Both flat and round characters were common types of characters in novels. A flat character is usually described as lacking in characteristics or personality, nothing special, and is often just a character symbol used to drive the development of the story or express the author's emotions. They usually appear at the beginning or end of the story or as villains. The use of flat characters in novels is to enhance the monotonous and boring story, so that it can be quickly recognized and remembered. Round characters were described as having many different characteristics and personalities, with distinct character images and storylines. They usually appeared at the climax of the story and were the key characters that pushed the story forward. The use of round characters in novels can make the story more vivid and interesting, and also increase the reader's reading experience. In novels, flat characters and round characters can be used to express the author's views and emotions, but which type of character to use depends on the author's writing style and the needs of the story.
A round character usually referred to the fictional characters in novels, anime, games, and other fictional worlds. Their appearance was usually full and round, with relatively three-dimensional facial features and body image. In the fictional world, round characters often had complex personalities and emotions, with various characteristics and actions. Flat-shaped characters usually referred to fictional characters in novels, anime, games, and other fictional worlds. Their appearance was usually flat, flat, and had relatively flat facial features and body images. Flat-shaped characters in fictional worlds often had simple personalities and behavior patterns. They were often regarded as protagonists or heroes.
The Xiangzi of the Xiangzi Camel was a round figure. In the novel, Xiangzi was a young and promising entrepreneur who struggled endlessly. Through his own efforts and diligence, he gradually made a career, but at the same time, he also experienced many setbacks and tribulations. Xiangzi's round figure and determined eyes showed his indomitable spirit and perseverance.
The Romance of the Three Kingdoms did not have a clear definition of what was a flat or round character. Different people and different readers might have different views and understandings. However, many of the characters in the Romance of the Three Kingdoms were generally regarded as flat characters because their story plots and character settings were relatively simple. They did not have distinct personality characteristics and emotional conflicts, leaving people with a relatively simple and dull impression. In contrast, the characters with protruding circles were usually described as characters with complex inner worlds, strong emotional conflicts, and distinct personality characteristics. For example, in the Romance of the Three Kingdoms, Guan Yu, Zhang Fei, Zhao Yun, Zhuge Liang and other characters were considered to be rounded characters because their story plots and character settings were very complicated, and their emotions and motives were also very impressive. Of course, there are also many flat characters in the Romance of the Three Kingdoms, such as Cao Cao, Liu Bei, Sun Quan, etc. Their story plots and character settings are more complicated, but compared to the round characters, their personality characteristics and emotional conflicts are relatively simple, so they leave a relatively flat impression.
The shape of Tang Sanzang in Journey to the West was not clearly described. It was impossible to determine whether he was a round or flat figure. In Journey to the West, Tang Sanzang was a great Buddhist monk. He was usually depicted as tall, dignified, with a round head, long fluffy hair, and a kind smile on his face. However, the shape of Tang Sanzang's body was not limited to this. His body may be slightly thin, but it was not specifically described as a round or flat figure.
A flat character is one that is relatively simple and doesn't have much depth or complexity. They usually have only one or a few traits and don't change much throughout the story.
Well, a flat character is sort of like a one-dimensional figure. They don't have a lot of inner conflicts or development. You know them mainly by a single characteristic or a straightforward role they play in the story.
A flat character is one who is relatively simple and doesn't have much depth or complexity. They often have only one or a few traits that define them.
A flat character usually referred to a character in novels, anime, games, and other works that did not have a distinct personality and did not have a prominent image. They usually didn't have a complicated background story, and their personalities and behaviors were usually dull without any special characteristics. The flat characters often played a supporting role or a passerby in the works, but they did not play an important role. However, they could also appear when the plot needed them and play a supporting role. The flat characters could also be an innovative way in the creation of novels. Through ordinary and real characters, they could portray the reader's inner feelings and emotional resonance to enhance the appeal and appeal of the novel. However, when using flat characters, you need to pay attention to their personalities, characteristics, and experiences to make them distinct and meaningful. Otherwise, it will easily make the novel lack depth and content.
Well, a round character is not just one-sided. They have depth and complexity. They might have conflicting desires, make mistakes, and learn from them as the story progresses.
A round character in a novel is one that feels real and lifelike. They have multiple layers to their personality and their growth and evolution are key to the plot. Like in 'Pride and Prejudice', Elizabeth Bennet is a round character as she starts off with certain prejudices but gradually changes and matures over the course of the story.