There were many beautiful seven-character quatrains, some of which were famous works such as Wang Changling's Leaving the Fortress, Li Bai's Yellow Crane Tower Sending Meng Haoran to Guangling, and Du Fu's Ascending the Mountain. These poems displayed the poets 'unique perception of nature, life, and emotions through concise sentences and profound artistic conception. They deeply touched the readers 'hearts with beautiful and touching strokes and rich emotional expressions, becoming classics that have been passed down through the ages.
The seven-character quatrain was a genre of traditional Chinese poetry. It originated from the Yuefu songs of the Southern Dynasty or the Yuefu folk songs of the Northern Dynasty. It was finalized and matured in the Tang Dynasty. A seven-character quatrain was composed of four sentences, each of which had seven words and had strict requirements for rhythm. His representative works included Wang Changling's "Furong Lou Farewell Xin Jian," Li Bai's "Early Departure from White Emperor City," and Du Fu's "Meeting Li Guinian in Jiangnan." The seven-character quatrain, with its unique form and beautiful language expression, became one of the most important styles of ancient Chinese poetry.
Seven-character quatrains were a genre of traditional Chinese poetry, belonging to the category of modern poetry. It was composed of four sentences, each of which had seven words, and had strict requirements for rhythm. The seven-character quatrains originated from the Yuefu songs of the Southern Dynasty or the Yuefu folk songs of the Northern Dynasty. They were shaped and matured in the Tang Dynasty. In the Tang Dynasty, the seven-character quatrains reached its peak, and many famous poets created excellent seven-character quatrains. Among them, Wang Changling was known as the " Seven Ultimate Divine Hands ", and Li Bai was also one of the important representatives of the seven-character quatrains. Li Bai's " Moon Song of Mount Emei " and Su Shi's " Dongpo " were both their classics. The seven-character quatrain became one of the most important forms of ancient Chinese poetry with its unique rhythm and beautiful expression.
Li Bai's most domineering seven-character quatrain was " Climbing the Phoenix Terrace in Jinling." This poem depicted a phoenix playing on the Phoenix Platform. After the phoenix left, there was only an empty river flowing on the platform. The poem also mentioned the flowers and plants in the Wu Palace and the clothes of the Jin Dynasty, as well as the scene of the three mountains falling into the blue sky and the two rivers dividing the White Egret Island. The whole poem ended with the clouds covering the sun and the scene of Chang 'an being invisible, expressing the magnificence of the magnificent scenery of Chang' an that could not be covered.
in spring you swim in apricot blossoms blowing on my head. the stranger sends away my distant sorrow. I yearn for a place by the water. the moonlit night is short on the pine hills. (Note: This poem was written by Li Yu, a poet of the Tang Dynasty. In the Song of Everlasting Sorrow, there was a sentence that meant "playing in the spring with apricot blossoms flying." the stranger sends away my distant sorrow. I yearn for a place by the water. The moonlit night is short on the pine hills.")
Cui Hao, a poet of the Tang Dynasty, wrote a seven-character quatrain with three words, titled " Misty Waves on the River." This poem depicted the scene of smoke curling up on the river surface, bringing people a feeling of worry and anxiety. This poem was written by Cui Hao when he visited the Yellow Crane Tower in Wuchang, Hubei Province. Other than that, there was no other information about the three-word quatrain in the search results.
Seven-character quatrains were a form of ancient poetry that could also be used in calligraphy. He could find some seven-character quatrains, such as " The Yellow Crane Tower sends off Meng Haoran's old friend from Guangling to the Yellow Crane Tower,"" Looking at the waterfall of Mount Lu, the sunshine from the incense burner produces purple smoke," and " Giving Wang Lun and Li Bai a boat to travel." The calligraphy of these works required the writing to be dignified and strong, showing the effect of polishing. However, the search results provided did not provide specific pictures or detailed descriptions of the calligraphy works, so they could not provide more specific information.
There were many classic works of seven-character quatrains suitable for calligraphy, such as Wang Zhihuan's Ascending Stork Tower, Li Bai's Yellow Crane Tower Sending Meng Haoran to Guangling, Du Fu's Hearing the Official Army Conquer Henan and Hebei, etc. These works all had strict requirements and profound artistic conception, suitable for calligraphy practice and display. In addition, he could also refer to the Seven-character Quatrains Encyclopedia in the National Studies Association, which contained 451 seven-character quatrains, which could provide more inspiration and choices for calligraphy lovers.
Still the sound of flowers blooming, good years of peace and happiness come. The misty swamp is warm and moist, cooling the lover and his wife's long-lasting treasure. Drifting in the wind, thousands of songs Lovers and lovers share the same heart.
The seven-character quatrain Fan Xian spoke of in " Celebrating Years " was Du Fu's " Climbing High."
Du Fu's seven-character quatrain in the year of Qing is "Climbing High." This poem was regarded as the first seven-character poem in ancient and modern times, and was praised as the first seven-character poem in history. Du Fu was a poet of the Tang Dynasty and was called the " Poet Saint " by later generations. His poetic style was gloomy and depressed, and he was worried about the country and the people. Together with Li Bai, he was called "Li Du." The poem "Climbing High" was written in Du Fu's later years, describing his predicament and mood when he wandered to Kuizhou. This poem expressed Du Fu's worries and pain for the country and the people in the form of a regular poem. Its antithesis was neat, and its temperament was solemn and desolate. It was considered one of Du Fu's most outstanding seven-character rhymes. In " Celebrating Years," Fan Xian had written this poem from memory at the Crown Prince's poetry competition. It was known as " the first in ancient and modern seven-character temperament." It displayed his talent and attainments. Therefore, Du Fu's seven-character quatrain "Climbing High" was called the first seven-character poem in history.