Lin Huiyin (January 15, 1907-October 19, 1959) was a famous architect, poet and revolutionary in modern China. The following are some of Lin Huiyin's classic sayings: This was Lin Huiyin's view on architectural art. The purpose of architecture is not the building itself but the spirit it represents. 3. Buildings should reflect the spirit and atmosphere of the times and reflect people's thoughts and emotions. Real buildings should be habitable, not just for looks. I like architecture because it can make people feel beautiful and warm, and make people feel happy and happy. 6. The architectural design should consider both practicality and aesthetics, as well as environmental, climate and budget factors. Building is a kind of culture, one of the highest forms of art created by human beings. I hope that China's architectural design can pay more attention to traditional culture and pay more attention to the harmony between man and nature. Construction should be a kind of service, a kind of service behavior, so that people can obtain more happiness and satisfaction from it. Building should be an art, an art that makes people feel happy and enjoyable.
Lin Huiyin was a famous poet, architect, and writer in modern China. She was known as the " Queen of the architectural world." She had many classic sayings. Here are a few of them: " The value of life is not measured by time, but by depth." "True happiness is not wealth, status, or fame, but inner peace and contentment." " Only when one person is truly enlightened can the pain be minimized." " In this world, the most important thing is not the road we walk, but the people we walk by." 5 " Love is not about possession but appreciation." " A person's true success is not determined by the number of times he reaches the top, but by the number of times he falls from the top." 7 "We should not torture ourselves for our desires, but should release ourselves through forgiveness and love." These classic sayings were full of philosophy and life wisdom, which not only inspired many people but also deeply influenced Lin Huiyin herself.
Li Gongjun's classic quote: If life is only like the first time I see it, why is the autumn wind sad for the painted fan? The mountain road I walked on was the same road that Xu Xiake had once walked on. Although the world is big, it only has you. May I be as bright as the moon and the stars. True love isn't a moment of good feelings, but the impulse to persevere even though you know there's no result. Xu Zhimo's classic quote: There is love in life, but hate has nothing to do with wind and moon. Sometimes, love is just an art of the soul. May I be as bright as the moon and the stars. I'll give you my heart after I die. Let's go to heaven together. 5. A small stove made of red mud with new fermented wine brewed by green ants. Can I drink a cup of snow in the evening? Lin Huiyin's classic quote: The happiness of a person's life does not lie in the pursuit of material wealth, but in the satisfaction of the soul. Two generations, one pair, two ecstasy. You are the wind, I am the sand. The stronger the wind, the more the sand flows. In my dreams, I don't know that I'm a guest, but I feel pain at the touch of my memories. In my dreams, I don't know that I'm a guest. Memories that hurt at the touch. Classic quote from Xinyi Dock: It turns out that the cruelest parting in this world is just watching you leave but unable to retain you. The most touching love in this world is just watching you leave but can't keep you. Love is not about possession but giving. Love is not a matter of one person, but the efforts of two people. May someone give you a calm love when you wander.
Lin Xi was a famous Chinese pop singer and songwriter. His music was loved by many audiences. The following are some of Lin Xi's classic sayings: I've never asked for anything if I could stop loving you. (The Promise) If I leave just to love you better. (The Promise) Love doesn't always have results, but sometimes I don't want to wait. (The Promise) Love is sometimes happy and sometimes sad, but love is love. (The Promise) Love isn't about sleeping with you just because you want to. (That Year in a Hurry) If love comes back, I will push you away with my own hands. (That Year in a Hurry) Love has no reason, only feelings. (Love in Late Autumn) I didn't take the initiative because I didn't want to hurt you. (Love in Late Autumn) I'm fine, but you don't love me. (Later) If I'm destined to go alone, let me go alone. (Later)
Lin Huiyin was a famous architect, poet, and writer in modern China. She was known as the "poet of the architectural world". Her representative works include: Lin Huiyin's residence, Xihua Hall, was located in Dongcheng Area Beijing City. It was Lin Huiyin's residence when she worked in Beijing. The building used traditional Chinese architectural styles, including glazed roof tiles, bucket arch, colored paintings and other elements, and was hailed as the "treasure of ancient Chinese architecture." 2. Lin Huiyin's Taj Mahal: The Taj Mahal is a famous mausoleum in India and one of the world's cultural heritages. It was designed and built by the famous Indian architect, Rama Taj Mahal. It is one of the greatest buildings in the world and one of the greatest buildings in Indian history. 3. Lin Huiyin's " Tsinghua University's Department of Construction ": Lin Huiyin was not only an outstanding architect but also a famous writer. She studied at Tsinghua University and participated in the establishment of the Department of architecture of Tsinghua University, making an important contribution to the modern architecture industry in China.
