George's Plan

Snap, turned off the bedside lamp, and Angela, who had put on her pajamas, shrank into the quilt. Although she yawned, she was not sleepy at all. Jennifer asked her repeatedly, "What are you afraid of?"

"I'm not afraid of anything. I'm just not confident." The little girl muttered as she stared at the ceiling.

Speaking of it, she is really an otaku and a loser. Her otaku life in her previous life gave her a unique advantage in some aspects of information, but it also made her lack of enterprise and self-confidence a guy who spent all day at home and on the Internet. it's really hard for him to face reality boldly. The reason for secretly writing novels and screenplays is the same. She doesn't know what the result will be. Even though she knows that these works are first-class works in previous lives, she still feels uneasy. After all, she plagiarized them.

Oh, of course, some might say that Angela didn't feel guilty when she talked to producer Nancy and George, the head of the Disney editorial team in the afternoon. But that's because this guy has been forced to retreat, you know, "The Parent Trap" but Nancy Meyers wrote and directed her own film in 1998 and sent the script to the original author, and only a "genius" like her could figure it out. If it hadn't afraid of rebounded strongly as soon as it hit the edge, God knows what it would have been like in the afternoon.

Angela turned over and looked straight at the rows of alarm clocks at the head of the bed. It was past 10:00. She was usually asleep by this time, but she still didn't want to sleep. At last, she turned over and got up and turned on the light. Then a small cardboard box was pulled out from under the bed. When you open it, you can see that there are a lot of papers in it, some with several pages, some with only one or two.

The little guy pursed his mouth and slowly opened these things. if someone who had been born again saw these things, he had to drop his chin to the ground. "Heat", "Mummy", "the Matrix", "Titanic" and so on, the little girl simply captured all the future Hollywood blockbusters! However, these things are not completely written, some even have only a beginning, and are not in the form of a script, mostly between the novel and the content introduction.

"Well, the work sold, so what about these?" Angela sat on the ground with her head on her curled knee, staring at the works in the box and muttering to herself, writing "Parent Trap" just to earn some pocket money, which was written and played with in the past when she was bored. so if you need money in the future, will you just pick one of them? So what should I do if I meet the original author?

I'm really crazy. I don't sleep. Why do I get up and think about this? Angela knocked on her head and thought gloomily. She felt that she seemed to lack more and more arrogance after she became a girl. Even if plagiarism, it is not without her own things, just like this "Parent Trap". The original version is because Nancy Meyers doesn't know much about Britain, so most of the plays in the UK are shot on the fly, but Angela is different. Her mother is an Englishman and has spent a lot of time in England since she was a child. She has more say in these details and the living habits of the British, which is well reflected in the script, and she has designed different tricks for each of the twins in the play, so it is not necessarily correct for her to plagiarize. Besides, even if she copied a screenwriter's play, the screenwriter would not starve to death, and maybe she would write a better one. So I am completely alarmist.

"Go to sleep! sleep! Why do you think so much? there must be a way to get to the front of the mountain. We'll talk about it then! " As soon as her bachelor character broke out, Angela didn't bother to turn off the lights and go to bed, wrapped in quilts and left behind.

George took a deep breath, trimmed his tie again to make sure his appearance was tidy, and then stepped out of the elevator, where a white man in his thirties waved to him at the reception desk not far away.

"Hi, Matthew."

"Hi, George."

The two shook hands, and Matthew made a sign of invitation pointing to the door at the end of the corridor: "Come on, they're all waiting for you."

"To tell you the truth, Matthew, we've worked together for a lot of days. what do you think?" George asked, taking a deep breath again.

"Take it easy, George," Matthew chuckled, but then reined in. "It's pretty good. I've read your opinion, and so do the gentlemen on the board, but. You'd better be prepared. " Without waiting for George to understand, he reached out and opened the door of the conference room for him.

