I recommend the book,'Dawn of Mohism' to you! The main character, Qin Mo, traveled to the Song Dynasty and became a censor. He was proficient in poetry and calligraphy. He compared calligraphy with Emperor Zhao Gou, saved the culture of the Song Dynasty, and became a master of his generation. I hope you like this fairy's recommendation. Muah ~😗
The answer is: 1. The 6th "West Lake Cup" China Hard-Pen Calligraphy Competition Call for Contribution Notice: The competition was hosted by the Hangzhou City Culture, Radio, Television and Travel Bureau. The theme of the call for contributions was "Celebrating the 75th anniversary of the founding of the People's Republic of China" and "The Beauty of Literature and Art·Most Memories of Hangzhou". The call for contributions was for Chinese citizens and overseas hard-pen calligraphers and enthusiasts. It was divided into adult groups and children groups. 2. " Li Bai Cup " Second National Calligraphy Competition Invitation Notice: This competition is open to calligraphers and calligraphy enthusiasts from all over the country. The requirements are complete works of Li Bai's poems and essays. There is no limit to the style and size of the works. The number of contributions cannot exceed two. 3. The first "Calligrapher's Calligraphy Cup" National Calligraphy Competition Cloud Exhibition submission registration form: The submission registration form for this competition can be submitted before October 16th, 2022. 4. 2024 "Wen Fang Impression" Cup National Calligraphy and Hard Pen Calligraphy Online Competition Notice: This competition is hosted by the Great Calligraphy Professional Committee of the China Hard Pen Calligraphy Association and the Henan Province Hard Pen Calligraphy Research Institute. The time for submission is from today to June 30,2024. There is no limit to the form, body and size of the work. In summary, the above information about the calligraphy competition.
The requirements for calligraphy entries usually included the following aspects: 1. Style: The style of a calligraphy work should be unique and full of personality, reflecting the author's artistic style and personal characteristics. 2. The font of a calligraphy work should conform to its style and characteristics and have a certain aesthetic and artistic value. 3. Strokes: The strokes of a calligraphy work should be smooth, tactful, coordinated, rich in variation and rhythm. 4. Ink color: The ink color of a calligraphy work should be varied. It can be thick, light, dry, wet, moist, etc. At the same time, it should also reflect the author's skills and style. 5. The layout of a calligraphy work should be reasonable, coordinated, and beautiful, reflecting the author's ability to layout and artistic accomplishment. 6. The content of a calligraphy work should express the theme and meaning of the author, be rich in cultural content and artistic appeal. In addition to the above requirements, the requirements for calligraphy works would also vary according to different categories and awards. For example, regular script, running script, cursive script, official script, and other different font styles, as well as classic calligraphy works such as the preface to Lanting Collection and the memorial manuscript were all types of works that could be used as calligraphy works to participate in the competition.
There were many authentic works of calligraphy by the Tang Dynasty literati, some of which were famous works such as Li Bai's "On the Balconies" and Zhang Xu's "Four Ancient Poem Calligraphy". Li Bai's "On the Balconies" was a paper ink cursive calligraphy work he created in the third year of Tianbao (744). It was now collected in the Palace Museum in Beijing and was called a national treasure. Zhang Xu's "Four Styles of Ancient Poetry" was one of his calligraphy works, which showed the style of calligraphy in the heyday of the Tang Dynasty. In addition, there were also other calligraphy works by Tang Dynasty poets, such as Du Fu and Bai Juyi. These works were famous for their unique artistic style and rich ink strokes.
The theme of the calligraphy competition was as follows: Inheriting classics, creating new expressions cultural exchange and artistic blending The fragrance of calligraphy is superb Refreshing and happy, with both virtue and skill Carry forward Chinese culture and display artistic charm Integration, innovation, show style The pursuit of excellence in life
Han Dynasty calligraphy had gone through several periods of development. At first, the Han Dynasty inherited the calligraphy tradition of the Qin Dynasty and used seal script. However, as time passed, seal script gradually declined, while official script flourished and reached its peak in the Eastern Han Dynasty. The appearance of official script was a revolution in the history of calligraphy. It not only made the shape of Chinese characters tend to be square and regular, but also laid the foundation for the birth of various types of characters later. Under the influence of official script, cursive script, regular script, and running script also began to appear. The main carriers of calligraphy in the Han Dynasty were stone inscriptions and bamboo slips. The development of calligraphy in the Han Dynasty was driven by social progress, and people's demand for words continued to expand. Han Dynasty calligraphers made full use of this favorable factor to explore the beauty of words and the beauty that could be obtained in writing, creating many classic works. At the same time, the thoughts of the Han Dynasty's calligraphy theorists also had a profound impact on the history of calligraphy. In general, the Han Dynasty was a very important period in the history of Chinese calligraphy, and its calligraphy art showed a prosperous situation.
Having a poetic and scholarly temperament meant that a person's heart was filled with rich knowledge and cultural attainments through extensive reading and learning, thus displaying elegant and extraordinary temperament and grace. This sentence originated from Su Shi's Song Dynasty's "Leaving with Dong Zhuan." It expressed that reading could improve a person's temperament and make them more elegant and beautiful.
The theme of the calligraphy and painting competition was varied. You can refer to the following examples: 1. Promotion of Chinese culture: Through the display of calligraphy and painting, it highlights the uniqueness and importance of Chinese culture to attract readers 'attention and inherit Chinese culture. 2. Creation: Demonstrate the author's creativity and creativity, as well as his performance in the field of painting and calligraphy. 3. Emotion: Through the painting and calligraphy works to express the author's emotions and thoughts, let the readers feel the story and emotions behind the works. 4. Demonstrate talent: Demonstrate the author's talent and skills to attract readers 'attention and appreciation. 5. Exploring the unknown: By showing the author's exploration and discovery of the unknown, it will stimulate the reader's interest and curiosity to explore more unknown areas of painting and calligraphy.
I recommend the following two novels to you. They are "So I'm a Hidden Expert" and "I'm a Sage with 3,000 Poetry Books." The first story was about the protagonist crossing into the cultivation world. Although he could not cultivate, he became a mortal who was proficient in poetry, books, zither, and painting. Later, because of a painting, his reputation became famous and caused a huge uproar. The latter was a story set in a world where people cultivated the way of literature, and the protagonist became an ancient sage through the cultivation of the three thousand books of poetry. I hope you like this fairy's recommendation. Muah ~😗
There were many versions of the Preface to the Orchid Pavilion, including Wang Xizhi's original work, Feng Chengsu's copy, Zhao Mengfu's copy, etc. Wang Xizhi's Preface to the Orchid Pavilion was regarded as a model for running script by later generations. Li Shimin, Emperor Taizong of the Tang Dynasty, once ordered Chu Suiliang, Ouyang Xun, Feng Chengsu and other calligraphers to copy several copies and give them to his subjects. In addition, Feng Chengsu and Zhao Mengfu also had their own copies. For beginners, they could choose Feng Chengsu's copy to practice. In addition, there were some copybooks and practice methods for reference, such as practice magnified version, using color printing version, tracing red copybooks, etc. In short, the selection of the Preface to the Orchid Pavilion calligraphy copybook should be decided according to personal preferences and learning needs.
" Return to the Song Dynasty to Be an Emperor " was a historical novel that traveled back in time to the Song Dynasty. The male protagonist was called Han Yun, and he became an emperor during the Song Dynasty. In the novel, Han Yun used his wisdom and wit to fight and eventually became the emperor of the Song Dynasty. The plot of the novel was full of ups and downs, and the characters were full. It was a very classic novel that traveled through the Song Dynasty.