jack london dulu

Starting a Fire was a short story by Jack London, published in 1907. The male protagonist of the story ventured to the Northern Forest mining camp at-75 ° F (different versions described the temperature slightly different, such as-60 ° C, etc.). On the way, an old man reminded him of the dangers of hiking alone, but he firmly believed that human will could overcome nature and go his own way. As he carefully crossed the river, he still stepped on crushed ice and wet his knees, which was fatal in extremely cold conditions, so he stopped to start a fire to dry his shoes. He collected the fuel and his blood became active after he successfully started the fire. When he took off his shoes, his shoelaces turned into ice. When he wanted to change his posture and lean against the tree, the snow fell down to put out the fire. He knew he had to start the fire again, and after trying to get his frozen hands to feel again, he took out the match, but accidentally dropped it on the ground and lost all feeling in his hands. He wanted to warm himself from the dog, but his fingers could not bend and he could not pick up the knife. In the end, he ran to the camp but failed. He fell in the snow and died, while his dog ran to the campfire and food. This was a naturalistic work. Although the man in the story had the characteristics of modern civilization, such as being able to detect traps in the snow, he despised nature and was defeated by nature, while the dog survived by instinct. This novel was also like a simplified version of "Love of Life". It had a similar core of the gold digger's desire and will to survive in the face of nature's cruelty and death. At the same time, it had a spiritual core connection with Martin Eden. It was a fable that told people that survival in nature required not only tenacity and courage, but also humility and rationality. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Here are some of the golden lines from Jack London's novel: - " I'd rather be ashes than floating and sinking. I'd rather die in raging flames than rot with lonely rotten wood. I'd rather be a dazzling meteor bursting with light than an eternal star sleeping for eternity." - "It's not easy for a person to come to this world. No matter what, you can't let life down." - "I'd rather be ashes after burning than dust on the ground. I would rather have my spark burn out in a dazzling blaze than let it rot and suffocate. I would rather be a fleeting meteor, every atom shining magnificently, than a planet in eternal sleep. Man's mission is to live, not just to exist." - “Show me a man with a tattoo and I'll show you a man with an interesting past.”Everyone with tattoos has an interesting past. - " The wildness has sunk into a long slumber, and hope will never be extinguished. I broke free from the chains of habit and jumped into the ice and snow of the Wilderness." - " The desires of the ancient wilderness are rising, breaking free from the shackles of customs and awakening the wild and untamed melody from its long sleep in winter." <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

I don't think there was a particularly significant Jack London novel in 1912. His more well - known works were from a few years earlier. He was a very active writer, but in 1912, there's no obvious novel that stands out as being a major new release. It could be that he was in a transition period, working on new concepts that would later develop into other works. For example, his earlier works often explored themes of nature and survival, and in 1912 he may have been exploring different angles of those themes or branching out into other areas.

By using the unknown. He often introduced elements that were not fully understood by the characters, like strange noises in the wilderness or inexplicable events. This sense of the unknown creates fear and horror. In many of his stories, the characters are in situations where they can't explain what's happening around them, and that's really scary. He also sometimes played with the psychological state of his characters. As they faced extreme conditions, their mental states deteriorated, and this internal struggle added to the horror. For instance, a character might start to hallucinate in the cold, blurring the line between reality and the supernatural.

His views on socialism also seeped into his work. He had a deep understanding of the class struggle, which can be seen in the relationships between characters in some of his stories. For example, in his works, there are often poor and oppressed characters trying to survive in a tough world created by the wealthy and powerful. His own difficult upbringing added to his empathy for the underprivileged and is reflected in his writing.