Ideas, ranking of fan fiction novels, comments on fan fiction novels; new ideas for fan fiction writers and readers' tastes

World War II, and Japan's defeat, deeply influenced Japanese literature. Many authors wrote stories of disaffection, loss of purpose, and the coping with defeat. Haruo Umezaki's short story Sakurajima shows a disillusioned and skeptical Navy officer stationed in a base located on the Sakurajima volcanic island, close to Kagoshima, on the southern tip of the Kyushu island. Osamu Dazai's novel The Setting Suntells of a soldier returning from Manchukuo. Shōhei Ōoka won the Yomiuri Prize for his novel Fires on the Plain about a Japanese deserter going mad in the Philippine jungle. Yukio Mishima, well known for both his nihilistic writing and his controversial suicide by seppuku, began writing in the post-war period. Nobuo Kojima's short story "The American School" portrays a group of Japanese teachers of English who, in the immediate aftermath of the war, deal with the American occupation in varying ways.

Prominent writers of the 1970s and 1980s were identified with intellectual and moral issues in their attempts to raise social and political consciousness. One of them, Kenzaburō Ōe published his best-known work, A Personal Matterin 1964 and became Japan's second winner of the Nobel Prize for Literature.

Mitsuharu Inoue (ja) had long been concerned with the atomic bomb and continued in the 1980s to write on problems of the nuclear age, while Shusaku Endo depicted the religious dilemma of the Kakure Kirishitan, Roman Catholics in feudal Japan, as a springboard to address spiritual problems. Yasushi Inoue also turned to the past in masterful historical novels of Inner Asia and ancient Japan, in order to portray present human fate.

Avant-garde writers, such as Kōbō Abe, who wrote fantastic novels such as The Woman in the Dunes (1960), wanted to express the Japanese experience in modern terms without using either international styles or traditional conventions, developed new inner visions. Yoshikichi Furui tellingly related the lives of alienated urban dwellers coping with the minutiae of daily life, while the psychodramas within such daily life crises have been explored by a rising number of important women novelists. The 1988 Naoki Prize went to Shizuko Todo (ja) for Ripening Summer, a story capturing the complex psychology of modern women. Other award-winning stories at the end of the decade dealt with current issues of the elderly in hospitals, the recent past (Pure- Hearted Shopping District in Kōenji, Tokyo), and the life of a Meiji period ukiyo-e artist.

Haruki Murakami is one of the most popular and controversial of today's Japanese authors. His genre-defying, humorous and surreal works have sparked fierce debates in Japan over whether they are true "literature" or simple pop-fiction: Kenzaburō Ōe has been one of his harshest critics. Some of Murakami's best-known works include Norwegian Wood (1987) and The Wind-Up Bird Chronicle (1994–1995).

Banana Yoshimoto, a best-selling contemporary author whose "manga-esque" style of writing sparked much controversy when she debuted in the late 1980s, has come to be recognized as a unique and talented author over the intervening years. Her writing style stresses dialogue over description, resembling the script of a manga, and her works focus on love, friendship and loss. Her breakout work was 1988's Kitchen.

Although modern Japanese writers covered a wide variety of subjects, one particularly Japanese approach stressed their subjects' inner lives, widening the earlier novel's preoccupation with the narrator's consciousness. In Japanese fiction, plot development and action have often been of secondary interest to emotional issues. In keeping with the general trend toward reaffirming national characteristics, many old themes re-emerged, and some authors turned consciously to the past. Strikingly, Buddhist attitudes about the importance of knowing oneself and the poignant impermanence of things formed an undercurrent to sharp social criticism of this material age. There was a growing emphasis on women's roles, the Japanese persona in the modern world, and the malaise of common people lost in the complexities of urban culture.

Popular fiction, non-fiction, and children's literature all flourished in urban Japan in the 1980s. Many popular works fell between "pure literature" and pulp novels, including all sorts of historical serials, information-packed docudramas, science fiction, mysteries, detective fiction, business stories, war journals, and animal stories. Non-fiction covered everything from crime to politics. Although factual journalism predominated, many of these works were interpretive, reflecting a high degree of individualism. Children's works re-emerged in the 1950s, and the newer entrants into this field, many of them younger women, brought new vitality to it in the 1980s.

