The earliest poetry magazine in the history of Chinese new poetry, which was founded in January 1922, was Poetry Tide. The Tide of Poetry was a very important poetry journal in the history of Chinese literature and was considered one of the pioneers of the modern Chinese poetry movement. It was founded in January 1922 by Hu Shi, Lin Yutang, Zheng Zhenduo and others. Poetic Tide was a book that promoted the ideology of the New Culture Movement and encouraged poets to express their thoughts and feelings in modern languages and forms. Its content covers poetry, prose, novels and many other fields. It is known as the foundation of the modern Chinese poetry movement.
The history of the development of Chinese poetry can be traced back to the pre-Qin period, when a batch of excellent poetry works represented by the Book of Songs appeared. In the Han Dynasty, poetry creation gradually got rid of the shackles of tradition and a group of outstanding poets such as Li Bai and Du Fu appeared. The Tang Dynasty was the peak period of ancient Chinese poetry. The expression, artistic skills, and creative style of poetry reached a new level, such as Wang Zhihuan's "Climbing the Stork Tower" and Bai Juyi's "Farewell to the Ancient Grass". The Song Dynasty was the lowest point of ancient Chinese poetry. There were many restrictions on poetry creation, but there were still many outstanding poets and works such as Su Shi's "Red Cliff Ode" and Xin Qiji's "Green Jade Case·Yuan Xi". The Ming Dynasty was a period of revival for ancient Chinese poetry. Many poets created many excellent poems, such as Wen Zhengming's Preface to Tengwang Pavilion, Xu Wei's Spring Night Joy Rain, etc. The Qing Dynasty was a period of decline for ancient Chinese poetry. Poetry creation gradually fell into a low point, but there were still many outstanding poets and works, such as Nalan Xingde's Song of Everlasting Sorrow, Cao Xueqin's Dream of the Red Chamber, etc. The development of modern Chinese poetry began at the beginning of the 20th century, and it had experienced many twists and turns. However, there were still many outstanding poets and works, such as Hai Zi's Facing the Sea, Spring Flowers Blossoms, Bei Dao's Spring in Qin Garden, Changsha, etc.
The history of ancient Chinese poetry can be traced back to the Spring and Autumn Period and the Warring States Period in the 14th century B.C. At that time, many excellent poets and poems appeared. As time passed, the development of ancient Chinese poetry went through many important stages. 1. Pre-Qin period (1046 - 221 B.C.): Many excellent poets and poems appeared in this period, such as many works in the Book of Songs. The poems of the Pre-Qin period mainly showed the concern and love for nature and the people, but also reflected the political and social situation at that time. 2. The Qin and Han Dynasties (221 B.C. to 220 A.D.): The Qin and Han Dynasties were the peak period of the development of ancient Chinese poetry. Many famous poets and poems appeared, such as Qu Yuan's "Songs of the South" and Li Bai's "Wine". The style of poetry in the Qin and Han Dynasties was more gorgeous and expressive, but it also showed concern and reflection on history and politics. 3. Wei, Jin, Southern and Northern Dynasties (220 - 589 AD): The development of poetry during this period entered a low point. Due to political and social unrest, many excellent poets and poems were destroyed or lost. Even so, there were still many famous poets and poems in this period, such as Tao Yuanming's "Peach Blossom Spring" and Du Fu's "Ascending". 4. Tang, Song, Yuan, Ming and Qing Dynasties (618 - 1911 AD): This period was a glorious period for the development of ancient Chinese poetry. Many famous poets and poetry works appeared, such as Li Bai's "Going to Drink", Du Fu's "Climbing High", Bai Juyi's "Song of Everlasting Regret", etc. The poetry styles of the Tang and Song Dynasties were more diverse, creative, and also showed a love for culture and art. During the Yuan, Ming, and Qing dynasties, the development of poetry was more mature and diverse. At the same time, many important poets and poetry works appeared, such as Wang Zhihuan's "Climbing the Stork Tower" and Xin Qiji's "Green Jade Case·Yuanxi". These are some of the important nodes and stages in the history of the development of ancient Chinese poetry. Each stage has its own unique characteristics and styles, leaving an important mark on the development of poetry in later generations.
The first collection of new poems in the history of Chinese literature was the New Moon Collection.
