OutsideYourDoor
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Where is the cuck author at? I want to reply to his comment by calling him a cuck.
Did people back in 85 BC even know what "trillion" was?
Eh, wasn't that the age people got married back then anyway? Wait was marriage even a thing back then? They might've just cohabitated without any kind of ceremony... I'm not much for history so idk.
So we now know that the Author is a cuck. I shall refer to the Author as "cuck" from this point onward.
Wouldn't it be better to manipulate the person you have blackmail on? I'm confused. If you are going to write a period drama, you need to at least follow the period. I'm certain there is sucking up to royalty back in this time period, but this man clearly has more nefarious plans. It would be much better to use them as a scapegoat than to give them an alibi.
Yeah, because if he did, his head would probably become acquainted with a whicker basket.
Yet apparently unworthy of having a name.
Is this chapter relevant in the story in any meaningful way? Because it completely ruins the interest I had from the first chapter. I don't understand why Authors try and be fancy when they are unskilled. Just follow a plotline, stop trying to do stuff you aren't able to do properly.
since when does the cuck author use common sense?
i know right, it's obvious he got it from the cuck authors plotarmor.
I want to give this novel a good review, but I can't really do that. I refuse to pad my review to make someone feel better. Author, your premise is decent. I can clearly see from the dialogue that you have a plot planned and there's a deep story being written. The problem that I'm having is that there isn't enough. At some point between conceptualization and actualization your story falls short. We can clearly tell that there's a story behind all the numbers that you want to invent, but the story isn't coming through well enough. While reading this novel, I felt like I was in a cellphone with spotty service. Sometimes it would be there, and other times it would be missing. You're not transitioning your thought processes enough to allow the story to flow properly. It's all jerky and uncoordinated. I feel like for every two or three plot devices, there's only half or less than half of the amount of world building that's required being put in. Sometimes your characters introduce things with zero Segway into them. No build up, no explanation. It's a random thing throw into the middle of a scene that is supposedly used to transition into another scene, the problem is that there's no transition. It feels shoddy.
Why is the word Vixen censored?
You must be this old to use this sentence.