Manga (comics) has penetrated almost every sector of the popular market. It includes virtually every field of human interest, such as multivolume high-school histories of Japan and, for the adult market, a manga introduction to economics, and pornography. Manga represented between 20 and 30 percent of annual publications at the end of the 1980s, in sales of some ¥400 billion per year.

Cell phone novels appeared in the early 21st century. Written by and for cell phone users, the novels—typically romances read by young women—have become very popular both online and in print. Some, such as Love Sky, have sold millions of print copies, and at the end of 2007 cell phone novels comprised four of the top five fiction best sellers.

this is made for the purpose of getting the authors badge  at any rate I'll just compile world literature

Readers Choice Awards is an annual contest where the world's best books are put for voting to the readers, that's why it has been named as READERS choice awards. We have been closely watching the voting process of this award. We realised that worldwide readers of the books which had been nominated participated for this contest to vote for their favourite books. The founder of Motivational Strips said 'A book is as good as a reader loves to read them". This statement plays vital role in today's world of books. Every year hundreds of thousands of book get published but the writers acumen in keeping the mind of the reader occupied is what takes a book to the threshold of success.
Thus this contest year on year is to win the POPULAR CATEGORY amidst the RC awards. Every reader looks at this aspect, year on year to see who takes the stakes for this category. The commercial value of a book comes to the public front when the Readers decide the winners. The authors who get nominated from across the globe are selected on the basis of their reader base and acceptance in the literary world. Every author trues hard to win the 'Popular Category' because only this category can reflect the authentic global readers verdict. It reveals the content quality, value, and marketability of a book to other readers. This category is very difficult to win, as the decision-makers are real readers. The readers judge the book best. So only those books which get read by them makes it to the top in this category. It's the toughest category and the most authentic one.
Apart from that, there are also commercial categories, which may be complimentary. They are not based on readers decisions but on the discretion of the of someone magazines. They are given away in kind to encourage and not disappoint some privileged ones who are loyal to these magazines. The readers are never taken into decision and are chosen by the magazine authorities. Though this category doesn't have much relevance, but helps many upcoming writers to get their reader base commenced. It's a honorary appreciation that are given away in surplus to the participants. (These Categories are awarded normally to encourage participants and based on good relations with the home magazine). All award committees in the world keep such categories to keep their entity running. The world needs to uplift some upcoming writers too.
We are glad to announce the top three winners and the top seven participants who made it this year to READERS CHOICE AWARDS 2020 IN THE POPULAR CATEGORY. The top three winners and the seven participants are as below.
TITLE OF BOOK
READERS VOTES
1. Stories that Intrigue - Brenda Mohammed (Romance Category)
Total Readers Voted - 1013
(Gold Winner) - Overall Votes
(Gold Winner) - Romance Category
2. The Ghost Wisdom - Shiju H. Pallithazheth (Non-Fiction Category)
Total Readers Voted - 670
(Silver Winner) - Overall
(Gold Winner) - Non-Fiction Category
3. Written in Water - Lesley Hayes (Other Fiction Category)
Total Readers Voted - 449
(Bronze Winner) - Overall
(Gold Winner) - Other Fiction Category
Finalists Of Popular Category ( These books didn't make it as Winners among the global mass, However, some of them have been awarded honorary Readers Choice awards upon the discretion of the magazine to motivate them. So for those who got the honorary titles, we express our heartfelt congratulations)
4. Sparky - Millie Slavidou
Total Readers Voted - 331
5. The Shimmer - Sylva Fae Total Readers Voted 247
6. A Year in the life of Leah- Lucinda Clarke
Total Readers Voted - 245
7. To Target the Heart - Andrea Alien Total Readers Voted - 189
8. Irma's Endgame - Paulette Mathurin
Total Readers Voted - 187
9. Chronicles of Fen Cermain -Y.W. Lumaris
Total Readers Voted - 139
10. The Mouse in the Hammock - Bethany Brevard
Total Readers Voted - 123
The source of this data as attached is obtained from the Award Voting portal.
Please share this post and let the world of readers know which best books got published in the year 2020. It would guide them to buy the best of the world as above and adorn their book collection.

I find it difficult to focus on things I remember.

