My Pet Beast is really not an Evil God
Gary Smith arrived in a peculiar world of beastmasters, where an ancient taboo was reborn from the depth of time, and an evil god was lurking.
In this world, birds and beasts, rivers and mountains, even elements could spawn spiritual power and turn into pet beasts. Among them, the powerful ones became ecological niches by themselves, radiating secret realm ecosystems such as the Yellow Spring, Skeleton Kingdom, Succubus Nest, and Kingdom of the Sky Tree, nurturing countless followers.
The beastmasters make contracts with the pet beasts, nurture them, and control the spiritual power.
After witnessing the "Taboo Sun" event, Gary Smith obtained the ability to extract materials from everything in the world and compile "Secret Food".
Through the Evolutionary Secret Food, the combination of "The Shattered Dusk World" + "Ancient Dragon’s Dead Egg" results in the Feast of the End. When the pet beast consumes it, it evolves into the Dusk Dragon God. The Dusk Domain erodes the world, turning into the God at the end of time.
The Skill Secret Food allows the pet beasts to plunder skills from everything, becoming omniscient and omnipotent. The Sacrificial Secret Food snatches the taboo time, sacrifices the ancient beings, and blasphemes against the gods.
His style of beast control also started to become peculiar.
There is the Spider Shadow that devours ancient dragons and weaves dreams of all lives with its threads, the Red Master that pollutes the multiverse, and the Devourer of the Realms, who consumes worlds...
In response to this, he explained, "My pet beasts are just a bit peculiar. They really are not evil gods!"
Morning dusk crow · Eastern
Korean horror films have been around since the early years of Korean cinema, however, it was not until the late 1990s that the genre began to experience a renewal. Many of the Korean horror films tend to focus on the suffering and the anguish of characters rather than focus on the explicit "blood and guts" aspect of horror. Korean horror features many of the same motifs, themes, and imagery as Japanese horror. Modern South Korean horror films are typically distinguished by stylish directing, themes of social commentary, and genre blending. The horror and thriller genres are cited as gaining international attention to South Korean Cinema. American Hollywood has adapted several Korean horror films such as Oldboy (2003 film), Into the Mirror (2003), and A Tale of Two Sisters (2003). Train to Busan (2016) and The Wailing (film) (2016) are rumored to currently have remakes in talks for production.