empty mansions

In 'Dream of the Red Chamber', the phrase' The moon is still shining through the green window, but the ancient people in history are empty', had a special meaning. Judging from the plot, this was the content of a small pair of purple-black mud gold cloud-dragon notes written by Daiyu. From the perspective of character creation, in the first 80 chapters, Daiyu was talented and performed well in poetry, but after the 80 chapters, this couplet Daiyu seemed to be copied from the Tang poem Cui Hao's "Inscription on Shen Yin Hou's Eight Ode Tower", showing the difference between the images of Daiyu before and after. Through such a plot setting, the author of the continuation book may have entrusted more of his own thoughts and interests, as well as a new imagination and shaping of the character of Daiyu. This also reflected the differences between the first 80 chapters and the last 40 chapters in terms of character description, plot conception, etc. In the first 80 chapters, Daiyu showed people the image of outstanding poetry, but in the last 40 chapters, Daiyu had changes in behavior such as copying scriptures and suddenly learning the skills of playing the piano. Her hobbies and image gradually became different from the first 80 chapters. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The scenes in the 87th edition of 'Dream of the Red Chamber' could be divided into the following categories: ** 1. Wrong lines ** - In the first episode, when Daiyu entered the Jia family, the old lady assigned the servant girl Yingge to Daiyu and changed her name to Zijuan on the spot. However, when Yingchun and the other three sisters entered the house, they knew about the change of name as if they had foreseen it. - In episode 22, Shi Xiangyun's pronunciation was unclear. She should have said "two" but pronounced "love" instead. There was no mistake elsewhere, but in this episode, she typed "Love Brother". - In the fifteenth episode, Granny Liu's age was misstated. She should be five years old, but she was said to be sixty-five years old. ** 2. Shooting multiple scenes on the same day and editing them into different plots in the later stages of the show. - In the sixth episode, Sister Feng assisted the Ningguo Mansion. On the first day of the lecture, she wore an apricot coat and a phoenix hairpin on the left. The next morning, she changed into stone green clothes and her hairstyle was symmetrical. After crying, she found that when the old woman was late, her clothes had changed back to the previous day. This meant that the scene of the development of the old woman and the scene of setting rules the day before were shot consecutively but cut into different scenes. - When Jia Lian married Second Sister You, there was an uncle in a black hat and yellow shirt walking on the street. When Sister Feng went to look for Second Sister You, this man was walking on the street again. When Jia Lian came back from Ping An Zhou to look for Second Sister You, the uncle appeared again. - In the eighth episode of the Yuan Concubine's visit to her relatives, the rowing palace maids moved uniformly but the oars did not touch the water. The boat did not actually move, probably for the convenience of shooting, because if the boat moved, it would be more difficult for the photographer to shoot with a machine. ** 3. Shooting the same scene on different days leads to different costumes ** - When he asked a young girl about Zhou Rui's family, the girl's hairstyle started off with two buds. The next scene was in the courtyard, and her hair became half-disheveled. - In episode 12, Sister Feng asked Little Red to help carry things. At first, Little Red's headdress was a pair of green and gold jewelry. When she took the things, it turned into two pink silk flowers on both sides. - Chapter 12: Daiyu Buries Flowers, Begins to Wear Pink Clothes, and Turns into Pink-Green Clothes During the Burial of Flowers. - In the 30th episode, Baoyu went to see Xiangling. He wore golden clothes at the door and turned ivory when he entered the courtyard. - When Baoyu and Xue Pan went to see Master Wei, they rode a white horse. When they came back, the color of the horse seemed to be tanned. ** 4. Fake actions ** - The eighth episode of the Yuan Concubine's visit, the rowing palace maid's oars did not enter the water but the boat seemed to be moving forward. In fact, the oars did not move, which was a convenient way to shoot. ** 5. Modern people breaking into the camera ** - In the sixth episode, when Sister Feng was talking, a blue grid staff member with a camera appeared in the upper left corner. This person also appeared in the 33rd episode of Dai Yu's dream as a wounded soldier lying on the ground. ** 6. Actors as extras ** - In episode 18, when Grandmother Jia was looking for the mandarin ducks, the little girl who supported her was Zhuang 'er (the one who used the servant girl in Baoyu's room and stole Ping' er's shrimp beard bracelet), which reflected the situation when there were not enough extras during the filming. ** 7. Item Selling Category ** - When Jia Lian asked Wang Xifeng for money, the time it took for her to speak three to five sentences had changed from one hour to 10:45, and the actual filming only took 15 minutes. - The old handkerchief that Daiyu wanted to burn ended with a modern question mark and an exclamation mark (first appeared in 1920). - In episode 34, Baochai wrote a poem. At first, the words "Li Qingzhao" were on the top of the paper, but the next scene went to the bottom and the font changed. - In the first episode, Jia Yucun ate crabs and started using special metal tools. The next scene was chopsticks. Even though the 87 edition of 'Dream of the Red Chamber' had these scenes of being exposed, it was still a classic that was difficult to surpass. These scenes of being exposed reflected the shooting conditions and technical standards at that time to a certain extent, and also provided the audience with a unique experience of watching the movie. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