Unlike some people, I cannot write on the flip of a switch. There was a time when I wished I could get a typewriter, but with family as they are, sometimes it's easy to have a holiday where they only think of gifts for other people and not you. Likewise, I never give them any gifts, and outright skip them. But what kills the most is how much ink gets wasting for things that are essentially random scribbling. As if somehow random scribbling were worth more than prose. It's the little things like this, intentionally or not, that are the most insulting. And if you complain, than other people do not let you have any words.

Some people use formal language to communicate what other "lesser mortals" are able to say in less kind words, of which I wont repeat. But the gist is usually some rambling about economics, something related to communism. A university professor, to think that someone like that would lower themselves to uploading videos on youtube. Au contraire, for those who belong to sub cultures I generally associate, more often we use federated video uploading and file sharing: usually about anarchism. I communicate this story without indention, for indention is only useful if I wish to go into print. You pay the cost of a print run, for books that may never sell.

But for me, it's not the desire to sell that motivates me. I've never considered myself someone motivated by money. People say that self-published books are easier to sell in genre fiction, and yet in my own experience, it's far more common for literary fiction writers to be in the position, where they would have to self-publish their books to go anywhere. For me, it's a bit like trying to make a profit out of something little more than your blog. Which somehow feels extremely dirty to me. My mind is so often filled with noise to today, it's difficult to automatically write like I used to.

Even now, as I listen to the flow of rain drops outside the window, the reality of my dryness breaks the illusion: as much as it sounds like rain, the reality is it merely comes from my computer. To make matters worse, I have family that--and sometimes I wonder if it's even that--that in the most well meaning way possible, suggest that my work will never sell if I write anything that isn't about a specific topic. This comes despite the fact that that's quite literally the point of literary fiction.

Sometimes I wish I could melt away with the wind, and become a collection of music notes that fill the sky.

But I'm just some disillusioned speculative fiction writer. Science fiction writers have cool gadgets, other ones have cool societies. Yet for me there is nothing traditionally exciting about the human experience. But my goal is to highlight societal truths, not necessarily entertain you. If a book is the story about being a human being, trying to force it down a garden path of a seven point structure always struck me as largely pointless. As there is so many different ways to play the same piano note.

Even if it's not a song, of a sunken boat.


Sometimes you'll meet people that you're surprised they survived as long as they did, even if that person is strictly imaginary: last night I had a dream I was walking through a butchering room, ran by human female slaves. The slaves would help the main guy take girls out of the prison, who are hung up from chains by their wrists and ankles. They would be butchered on butcher block tables, their severed heads and limbs scattered all over the floor. The man would sometimes cook and eat these prisoners. But usually preferred to feed the remains to his dog, but would pretend to eat them. Then wretch them up when the man was not looking. When the man spotted me, he tried to have me captured. But instead he cornered me on his back porch.

I notice that it wasn't a stuffed tiger on the stairs, but an actual tiger painted to look like a stuffed animal. When I turned around, the man was not there, but only his dog.

-- No wonder you're able to survive eating humans, if you ate humans every day as a human, then you're body will eventually reject the things you've eaten, and begin falling apart.

--  I'm just his dog lady, I want to leave this place as much as you do.

The door swung open, it was a gaggle of girls. Some slightly wounded. The main slave girl held onto the guy's severed head and tossed it to the tiger. The tiger chased after the severed head, and for the most people could finally have a hope of not being butchered someday.

Usually dreams are not usually so violent.  They say that dreams are usually caused by stress.

But so often dreams are so realistic, including the segment where I was walking through a grocery store, and was struggling to find the right box of cereal. Eventually I had to settle for generic HC, and thus my craving for that honey could finally be satisfied, until the next time I went shopping. And then it was a slow ride home, where I could listen to the sound of rain, as it poured outside against the window.

At home, when I wake up, there is only my kitty cat.

Who wants my black beans. Carefully I move my chair so they can't go onto my dining room table. But this doesn't stop them from trying, while I make my morning coffee.

After the morning routine, I drew some comic sketches for some new light novels. Although some of the designs have me a little bit worried, as my goal is to communicate a Cyberpunk setting, and not a children's book. If I were drawing a children's book, it be one thing. But a bit different if the book is about young teenagers living the life as adults. I had once wanted to be a children's writers, but this never worked out quite like a hoped. So I'm attempting to write science fiction, under the idea that this itself may also not work out so well. And I'm stuck with a diary I don't know how to market.


