Chapter 30: Belonging to the Circle

Typically, art films have their premieres at the Grand Theater in China, while commercial films are premiered at the Dome Theater. Unlike the modest premiere of *The Shallows*, Spielberg's new film had a star-studded event.

The three other major directors—George Lucas, Martin Scorsese, and Francis Ford Coppola—were all present.

Top directors like Ridley Scott and James Cameron were also there.

Tom Cruise and Tom Hanks, among other Hollywood giants, were seen supporting the event.

In comparison, Gilbert, despite his recent rise, was just a minor player among these big names.

If not for Spielberg's invitation, Gilbert wouldn't have had the opportunity to be at such an event. This was the top echelon of Hollywood.

However, a reporter from the *Los Angeles Business Journal*, Sarah, showed interest and asked Gilbert, "Director Gilbert, do you have any new projects planned?"

Caught off guard by the question while posing for photographers, Gilbert quickly recovered and replied, "Yes, I'm preparing a new project, still a thriller and horror film."

"When will it be available for the audience?" Sarah asked.

"Soon, I hope, depending on if any film companies show interest," Gilbert answered.

Aside from Sarah, other reporters were more focused on Tom Cruise and Nicole Kidman.

Gilbert was relieved to move on and entered the theater, which was already filling up.

From a distance, Gilbert noticed Gwyneth Paltrow giving him a greeting.

The handsome man next to her also glanced over and flashed a bright smile at Gilbert.

Gilbert nodded in acknowledgment, choosing not to intrude on their conversation. He knew where to draw the line.

Gilbert found Spielberg, who was busy hosting guests, and greeted him.

"You're here, Gilbert. Let me introduce you to George Lucas," Spielberg said, presenting his friend.

"Hello, Director Lucas," Gilbert said respectfully.

George Lucas smiled. "Gilbert, I really liked your film. You did a great job."

"Thank you for the compliment. I'll continue to work hard," Gilbert replied modestly.

"This is Director Francis Ford Coppola," Spielberg said, leading Gilbert to Coppola.

"Hello, Director Coppola. Your *Godfather* series has always been my favorite," Gilbert said politely.

Although he wasn't fond of social events, he knew he couldn't avoid them in Hollywood.

Francis Ford Coppola responded warmly, "My daughter Sofia really enjoyed *The Shallows*. You young people should interact more."

"Certainly…"

"This is Director Martin Scorsese. He has some connections with your father!" Spielberg introduced next.

"Gilbert, how is your father?" Martin Scorsese asked.

Gilbert nodded and answered, "Thank you for asking. He's very well and is currently vacationing in Europe."

"Hey, old Gilbert, still living it up at his age!" Martin Scorsese said with a laugh, patting Gilbert on the shoulder. "Don't follow his example; your career is the foundation."

"Thank you for the advice. I'll keep it in mind," Gilbert said with a serious expression.

After meeting everyone, Spielberg finally let Gilbert be, and he could relax.

These prominent figures were those he looked up to, and he knew he had to maintain a respectful attitude.

Others would envy this opportunity, so Gilbert was mindful of his conduct.

The admiration from these big names was partly due to Spielberg and also because of his father's connections.

It seemed that his father, while not a major force in his youth, was at least a person of significance. Even years later, Gilbert enjoyed the benefits of his father's network.

Of course, this advantage wasn't easily obtained. If Gilbert were a failure, these big names wouldn't give him a second glance.

But things were different now. With his work gaining a foundation, he earned some respect and attention from these figures.

Thanks to his background and connections, as long as Gilbert proved his capability, he naturally belonged to the Hollywood circle, unlike newcomers.

Spielberg's process of introducing Gilbert to people was noticed by various directors and stars at the premiere.

There was speculation about the relationship between Gilbert and Spielberg.

Some media reporters regretted not asking Gilbert a few questions earlier, realizing it could have been a big scoop.

Only Sarah from the *Los Angeles Business Journal* felt a sense of triumph, being the only one to question Gilbert, which was an exclusive story.

The premiere proceeded as usual, with discussions about creative concepts, emotional speeches, and then the film screening, followed by media interviews and guest reviews.

Gilbert was also called upon, as Spielberg had deliberately arranged.

Although Gilbert had no strong feelings about *Hook*, the screening experience was good for its time.

So, Gilbert joined in, saying some emotional remarks before wrapping up.

After the premiere, everyone went their separate ways.

Sarah from the *Los Angeles Business Journal* approached Gilbert for an exclusive interview. "Director Gilbert, can we schedule a time for an interview?"

With a chance to explain his film-making philosophy to the public, Gilbert agreed, "Let's schedule it for next week."

Sarah was delighted. "Great, see you next week."

"See you next week…"

After the premiere, Gilbert had some free time.

The $200,000 bonus from Universal Pictures soon appeared in his account. Noticing the inconvenience of frequent taxis, Gilbert decided to buy a Toyota as a mode of transport.

In North America, car prices were relatively low, and a decent pickup could be bought for a few thousand dollars.

Japanese cars were prevalent in the US market due to their fuel efficiency and affordability, so Gilbert chose one.

At the same time, Gilbert had Sina Boone help him register a studio in Delaware and rent an office in Burbank.

California's taxes were too high, while Delaware offered lower taxes.

Initially, Gilbert considered naming the studio as" Yellow Heart" but then he decided on "Melon Studio" instead.

Gilbert wasn't looking to compete with Hollywood giants, at least not at the moment.

The studio's main purpose was to serve him better and to assemble his own team.

Seeing film companies profiting from his films while he only received a fee made Gilbert envious.

Thus, in the future, Melon Studio would also participate in film production, aiming for more revenue.

Meanwhile, Sina Boone started approaching Universal Pictures with the script for *Final Destination*.

The film required higher investment, and Gilbert's fee would naturally increase, depending on how Sina Boone negotiated.

.......

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