good sequencing stories

A characteristic of good sequencing stories is a clear order. For example, in a story about a hero's journey, the events unfold in a particular sequence that makes sense. First, there is the call to adventure, then the hero meets challenges, overcomes them one by one, and finally returns home changed. This clear order helps the reader or listener follow the story easily.

One good sequencing story could be the process of building a house. First, the foundation is laid, which is crucial as it supports the entire structure. Then, the framework goes up, followed by the installation of walls, roofing, and finally the interior finishing like plumbing and electrical work. Each step has to be in sequence for the house to be built properly.

In the world of literature, the best sequencing stories might be those that build suspense effectively. For example, in Agatha Christie's detective novels. She masterfully sequences the events, introducing clues bit by bit. First, the crime is presented, then the detective starts investigating, interviewing suspects one by one. The sequence in which the information is revealed keeps the readers on the edge of their seats until the final revelation of the culprit.

Sequencing short stories can also create a sense of progression. It's like building a journey for the reader, where each story leads to the next in a meaningful way, whether it's through a growing emotional intensity or an evolving concept.

The animation of the Steel Ball Run in the Jojo series faced many difficulties, and fans were not very optimistic about it. Firstly, 70% of the content of this work was focused on horse racing. The production of horse racing, especially horse riding animation, was very demanding. It was time-consuming, laborious, and expensive to make a running scene. Horse riding animation was more difficult to draw than a battle scene. Even if the SBR was not always fighting, it was basically riding a horse when it was not fighting. It was extremely difficult to make. Secondly, the difficulty of animation was the double problem of production budget and technical means. Many of the comics were at the level of illustrations. If they were made into animation, they would either have to spend a lot of money to restore them or change the style into a cheap animation. However, there was also news that revealed that SSR had announced that it would be animated, while others thought that it would not be animated. The reasons included the difficulty and length of the seventh episode. The cost of drawing horse racing alone could be astronomical. Moreover, SSR was the second longest in Jojo, and the animation might be 70 to 80 episodes. In addition, Araki had only sold the copyright of the first six movies to David Studio. Some people thought that he might not be willing to sell the copyright of the seventh movie, and there were some disputes about the quality of the Jojo animation produced by David Studio. There was also a more feasible idea to make it an OTA and let Wangfei invest in it. It would be done once every 1 - 2 years, and then 7 - 8.