the 48th Heaven Street was as moist as the crisp grass color. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 50 days of light rain on the street, moist like crisp grass, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city.
Lin Huiyin's classic quote
Lin Huiyin (January 15, 1907-October 19, 1959) was a famous architect, poet and revolutionary in modern China. The following are some of Lin Huiyin's classic sayings: This was Lin Huiyin's view on architectural art. The purpose of architecture is not the building itself but the spirit it represents. 3. Buildings should reflect the spirit and atmosphere of the times and reflect people's thoughts and emotions. Real buildings should be habitable, not just for looks. I like architecture because it can make people feel beautiful and warm, and make people feel happy and happy. 6. The architectural design should consider both practicality and aesthetics, as well as environmental, climate and budget factors. Building is a kind of culture, one of the highest forms of art created by human beings. I hope that China's architectural design can pay more attention to traditional culture and pay more attention to the harmony between man and nature. Construction should be a kind of service, a kind of service behavior, so that people can obtain more happiness and satisfaction from it. Building should be an art, an art that makes people feel happy and enjoyable.
Are there any books related to Lin Huiyin that are worth recommending?
I recommend Biography of Lin Huiyin. It tells about Lin Huiyin's life experience, including her talent, love, family background, and so on. It's a good book to understand Lin Huiyin. Lin Huiyin: The Age of Orange and Red was also worth reading. I hope you like this fairy's recommendation. Muah ~😗
I want to buy a biography of Lin Huiyin. Which version is better?
Lin Huiyin was a famous modern Chinese poet, architect, and politician. Biography referred to a biography that usually described a person's life and career. If you want to buy a biography of Lin Huiyin, you can choose from the following versions: Biography of Lin Huiyin (, Lin Huiyin): This is a biography of Lin Huiyin written together with Lin Huiyin. It gives a comprehensive account of Lin Huiyin's life and career. It has high literary value. 2 "Lin Huiyin"( ): This is a biography written by Lin Huiyin. It mainly talks about Lin Huiyin's position and contribution in modern Chinese history. The writing style is fresh and readable. Lin Huiyin and the Art of Construction ( ): This is a biography written by Lin Huiyin. It mainly talks about Lin Huiyin's achievements and contributions in architectural design. It also gives an in-depth discussion of Lin Huiyin's architectural style and design ideas. Each of the three biographies had its own characteristics. One could choose the version that suited one's interests and needs.