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How does the flying sky form and where does it come from?

2026-07-05 03:02
2026-07-05 06:29

The formation of the image of Flying Apsaras was closely related to the spread of Buddhism. Flying Apsaras originated from ancient Indian mythology and Brahmanism's entertainment god, Gantalva (translated as music god, incense god), and song and dance god, Jinnaro. With the development of Buddhism, these two gods were absorbed by Buddhism. Later, the two fused into one and became the Dunhuang Flying Apsaras of later generations, becoming the god of music in Buddhism. Flying Apsaras were introduced to China from India. During this process, their image continued to evolve and integrate with the local Chinese culture. In the Sixteen Kingdoms and the early Northern and Southern Dynasties, most of the Flying Apsaras were male. In the later period of the Northern and Southern Dynasties, many female forms began to appear. From the remains of the Flying Apsaras in various parts of China, Flying Apsaras flew across the Northern Wei, Western Wei, Northern Zhou, Sui, Tang, Five Dynasties, Song, Yuan and other dynasties. It spanned more than 1,000 years of history and had different styles and characteristics in different dynasties, forming an independent art form. During the Wei, Jin, and Northern and Southern Dynasties, when Buddhism was first spread, the Flying Immortals in the murals were also called Flying Apsaras. There was no distinction between Flying Apsaras and Flying Immortals. In the early days, it was greatly influenced by the Flying Apsaras of India and the Western Regions. It was generally a Western Region Flying Apsaras. As Buddhism developed in depth in China, the Buddhist Flying Apsaras and the Taoist Flying Immortals merged in artistic image. During the Sui Dynasty, the Flying Apsaras had the most variations, and they had different styles. During the Sui and Tang Dynasties, they reached their peak, and not only did they use Flying Apsaras in grottoes and monasteries, but they also used Flying Apsaras in the emperor's bedroom. In addition, the image of the Flying Apsaras also contained the aesthetic taste of the ancient Chinese Western Region culture and the Central Plains culture. It was the crystallization of multiculturalism. It showed the rich colors of multiculturalism, gathered the wisdom of the Chinese people, and expressed the beautiful wishes of the ancients for free flight. It should be noted that in the modern era,"Flying Apsaras" had other meanings. For example, the super-large-scale general-purpose computing operating system independently developed by Aliyun and serving the world was also called "Flying Apsaras," but this was different from the origin of Flying Apsaras as an artistic image. The Flying Fairy pattern on the Flying Moutai bottle originated from the image of the Flying Fairy on the Dunhuang murals. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!

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