I'm not an interesting person: I have almost nothing going for me; when you attempt to kill yourself three different times, it immediately becomes apparent how little society really cares about you. That may sound cynical, but it's the truth. I don't mean to sound so frank, but when you've been kidnapped once, and have about a grand robbed from you, and you're sexually assaulted every day for about a year, and certain contemporary hash tags on social media aren't what they turned out to be, the only apparent reality is one where people only think of them self.

That doesn't mean there aren't some people that do good things, but there is usually some financial string attached; as the only person in the world that puts politics aside for sake of human decency, I don't entirely understand how other people view the world differently. I used to be a computer programmer, but got tired of how men in the business treated trans women, especially on older federated social media networks. In Church, it's Give Us Our Daily Bread. In the church of a Diaspora, it's give us our daily wank.

I am a female programmer. Give me my daily shank. For thine is the Cyberdeck, and cutting is my personal wank.

Oh woman!

It seems like every time you succeed in something, there is always somebody there to try to take you down a notch; it doesn't matter what it is, it could be finding a new girlfriend, or finishing a new book. One of the reasons I left centralized social media, is that it always felt like every one of my actions was being watched. Having some people approve of your actions doesn't make things any better; what if you decided to change your mind later, or completely stop using the site altogether. You being the sole exception in a group that hates your political views. This is my experience, being social most people would consider socialist. The term is constantly degraded, because of people that don't really understand what the word means.

I can't even write Cyberpunk fiction, because--although topically I've never had much in common with him anyway--that the main godfather of that genre of fiction, although not an optimist, is at most a realistic often makes me feel like somehow my experience is invalid. Combine this with the fact that even in comics, one of the groups I've considered my lifeblood, decided to completely disown me merely for the fact that I comment on creator-ownership, or happen to dislike mainstream comic companies. Don't ever let anyone try to convince you of anything else...

Thinking critically and carefully is never easy.

Especially as an anarcho-communist.

Before the second civil war, that broke the broken American Union into several smaller national units.

Set in the fictional Tennessean city of Chatlanta, where virtual reality is being newly developed, and the line between dreams and reality blur. A writer who has a hard time finishing a story, is in search for love.

The playful hacker accidentally courts an assassin/spy for a rival US micro-nation, and decides to rebuild her dead acquaintance to give her a second chance. Interspersed are dreams about being hunted by cannibalistic serial killers, and essays about the nature of the game-design industry.

Author Note: This work is half way finished,  the next half is being plotted.

I ... wanted science fiction to be more naturalistic. There had been a poverty of description in much of it. The technology depicted was so slick and clean that it was practically invisible. What would any given SF favorite look like if we could crank up the resolution? As it was then, much of it was like video games before the invention of fractal dirt. I wanted to see dirt in the corners.
In science fiction, we dream. In order to colonize in space, to rebuild our cities, which are so far out of whack, to tackle any number of problems, we must imagine the future, including the new technologies that are required.
It's not speculation, it's true! Mobile phones, laptops, tablets, the Internet, all were predicted and dreamed up in science fiction first. Science fiction writers speculate when they write. I don't just make random things up. I consider the world around me. I live in it. I experience it. I love it. I hate it. I worry about it. Then I imagine what's to come.

The power of science fiction, and what's positive about it, is that you're able to experience the worst-case scenario without actually having to live it.

The English novel begins behind bars, in extremis. Its first author, John Bunyan, was a Puritan dissenter whose writing starts with sermons and ends with fiction. His famous allegory, the story of Christian, opens with a sentence of luminous simplicity that has the haunting compulsion of the hook in a great melody. "As I walk'd through the wilderness of this world, I lighted on a certain place, where was a Denn; And I laid me down in that place to sleep: And as I slept I dreamed a Dream."
A "Denn" is a prison, and Bunyan wrote most of the book in Bedford county gaol, having been arrested for his beliefs during the "Great Persecution" of 1660-1690. He shares the experience of prison with Cervantes, who had the idea for Don Quixote while incarcerated in La Mancha. Like so many novels that follow in this list, The Pilgrim's Progress blends fact and fiction. As well as being the record of Bunyan's dream, a well-known fictional device, it is also an archetypal tale – a quest, fraught with danger. Christian's pilgrimage takes him through the Slough of Despond, Vanity Fair and the Delectable Mountains in a succession of adventures that keep the reader turning the page. With his good companions, Faithful and Hopeful, he vanquishes many enemies before arriving at the Celestial City with the line that still reverberates through the English literary tradition: "So he passed over, and all the trumpets sounded for him on the other side."