The prosperous Tang Dynasty was a glorious period in China's history. The economy was prosperous, the culture was prosperous, and the poetry creation reached its peak. Tang poetry was a poem of this period, and its artistic value and literary status were widely recognized and praised in Chinese history. The influence of Tang poetry and the atmosphere of the prosperous Tang Dynasty on Chinese history was in many ways. First of all, the prosperous economy and culture of the Tang Dynasty laid a solid foundation for the development of later generations and became an important source of cultural prosperity for later generations. Secondly, the artistic value and influence of Tang poetry was not only highly recognized at that time, but it was still praised and studied by people to become an important part of Chinese literature. Finally, the cultural and historical relics of the Tang Dynasty, such as palaces, temples, tombs, etc., also had a profound impact on the historical research and cultural inheritance of later generations. Generally speaking, the influence of Tang Dynasty and Tang poetry on Chinese history was far-reaching and lasting. It not only affected the politics, economy and culture at that time, but also influenced the culture, art and historical research of later generations. They were not only treasures in the history of Chinese literature, but also an important milestone in the history of Chinese culture.
The history of the development of Chinese lyric poetry can be traced back to ancient times. In the pre-Qin period, poetry had already begun to appear. For example, some works in the Book of Songs were created during this period. In the Han Dynasty, lyric poetry was further developed, such as Li Sao and Han Yuefu. In the Tang Dynasty, lyric poetry reached a peak and was known as the " prosperous Tang of the history of poetry." The poetry of this period was mainly composed of lyric poems, such as the works of Li Bai and Du Fu. In the Song Dynasty, lyric poetry began to decline, but it still had important artistic value. During this period, the creation of poetry paid more attention to the expression of ideology and philosophy, such as the works of Su Shi, Xin Qiji and other poets. In the Ming and Qing Dynasties, lyric poetry began to rise again, but compared with the Tang and Song Dynasties, the style and content were different. During this period, the creation of poetry paid more attention to the performance of social reality, such as the works of Cao Xueqin, Li Qingzhao and other poets. Generally speaking, the history of the development and change of Chinese lyric poetry has gone through many periods, and the creation of poetry in different periods has its own unique characteristics and styles.
The first vernacular poetry collection in Chinese history was the "White Poetry" or the "Nineteen Ancient Poems". It was a group of poems written by Bai Juyi, a poet of the Tang Dynasty, around 762 A. D., which were easy to understand and simple in content. They were called "vernacular poems" or "white poems". In "White Poetry", the author's thoughts and feelings were expressed in simple and easy-to-understand language with the theme of natural scenery and daily trifles. It created the "white poetry" school of Chinese poetry and had a profound influence on the poetry creation of later generations. One of the most famous was Song of Everlasting Sorrow, which was still a classic in the history of Chinese literature.
The first vernacular poetry collection in the history of Chinese new literature was not Goddess. 'Goddess' was a long poem written by the Tang Dynasty poet, Bai Juyi. It belonged to the category of Tang poetry. The first vernacular poetry collection in the history of Chinese new literature was the Madman's Diary written by Wang Xinjian, a poet of the Ming Dynasty. This poem used the image of a madman to express the author's dissatisfaction with reality, marking the beginning of the enlightenment of modern Chinese literature.
Not a Goddess was not the first new poetry collection in the history of modern Chinese literature. The first collection of new poems in the history of modern Chinese literature was "Goddess"(D�N�), written by the modern Chinese poet Guo Moruo in 1918. This collection of poems included one of Guo Moruo's early masterpieces, Praise of the Goddess, as well as other lyric poems, narrative poems, and satirical poems. Goddess was regarded as the foundation of modern Chinese poetry, and it had a profound influence on the development of modern Chinese poetry.
The Great Northwest Poetry Magazine was a poetry journal established in 1985 in the mainland of China. The journal's mission is to promote and prosper Chinese literature. It is committed to discovering and cultivating outstanding poets and poetry works to provide a platform for the majority of poetry lovers to exchange and share. The official website of the Great Northwest Poetry Magazine provided a series of information about the magazine, including its publication cycle, theme, style, famous poets, and works. The journal's content covers poetry, prose, novels, and many other literary forms. It also includes reflections and comments on Chinese literature and culture. The influence and popularity of the Great Northwest Poetry Magazine were relatively high in the Chinese poetry industry. It had won many literary awards and honors such as the "Chinese Poetry Award" and the "China Periodical Award". At the same time, the Great Northwest Poetry Periodical attracted many domestic and foreign poetry lovers and readers. It became one of the important literary journals in the history of Chinese poetry.
The editor-in-chief of a poetry journal was usually an influential figure in the poetry world. He needed to have high literary attainments and creative ability. In poetry journals, the chief editor would usually formulate a publication plan, select manuscripts, coordinate the work of the editors, and review and evaluate the works. In some cases, the chief editor of a poetry journal might have a certain amount of power and influence, which could guide the creation of poetry and the development of literature.