"Qinfang" was reflected in "Dream of the Red Chamber" in many ways: - ** Qinfang Pavilion **: It was the name of a pavilion in Grand View Garden. The bridge of Qinfang Pavilion was on the west side of Xiaoxiang Pavilion. The story of " Lin Daiyu rebuilding Peach Blossom Poetry Club " happened here. The Qinfang Pavilion Bridge was the first bridge to enter the Grand View Garden. On the central axis of the Grand View Garden, white stones were used as railings, encircling the edge of the pool. The stone bridge was arched three times, and there were beauties leaning on it all around. The light reflected from the bridge was like a beautiful pavilion. There was a couplet in the Qinfang Pavilion on the bridge, which read: "Around the dike, the willows borrow three poles of green, and the flowers on the other side of the river are fragrant." The two words "Qinfang" were chosen by Baoyu. These two words pointed out the beautiful scenery of flowers and trees reflecting the water. It was not cliché and also fit the matter of the Yuan Concubine's visit. It was subtle and thoughtful. - Qin Fang Zha: It was a scene from the seventeenth chapter of Dream of the Red Chamber. Baoyu had once brought Hui Zhen Ji to a stone under the peach blossoms by the bridge of Qin Fang Zha and sat down to read it. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The main character in Burial of Flowers was Lin Daiyu. In the plot of " Dream of the Red Chamber," after Daiyu was rejected when she visited Baoyu at night, she came alone to the place where she and Baoyu buried the peach blossoms on the second day of the Grain in Ear Festival. She was touched by the scene and felt that the flowers hurt her, so she recited the " Song of Burial of Flowers." This poem was the representative of Lin Daiyu's lamentation of her life experience. The image of falling flowers and falling in the poem perfectly fused with Daiyu's tragic fate. For example," 360 days a year, the wind and frost are fierce," and other sentences described her harsh living environment under the roof of others with the living environment of flowers, expressing her sadness about her own situation, future fate, and the pursuit of noble and pure interests. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Wuyuan was the residence of Xue Baochai in Dream of the Red Chamber. From the architectural style, it looked like a cool tile-roofed house from a distance. It was made of water-polished brick walls. There were large exquisite rocks that pierced into the sky at the entrance. There were all kinds of stones surrounding the house, covering the house inside. There were no trees or flowers in the courtyard, only many strange grasses. Some of these strange grasses were heavenly vines, some were hidden vines, some were hanging from the top of the mountain, some were piercing through the cracks of the stone, some were hanging from the eaves around the pillars, some were winding around the steps, some were swaying like green belts, some were winding like golden ropes, some were solid like cinnabar, some were flowers like golden osmanthus, the fragrance was not comparable to the fragrance of flowers. There were also five mansions connected to the rolling shed, with corridors on all sides, green windows and oil walls. Symbolically speaking, the mountain rock was a hidden portrait of Baochai's character. Those vines or herbs had no trunk or main root. The vines grew by climbing other things, suggesting that Baochai wanted to rely on the Jia family to gain power and status. She fawned on Grandmother Jia and Lady Wang and made friends with the servants. Cao Xueqin placed Du Ruo and the other fragrant herbs in the courtyard, hinting that Xue Baochai was a fragrant beauty. She was virtuous and peaceful, and even if she was ruthless, she was also moving. At the same time, these herbs had the effect of clearing heat and detoxifying, suggesting that Baochai's heat toxin could be regarded as an unmade cold fragrance pill. For example, the words " Angelica " also hinted at the failure of her marriage. For example," Angelica " hinted at the scene of Baochai's lonely life after Baoyu became a monk. In terms of interpersonal relationships, Shi Xiangyun used to live here, and although Xue Baoqin should have lived in the Wuyuan, she did not live here because of the arrangement of the old lady. The old lady asked Lady Wang to recognize Xue Baoqin as her goddaughter and to support her, so Xue Baoqin lived with the old lady. Later, when the old lady passed away and the higher-ups of the Jia family left the house, Xue Baoqin was sent to Li Wan. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>