In Hollywood terms, the novel has a perfect "arc". It also contains a cast of unforgettable characters, from Mr Worldly Wiseman to Lord Hategood, Mr Stand-fast and Mr Valiant-for-Truth.
More profoundly, as an allegory of state repression, it has been described by the historian EP Thompson as one of the "foundation texts of the English working-class movement". Part of its uniquely English quality is a robust and engaging sense of humour that has cemented its appeal to generations of readers.

The Pilgrim's Progress is the ultimate English classic, a book that has been continuously in print, from its first publication to the present day, in an extraordinary number of editions. There's no book in English, apart from the Bible, to equal Bunyan's masterpiece for the range of its readership, or its influence on writers as diverse as William Thackeray, Charlotte Bronte, Mark Twain, CS Lewis, John Steinbeck and even Enid Blyton.

Huckleberry Finn speaks for many readers when, recalling his Mississippi education, he says: "There was some books too... One was 'Pilgrim's Progress', about a man that left his family it didn't say why. I read considerable in it now and then. The statements was interesting, but tough."

The story of a man in search of the truth is the plot of many kinds of fiction, fromPortnoy's Complaint to Tinker Tailor Soldier Spy. Like many of the writers in the list that follows, Bunyan had a wonderful ear for the rhythms of colloquial speech and his allegorical characters come to life in dialogue that never fails to advance the narrative. Story is one thing. The simple clarity and beauty of Bunyan's prose is something else. Braided together, style and content unite to make a timeless English classic.

Q: How long have you been writing?
A: About 10 years now, I started by winning scholarships in grade school doing reports and scholarly papers but went into fiction after reading books like Harry Potter, Warrior Cats, and The Hunter.

Q: Favorite anime?
A: 1) Toradora 2) Konosuba, 3) Aria the Scarlet Ammo, 4) Eromanga Sensei (Inspired me to write), 4) Sekirei (All three seasons), 5) Kobayasi Dragon-maid, 6) Aggressive Retsuko, 7) Watamote, 8) Love, Chunibyo & Other Delusions 9) Kill la Kill, 10) Watamote
Honorable Mentions: Strawberry Marshmallow, FMA: B, Panty & Stocking
P.S. According to MyAnimeList, I've watched over 200 anime. Scary, huh T~T

Q: Why did you start writing fiction?
A: Believe it or not, I actually disliked fiction books for a while because I was told by my mentor that imagination makes for unrealistic judgment. However, after reading a colleague's science fiction, and their portrayal of the world around them I enjoyed what they did and wanted to make a world for myself!

Q: Any reason you decided to go for Knights specifically in your book?
A: Because the Knight-class is underrated in my opinion. Everyone wants to be fast archers, dual-wielding swordsmen, beast-tamers, mages, healers, etc. but never Knights! Also, in most Isekai books, manga, and anime they mainly cover roles that triumph via magic and sorcery. But it's well-known in most RPGs that knights and paladins have the least magic proficiency, making them less common to use and harder to master. Knights have to focus on technique, physical prowess, and intellect to overcome an opponent—which in Momoko's words is "badass."
P.S. Not throwing shade at other roles, Knights are just my particular favorite :)

Q: How did you envision Momoko and the other characters in your book?
A: References, references, references. Most, if not all, of my characters, are references from a friend, family member, and even my pets! In my opinion, as a writer, if you've been with a person long enough and envision them as a character it's easier as you know what they'd most likely do and not do. I also wanted them to be relatable and genuine. That's why I LOVE Isekais like Konosuba that incorporate comedy into the story—because realistically anyone that teleports to a new world is going to be a bit rough around the edges. No one wants a stern tough guy who has an ego or vendetta, it's kind of boring and outplayed.