Lin Huiyin was a famous poet, writer, architect, and social practitioner in modern China. She was known as the "Goddess of the Construction World". Her masterpieces included You Are the April Day of the Human World and How Many Flowers Have Fallen in My Dream.
Lin Huiyin's love experience was as follows: - Xu Zhimo: Lin Huiyin met Xu Zhimo when she was studying in England. Xu Zhimo fell in love with Lin Huiyin and began to pursue her. Lin Huiyin also had a good impression of Xu Zhimo, but she knew that Xu Zhimo was already married, so she rejected his pursuit. - Liang Sicheng: After Lin Huiyin returned to China, she met Liang Sicheng. The two soon fell in love and got married. Liang Sicheng was Lin Huiyin's classmate and friend, as well as her lifelong partner. - Jin Yuelin: After Lin Huiyin and Liang Sicheng got married, Jin Yuelin had always been in love with Lin Huiyin. He knew that Lin Huiyin and Liang Sicheng had a good relationship, but he still couldn't control his feelings. He had been silently guarding Lin Huiyin until Lin Huiyin died. In general, Lin Huiyin's love experience was very rich. She had emotional entanglements with Xu Zhimo, Liang Sicheng, and Jin Yuelin. Her love story also became a much-told story in the history of modern Chinese literature. While waiting for the anime, you can also click on the link below to read the classic original work of " Full-time Expert "!
I came to the foot of Yuelu Mountain and looked at the lofty mountain peak, and my heart couldn't help but feel a sense of reverence. Liang Sicheng and Lin Huiyin Lin Huiyin was a famous architect and designer in China in the 20th century. Together with Liang Sicheng, she devoted herself to the protection and reconstruction of ancient Chinese buildings and became one of the founders of the protection of ancient Chinese buildings. 3. A gentle breeze blows over the hills, and there are homes where white clouds grow. Stop and sit in love with the maple forest. The evening frost leaves are redder than the flowers in February. The mountain is not high, there are immortals; the water is not deep, there are dragons. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the fifth day, the street was wet with light rain, like the crisp grass color. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. Six days high, the clouds are thin, looking at the wild geese flying south. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 7 Alone in a foreign land, as a stranger, I miss my family more than ever during the festive season. I know from a distance that my brothers are short of one person by planting dogwood everywhere. Do you know that the flowers are full of fragrance? Fragrance filled the whole building, do you know? The mountain is heavy and the water is heavy. There is no way out. The willows are dark and the flowers are bright. Another village. 10 ambition hungry meal Hu Krupp meat laughing talk thirsty drink Xiongnu blood. To clean up the old mountains and rivers from the beginning. On the 11th day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there is a fairy name; The water is not deep, there is a dragon spirit. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. How much sorrow can you have? Like a river flowing eastward in spring. I was born to be useful. Cook sheep, slaughter cattle, and enjoy the party. You must drink three hundred cups at a time. On the 15th day, the street was drizzling like the crisp grass, but it was not near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. 16 mountains and heavy water, there is no way out, there is another village. 17 days high, the clouds are thin, looking at the wild geese flying south. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 18 Alone in a foreign land, as a stranger, I miss my family more every festival. I know from a distance that my brothers are short of one person by planting dogwood everywhere. On the 19th day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 21st day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The twenty-two days are high, the clouds are light, and the wild geese flying south are broken. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 23 Alone in a foreign land, as a stranger, I miss my family more every festival. I know from a distance that my brothers are short of one person by planting dogwood everywhere. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 25th day, the street was wet with light rain, like the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The twenty-seven days high, the clouds are light, and the wild geese fly south. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 28 Alone in a foreign land, as a stranger, I miss my family more every festival. I know from a distance that my brothers are short of one person by planting dogwood everywhere. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 30 days of light rain on the street, moist like crisp grass, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there is a fairy to be famous; The water is not deep, there is a dragon to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 32nd day, the street was drizzling like grass, but it was not near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 34th day, the street was drizzling like grass, but it was not near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The 36th day of the street is drizzling like the crisp grass, but there is nothing near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 38th day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there is a fairy to be famous; The water is not deep, there is a dragon to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 40 days of light rain on the street, moist like crisp grass, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 42 days street light rain moist like crisp grass color, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The light rain on the 44th Heaven Street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The light rain on the 46th Heaven Street is as moist as the crisp grass color. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The light rain on the 48th Heaven Street was as moist as the crisp grass color. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 50 days of light rain on the street, moist like crisp grass, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city.