"Dear Mr. Chairman and directors, I am George Wells, head of the editorial team of the Film subsidiary. I believe you have read my submission, and I personally think it is worth investing in the company." George, who went straight to the next head, said hello and began to talk. He was very confident, because the middle-aged man in his fifties sitting at the top of the long table was Michael Eisner, the current CEO and chairman of Disney Film and Television Entertainment. Since he personally came from Burbank, it showed that he really attached great importance to his submission.

As a veteran employee of Disney, George knows very well that although Disney has long occupied this part of animation, it can be said that it is synonymous with American animation, and the premiere of "the Little Mermaid" in 1989 seems to make Disney usher in its second spring, but there is still a lot of room for improvement in animation. CEO Eisner is a bold and courageous boss. So he fully believes that Eisner can see the potential value of "Lion King" and "made for each other", then he should also be able to see the value of Angela.

Soon at the end of the meeting, after George's explanation, several directors asked some more questions, and he answered them one by one, which showed that the effect was good from the expression of satisfaction of the directors. However, as a big boss, Michael Eisner did not speak from beginning to end, but just folded his hands in front of him and quietly listened to other people's discussion, which made George a little nervous.

Finally, after the other directors finished their discussion and the conference room gradually quieted down, Eisner slowly said, "Mr. Wells, your suggestions are very good, whether it is this animation or this film." it means a lot to Disney, and I'm in favor of investing, but there's a problem. "

He stared at George: "How are you going to convince Mr. Jared Harris Mason, the boss of Pedro, to let his baby daughter make a movie?"

"Listen, George, I know you want to do something, but sometimes haste doesn't work." facing the empty conference room, Michael Eisner patted George on the shoulder, not at all BOSS-like at this point, but more like an elder, . "I always told you not to worry and take your time, but this time, the paper has been done very well, I appreciate it very much, as for the girl. Forget it. I've seen it a few times before--she's a pretty charming kid at Mr. Mason's private party, but don't work hard on hopeless things. "

"Well, Mr. Eisner, as a matter of fact, I've lost the idea of hitting on her since I heard who she was." George also leaned against the table and replied with a wry smile.

"That's it, then. I'm going back," Eisner pointed to the door. "We can't keep them waiting too long."

George nodded, then remembered something and looked hesitantly at him: "My uncle's side."... "

"Well, Frank won't know about it." Eisner laughed and went out.

George sent him all the way to the elevator, and then returned to his office with a little loss, which is a pity. If he can produce a dazzling child star, the influence of the film subsidiary will at least double. But he never thought Angela would be the daughter of the boss of a number of big consortia in the West! God is such a joke.

"Don't be depressed, no matter the animation or the movie, as long as you are successful, you will not be far from the position of general manager." Matthew then came in and said soothingly, and then said half-jokingly, "You know, I'm just an assistant manager in the head office, and you've been promoted faster than me."

"Come on, Matthew, you know that's not what I'm mad about." George shrugged.

"Yes, I know," said Matthew with a smile. "You are so whimsical about the daughter of the president of Pedro. Let me see how you use the word, Oh, modern-day Vivienne!"

"Hey, I'm serious," George glared at him. "Besides, why am I thinking about the company?Is that how you comfort me?"

"Well, it's my treat tonight, at the Morton Bar," Matthew shrugged. "it's time for me to go. Remember to come on time and don't wait for it!"

After watching Matthew leave, George shook his head and picked up the phone on his desk and called: "Hello, Miss Brent, could you put me through to Nancy?"

"well, George, are you ready?" Nancy's voice soon came from the other end of the phone.

"Yes, you can contact actors and things from now on, but." George sighed and explained the problem in detail. there was silence on the other end of the phone. He could imagine that Nancy was smiling bitterly, but he was surprised by her answer.

"I want to try again, George." Nancy's voice is firm.

"Do you mean you still want to talk at Mason's?" George asked in surprise.

"Yes, you should understand that if you do something, you may still have a chance, but if you don't do it, you don't have a chance at all!"

George was stunned. he tried to persuade him, but he didn't say it, but he just said, "well, good luck."

As soon as he put down the phone, he thought, maybe it will succeed?