immersion

January 24.

Among the many visual resources an actor has, the most important is maintaining composure and sticking to a style, whether it's a method of acting or a guide to discomfort.

Immersing oneself in the role isn't just something an actor does; a director does it through the lens as well, creating the world that engulfs them. They capture every inch of a story as they see it in their mind's eye, guiding the film as they see fit.

-We'll need to take some shots with different lighting. I don't feel like the frame can give us different takes of the same scene, - David Fincher commented, jotting notes with the producer, while Bill and Morgan stood nearby, apparently engaged in conversation. Not far off were some supporting characters, calmly awaiting the director's shots.

A very tender Gwyneth was expanded upon due to the chemistry, starting with a supporting role but subsequently gaining some significance in the game. The story was progressing, the script was good, and it helped the relationship.

What was charming was a rose, dawned...

Take 29, Scene 1.

-I'll note it down; I have to see Mrs. God. -

Voices were heard in the background.

-Mrs. God. -

-I... I don't understand, - Mrs. God commented.

-I know it's something terrible, but you must tell us if you see anything strange, anything out of the ordinary, - said Billy/David Mills.

-I don't see anything, - Mrs. God said tearfully.

-Are you sure? - Billy asked, getting closer.

-Please, I can't do this right now! - Mrs. God cried out.

-Okay, - Billy replied, setting aside the conversation, wanting to finish, with doubt, a novice, nothing different from what Brad normally did.

-What could it be that we haven't seen? - Morgan/Somerset commented, approaching David Mills.

-Here, the painting is upside down, - Mrs. God said, pointing to the photographs.

The case took a new turn with the events. For now, only two known crimes, gluttony, and greed, both crimes bundled together in a single delivery taken, a single quick play, each time more sinister, each time more insane.

"Cut."

Several shots will follow in the rooms. This one had a more established storyline, and subsequently, they would shoot all the scenes in the room of the couple David Mills and Tracy.

-Too dark for my liking, - Morgan commented.

-The story is hilarious, a simple plot, to a starting point that doesn't stop delineating normalcy for the idea of suspending mystery, fear, suspense, or inconclusiveness. -

***

January has been one of the most fruitful months for Lux Animation, which has reached agreements with four new companies in acquisitions. The series firm, a call to create at least ten series per year, was a complete and true madness.

-We've got competition, - Craig McCraic commented. With what seemed like anticipation, a large group of animators gathered around him, taking note of the news delivered by Jim Gianopulus that morning.

The acquisition of three animation studios is no joke; for many, who believe in outsourcing their work, the risk of being laid off is just the icing on the cake, adding to the fear of not being part of a company that openly hires rookies and trains them, helps them.

-Here comes the one who clears up our doubts; apparently, it's the boss's plan, - Anna commented.

-What plan could require the purchase of three animation studios? - Paul Schools asked.

-A second animation channel, aimed at an older audience, - Raimon commented, interrupting the conversation. He couldn't help but come to see the love of his life, Anna Sztmanska. The woman of his dreams was simply beautiful.

-Raimon, come on, friends, now you can tell us everything that's going on in management, -Paul German said, designer of Meteor, the precursor of the Meteor series and animator of the Meteor series, a purchase of $1.6 million for film rights, and $1.2 million for rights to works, complete rights over the exploitation of the work.

-Well, Billy has decided to open up our animation portfolio; he wants to focus on a teenage audience. While Lux Toons targets an average age of 8 to 14, if we can capture the 14 to 21 age group, it'll be good for the company. Our readers have an average age of 16, but the ages range from 13 to 34, - Raimon said, stroking his beard as he took a seat.

-Are you talking about comics? - David Jill asked.

-Yes, we are a comic company. We created the channel to drive the purchase of our products. For example, Samurai Jack has been on the air for two months now, and comic sales have increased slightly. We receive many orders every day, specifically for the early issues. It's just a profit for us to have another animation channel. We did the calculations, and maintaining a television channel nationwide costs $90,000 per year. We can afford it, but for that, we must accumulate a series. Different programs, all converged into one... It's more of a transition. The current channel wants to focus on series for children aged 3 to 8 and the second channel is for ages 8 to 21. The focus is deeper. On paper, it will be from 12 to 21 years old, while the first channel is for ages 3 to 8, - Raimon commented, somewhat confused about how they were going to finance the entire structuring process.

-The only thing that matters to me is that my job is at risk, - Shem Cohen commented, something that everyone in the room was eager to comment on. Many people had apparent, well-founded doubts, in three things: they couldn't afford to lose their jobs, the fear of losing their jobs. Being an animator is not easy, even in the United States; many remember their months without work.

-We're hiring. Billy is so ambitious that he only gives me headaches. He wants to produce another mega-production. Have you read 'Trigun'? - Raimon asked.

-I've read it. Cowboys, dystopias, weapons, and epic moments, - Jerry Simmons commented.

-Well, he wants that series by the end of this year, along with the Lilo and Stitch movie. They started with the Green brothers, the animated series Robot Jones, Train Souls, and Amy and Puffy are still in production. Star Wars, Meteor, Rocky and Bullwinkle, Pokémon series, and there are episodes of successful series like Dexter's Laboratory, Recess, Rocko's Modern Life, Billy and Mandy, The Powerpuff Girls, Gargoyles, Samurai Jack, Cow and Chicken. There are so many series. The Star Wars trailer generated a wave of fans, - Raimon commented.

-Now that you mention it, you make us look paranoid and stupid, - Buch Hatman commented.

-Don't be upset, I'm worried too, but the company is growing. The movies have generated income for at least another year of films. If we tighten our belts, we can extend the profits from year to year and a half, but it's better to invest in quality, - Raimon responded. Still focused on Billy's words about creating a gigantic company of animated series that can be formed as a sales strategy. How will he make money with a digital library? Licensing. He doesn't know, and no one has guessed the truth about Billy's merit.

-A great library of great animated movies, Raimon, - said Billy.