What are the rules, requirements, or taboos for writing a seven-character quatrain?
There were some rules and requirements for writing a seven-character quatrain as follows: Each sentence had seven words, a total of four sentences. 2. The tone of each sentence should be matched properly. The artistic conception of each sentence must be coherent to form a complete artistic conception. 4. The number of words in each sentence must be equal. No repeated words can appear. The language of the poem should be concise, beautiful, and poetic. Pay attention to the rhyme. The last word of each sentence must rhyme. The structure of a quatrain must be reasonable and not chaotic. To write a seven-character quatrain, one should pay attention to the tone, rhythm, artistic conception, conciseness and beauty of the language, and at the same time pay attention to the rationality of the structure.
What are the taboos and rules of mystery fiction writing?
The creation of suspense novels could refer to the following taboos or rules: 1. Maintain a sense of realism: Suspense novels are usually based on the plot and the real events of the characters. Therefore, it is very important to maintain a sense of realism. The readers will feel real and nervous about the plot. 2. Maintain logic: Suspense novels usually involve some complex logical problems such as time travel, contradictions, etc. Therefore, the author needs to maintain logic to ensure the continuity and rationality of the plot. 3. Avoiding open endings: Open endings may confuse readers because they don't know the ending of the story. Therefore, authors should avoid using such endings. 4. Build character depth: The author should build depth for each character so that readers can better understand their motives and actions. Maintain the tension of the plot: The plot of a mystery novel should maintain tension and make the reader feel fear and anxiety. Use appropriate suspense and puzzles: Suspense novels need some suspense and puzzles to attract the reader's attention and increase the tension of the plot. Follow the basic structure of the story: Mystery novels usually include a beginning, development, climax, and ending. Therefore, the author should follow the basic structure of the story to ensure the integrity and rationality of the plot. Maintain the unity of style: The author should maintain the style of suspense novels, including language, plot, and character creation. These taboos and rules could help the author maintain creativity and inspiration when writing suspense novels and improve the quality of the novel.
seven-character quatrain
The seven-character quatrain was a genre of traditional Chinese poetry. It originated from the Yuefu songs of the Southern Dynasty or the Yuefu folk songs of the Northern Dynasty. It was finalized and matured in the Tang Dynasty. A seven-character quatrain was composed of four sentences, each of which had seven words and had strict requirements for rhythm. His representative works included Wang Changling's "Furong Lou Farewell Xin Jian," Li Bai's "Early Departure from White Emperor City," and Du Fu's "Meeting Li Guinian in Jiangnan." The seven-character quatrain, with its unique form and beautiful language expression, became one of the most important styles of ancient Chinese poetry.
seven-character quatrain
Seven-character quatrains were a genre of traditional Chinese poetry, belonging to the category of modern poetry. It was composed of four sentences, each of which had seven words, and had strict requirements for rhythm. The seven-character quatrains originated from the Yuefu songs of the Southern Dynasty or the Yuefu folk songs of the Northern Dynasty. They were shaped and matured in the Tang Dynasty. In the Tang Dynasty, the seven-character quatrains reached its peak, and many famous poets created excellent seven-character quatrains. Among them, Wang Changling was known as the " Seven Ultimate Divine Hands ", and Li Bai was also one of the important representatives of the seven-character quatrains. Li Bai's " Moon Song of Mount Emei " and Su Shi's " Dongpo " were both their classics. The seven-character quatrain became one of the most important forms of ancient Chinese poetry with its unique rhythm and beautiful expression.
Seven-character quatrain love poem
in spring you swim in apricot blossoms blowing on my head. the stranger sends away my distant sorrow. I yearn for a place by the water. the moonlit night is short on the pine hills. (Note: This poem was written by Li Yu, a poet of the Tang Dynasty. In the Song of Everlasting Sorrow, there was a sentence that meant "playing in the spring with apricot blossoms flying." the stranger sends away my distant sorrow. I yearn for a place by the water. The moonlit night is short on the pine hills.")
A seven-character quatrain of three words
Cui Hao, a poet of the Tang Dynasty, wrote a seven-character quatrain with three words, titled " Misty Waves on the River." This poem depicted the scene of smoke curling up on the river surface, bringing people a feeling of worry and anxiety. This poem was written by Cui Hao when he visited the Yellow Crane Tower in Wuchang, Hubei Province. Other than that, there was no other information about the three-word quatrain in the search results.
Seven-character quatrain calligraphy works
Seven-character quatrains were a form of ancient poetry that could also be used in calligraphy. He could find some seven-character quatrains, such as " The Yellow Crane Tower sends off Meng Haoran's old friend from Guangling to the Yellow Crane Tower,"" Looking at the waterfall of Mount Lu, the sunshine from the incense burner produces purple smoke," and " Giving Wang Lun and Li Bai a boat to travel." The calligraphy of these works required the writing to be dignified and strong, showing the effect of polishing. However, the search results provided did not provide specific pictures or detailed descriptions of the calligraphy works, so they could not provide more specific information.
A seven-character quatrain suitable for calligraphy
There were many classic works of seven-character quatrains suitable for calligraphy, such as Wang Zhihuan's Ascending Stork Tower, Li Bai's Yellow Crane Tower Sending Meng Haoran to Guangling, Du Fu's Hearing the Official Army Conquer Henan and Hebei, etc. These works all had strict requirements and profound artistic conception, suitable for calligraphy practice and display. In addition, he could also refer to the Seven-character Quatrains Encyclopedia in the National Studies Association, which contained 451 seven-character quatrains, which could provide more inspiration and choices for calligraphy lovers.
The most beautiful seven-character quatrain
There were many beautiful seven-character quatrains, some of which were famous works such as Wang Changling's Leaving the Fortress, Li Bai's Yellow Crane Tower Sending Meng Haoran to Guangling, and Du Fu's Ascending the Mountain. These poems displayed the poets 'unique perception of nature, life, and emotions through concise sentences and profound artistic conception. They deeply touched the readers 'hearts with beautiful and touching strokes and rich emotional expressions, becoming classics that have been passed down through the ages.
The seven-character quatrain that Fan Xian said
The seven-character quatrain Fan Xian spoke of in " Celebrating Years " was Du Fu's " Climbing High."
Du Fu's Seven-character Quatrain
Du Fu's seven-character quatrain in the year of Qing is "Climbing High." This poem was regarded as the first seven-character poem in ancient and modern times, and was praised as the first seven-character poem in history. Du Fu was a poet of the Tang Dynasty and was called the " Poet Saint " by later generations. His poetic style was gloomy and depressed, and he was worried about the country and the people. Together with Li Bai, he was called "Li Du." The poem "Climbing High" was written in Du Fu's later years, describing his predicament and mood when he wandered to Kuizhou. This poem expressed Du Fu's worries and pain for the country and the people in the form of a regular poem. Its antithesis was neat, and its temperament was solemn and desolate. It was considered one of Du Fu's most outstanding seven-character rhymes. In " Celebrating Years," Fan Xian had written this poem from memory at the Crown Prince's poetry competition. It was known as " the first in ancient and modern seven-character temperament." It displayed his talent and attainments. Therefore, Du Fu's seven-character quatrain "Climbing High" was called the first seven-character poem in history.