Lin Huiyin was a famous architect and poet in modern China. She was also known as the "poet of the architectural world". Her works include architectural plans and architectural designs, as well as literary works such as poetry, prose, and novels. Here are some recommended books about Lin Huiyin: Liang Sicheng and Lin Huiyin: This is a book that records the many important construction projects completed by two outstanding architects. The author is Liang Sicheng and Lin Huiyin's son, Liang Zaibing. This book had high historical value, literary value, and artistic value. 2 Biography of Lin Huiyin: This is a comprehensive introduction to Lin Huiyin's life and career, written by historian Lin Yutang. This book not only described Lin Huiyin's academic and architectural achievements, but also her literary creation and life experience. It was highly readable and collectible. "Everyone You Meet in Heaven": This is a collection of Lin Huiyin's essays about her thoughts and feelings about life, nature, culture, and so on. This book has a high literary value and philosophical depth, suitable for readers to reflect and comprehend. 4 "How many flowers fall in my dream": This is a collection of some of Lin Huiyin's poems. This book has a high literary value and artistic value. It shows the characteristics and style of Lin Huiyin's poetry creation, which is suitable for readers to appreciate and taste. These are some books about Lin Huiyin. They not only have high literary value and historical value, but also bring readers different life experiences and thoughts.
Lin Huiyin was a famous poet, architect, and writer in modern China. She was known as the "genius poet of the architectural world". Her representative works included " April in the Human World " and " You are the April in the Human World." "April Day in the Human World" is a lyric poem written by Lin Huiyin. The full text is as follows: April sky Scattered with faint sadness in this season I wander alone recalling the past It seems like yesterday That wind Warm and soft The fragrance of flowers in April Drifting in the air I'm immersed in the fragrance of flowers It's as if I've returned to my childhood the April day on earth Still so beautiful Everything is so new Everything is so lovely You are the April day of the world Makes me feel warm Like the warm sunshine Shine on me your beauty I'm enchanted your gentleness makes me happy the April day on earth Full of your beauty I want to be in your arms forever Forever.
Lin Huiyin was a famous architect, poet, writer, and social practitioner in modern China. She was known as the "Goddess of the Construction World". Her representative works include: 1. The novel "Peony Pavilion": This novel is one of Lin Huiyin's representative works. It describes the story of the Tang Dynasty poet Du Mu's poem "Peony Pavilion", which shows the contradiction between the social style and human nature of the Tang Dynasty. 2. Essay Collection "How Many Flowers Fall in Dreams": This collection of essays contains many excellent essays by Lin Huiyin, such as "How Many Flowers Fall in Dreams" and "Farewell to Kangqiao", which express her thoughts and feelings about life, love, nature and other aspects. 3. Poetry Collection of Lin Huiyin: This collection of poems includes some of Lin Huiyin's works such as "Farewell" and "Reminiscence of the Past at Night", which reflects her unique poetic style and literary talent. 4. The architectural work "New Tsinghua School of Tsinghua University": This is a building designed by Lin Hui for Tsinghua University. The building is located at No. 59 Zhongguancun Street, Haidian District, Beijing City. It is known as a classic in the history of modern Chinese architecture. 5. Academic thesis " History of Chinese architecture ": This thesis is one of Lin Huiyin's representative works on the history of Chinese architecture. It systematically elaborated the historical development process and characteristics of modern Chinese architecture, laying the foundation for the study of modern Chinese architecture history. Lin Huiyin was a talented literary, architectural, and social practitioner. Her representative works not only left a profound literary and architectural heritage, but also had a profound impact on the development of modern Chinese culture.