Burmese rosewoodBurmese rosewood gall tumor wood was the tumor body of rosewood gall fragrant pear, also known as gall wood (shadow wood). The texture of the wood was special. It had a fine rotating pattern and was rare. It was a rare wood.
In terms of species, there were grass rosewood gall and red rosewood gall, of which red rosewood gall was even rarer. Its characteristic was that it contained oil in its body. Even in the dry north, it was not easy to dry up. Moreover, it was mostly a tumor that maintained its natural characteristics. It was a high-quality material for decorating the home.
Looking at the Myanmar rosewood as a whole, its scientific name was red sandalwood. The wood grain was delicate, and it had the same wheat ear pattern as the Hainan rosewood (shaped like a fox tail). It also had fragrance (also known as fragrant rosewood), banded texture, polar phenomenon (180°), interlaced texture (one deep, one shallow), monkey face pattern (commonly known as ghost face) and other characteristics. The heartwood was reddish-brown in color with dark stripes. After the sawdust was soaked in water, it showed obvious fluorescence (emitting blue light). Craftsmanship made from Burmese rosewood gall wood had a strong sense of beauty, especially because it could not be replicated.
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Burmese rosewood full of scarsBurmese rosewood was covered with scars on the Burmese rosewood gall. The Burmese rosewood lump was the lump of the rosewood gall fragrant pear. This kind of wood had a special texture and had a rotating fine pattern. Burmese rosewood was very rare, and the red rosewood gall was even rarer.
Judging from its characteristics, Burmese rosewood contained oil, and it was not easy to dry even in dry northern places. In terms of usage, it was a high-grade material for decorating the home and was often used to make various household items. For example, there were overseas custom-made works made from Burmese rosewood full of scars, such as giant wooden bowls, which were full of scars and made from the densest scars in the center; There was also a Burmese rosewood full of scars tea table with a length of 130 cm, width of 108 cm, height of 73cm and weight of about 1000 jin; A wooden plate with a diameter of 52.5 cm and a thickness of 3.6 cm, with clear and perfect scars; and a treasure bowl with two utensils. These products showed the unique artistic value of Burmese rosewood full of scars.
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