CHAPTER 29: DISCOVERY

This is where YONGHÉNG tells her that yes, he has been moving PANDORA all this time, he also talks about what the girl has been helping them, in the simple and difficult task of not looking for her son.

This act gains DRAKO's sympathy.

She really didn't want the kingdom to suffer anymore, because of her desire to see RYU.

DRAKO asks you to take care of her, it seems to her that she may be a reliable person.

This pleases YONGHÉNG. Who lets DRAKO know the young woman's mental state.

DRAKO listens silently to how much the young woman has missed her son, her voluntary isolation and her lapses of depression in which she refuses to leave her home because she undergoes changes in her appearance, this is what has kept them most attentive to PANDORA.

While she can be dangerous, she herself is responsible for her condition.

For now, everything is under control.

DRAKO understands that your son's feeling is reciprocated, in some way, just as sad and depressed, RYU has been since those events and suspects that mourning for his family has already surpassed him, it is the mourning for the loss of PANDORA that keeps him in that state.

Before DRAKO leaves, YONGHÉNG tells you to show you something, it's something that will amaze you.

YONG-NG commands to bring "the box" then tells him that what he will see are remnants of PANDORA's belongings in some of the houses he has inhabited.

They have taken care of collecting them to prevent them from reaching RYU's hands.

DRAKO, strange, expects to see what she has left behind.

Soon from an awkward silence in which DRAKO has had to endure that smile of YONGHÉNG, which, although it reflects sympathy, does not give it encouragement at all.

A qilin arrives with a wooden box.

He puts it on the table.

DRAKO looks at it, it's made of sticks tied with threads.

YONG-NG tells you you can open it.

DRAKO looks at YONGHÉNG who looks at him anxiously.

DRAKO exclaims that he just hopes it's not a joke.

It's about to open the box.

Then look at sheets of paper.

In the first look at the image of a dragon, you don't need to think too much, the factions of that dragon are those of his son RYU, the drawing is so strange that it rips off a laugh at DRAKO, no doubt the drawing is very ugly, but.

You can smell the salt aroma in the leaf droplets, they're definitely tears.

In each stroke of that blurry and emphasized drawing, you can feel the dedication with which it was made.

And on each sheet, look at the phrase: one day at a time.

Seriously, DRAKO is pulling out more of the leaves.

In all of them is the figure of your son.

In very few of the drawings in which RYU smiles, they are better preserved, without stains or tears.

That only makes up for episodes of anguish in PANDORA, more so than quiet episodes.

He recalls the day he sentenced all humans to be killed, PANDORA reflected anguish, though, his anguish could lie in RYU.

She remembers turning to see where her son had gone with wounded TYPHOON.

This has touched DRAKO's heart, leaving the papers on the table a little annoyed and moving towards the door.

He tells YONGHÉNG that he is retiring, the king does not lose detail.

DRAKO asks you to take care of PANDORA.

Pleased the king, answer: Yes, they will take care of her.

The king watches as DRAKO moves away from the castle.

YONGHÉNG is a little more relieved.

Since you have won your friend's approval for the actions you have taken with your child's case.

This was very important to the king.

Look in hope that dragons will overcome their frictions.

Time in the kingdom goes almost unnoticed by many, not everyone.

In the villages of humans a tradition has been made to celebrate every year since they were saved by YONGHÉNG from being sacrificed, the reconstruction of the new kingdom is celebrated and finally, in this way, mourning is also mourned by the fall of the kingdom.

There is a lot of movement in the village where PANDORA is only two months old, in these two years it has traveled through many villages, so it no longer takes the trouble to fix the houses to your liking, it just does not come out if you think you should not.

PANDORA's appearance has changed a little, she's gone up in stature and her body starts to change to miss.

Her hair's grown.

Her hair is reddish and her eyes green, at this stage, she has felt relaxed.

Outside his house, you hear a lot of movement, there are people everywhere, some riding food stalls, some games to hang out.

In the center of the square they made for festivals, they are forming a small stage where, there will be dancers and musicians.

In this second year, new shelters have been formed.

While the living areas are not many, they are well distributed.

Any pretext is welcome to try to make this day less sad.

So, joy is denoted all over the village.

And not just this one.

It's in every human village in the kingdom.

This year, he set out to use antifaces decorated with whatever they wanted to add color to everyone in the village where PANDORA is.

She thinks it's good that there's joy, only, she's done a lot already with all the decorations, torches, drinks, stalls, flowers and adding the antifaces, it seems more than a celebration, a festival... like the ones in the so-called new world.

They may certainly not be so different on this side of the world after all.

END OF CHAPTER 29