Q: How long does it take to write a chapter? Do you have a scheduled writing regiment?
A: I'm big on planning. A lot of the arcs are already planned out and all I need to do is put them on paper. Most of my writing is 1k-2k words and I type at around 83 wpm...so if you do the math [Insert calculation here]: It doesn't take me that long xD I try to write at least 5k words a week with writing at least once a day. I release chapters every day around 12:00 PM EST. 
The longest process of writing is going back for editing. My approach is as follows: Draft, Read, Grammar-check, Read, Info-check (make sure that there's no missing information), Read, Reader-check (reading as if it was my first time), then I bug either one of my professional editor/novel friends to read it for me. 
S/O to Hannah for the most contribution so far! XDD

Q: What do you expect readers to take away from reading your book?
A: That despite where you come from, or not knowing where you going, that you should always fight for yourself because you're worth it.

Q: Got any tips for new writers, or writers in general?
A: I don't think I'm in the position to give advice (Ha, ha) but if you're serious about writing, WebNovel is an excellent resource to take advantage of (especially if you're thinking of going professional). You can read from authors in your same genre, ask for reviews on the forum, and get genuine opinions on your work from your readers. A win-win-win! :D

. . .

The distant lands of Euphoria are plagued with corrupt kings, ruthless knights, savage beasts, and endless bloodshed. After dying an unseemly death, Momoko Miwa meets with the Goddess of Sorcery, who offers her refuge in the world to defeat the foreboding Evil King. Unfortunately, due to her inept perception of fantasy, she accepts with the hopes of becoming an incredible knight like the heroine of her favorite manga. 

She finds herself on the outskirts of Phoenia, one of the strongest military powers in the world currently being targeted by all governing nations due to their increasing level of magic proficiency--something the other powers lack entirely. With the secrets of magic unfolding, alliances being tested, and mentalities being broken: Will Momoko prove to be a worthy Holy Knight, or will her new surroundings overwhelm her into oblivion?

== Info! ==

Updated Daily

- New Chapters, usually 1-2, are posted at 23:55 GMT (11:55 EST) every day. 
- Every 50 Powerstones = An Extra Chapter the following day.
- After an arc is finished, I'll be playing catch-up by mass releasing chapters each day, so you move ahead with the story!

== Links! ==
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I do not own any of the story characters or original stories, only the plot of this fanfic. The characters and original storyline belong to their original publishers and writers.
So The Fair Use Act of Section 107 of the Copyright Act states that: To engage in fair use of any forms of copyrighted work without attribution or payment to the owner, they must be used for Teaching.
So if you learn something from this fan fiction story other than the original story there should be any problem.
I want to thank the original story writers for creating the original story and acknowledge that without their work this story would not be possible.

A being that has no where else to go other that ascent. Lost everything, even part of himself so he started to build again. 
Someone once said “if you want to write a story worth reading, you must write it for the audience of one, yourself.” so this is his story, long before his reincarnation. 
first world is BLEACH
______________________________________________________________
Consider to support me as patrons on Patreon
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I myself wrote a couple of stories. But while I am not a writer and not a novelist, but simply a techie, the author. We authors differ from writers in that they write and know the details of the literary work. They can pick up beautiful words, forms, they know all sorts of text composition, but most of them do not have interesting topics! The content does not cling. There are novelists they can write an excellent story, one, two, three ... and that's it. But these three stories are world-class masterpieces. Like "The Hobbit back and forth", "The Wizard of Earthsea", "Rokkokon", "The Young Years of Henry 4", "The Time Awaits", "Colla Brignon", "Chesterfield Letters to Son", "Cheerful", "Adventures of Tom Sawyer and Hekel Berefin, "Kings and Cabbage", "12 night", "Magic whip", etc.

But other works by these authors are already a class below.

No, we are authors, not like that. We write about what we think and see. Sometimes we do not have such beautiful forms of the text, sometimes the grammar is limping and syntax. But we are read. There is a circle of readers, 80-100 people. And why? And because the content is interesting, that the information obtained can be useful in everyday, everyday life.

But it was all a seed to the main idea. The authors sometimes start the text, the story they have their own thoughts, their ideas, the story itself is interesting, but it has its limits of beginning and end. Chapters 50-90 ... and when the story lasts 300 or even 1200 chapters sometimes 2500 ... then the meaning of the story somewhere in chapter 100 is lost ... the original ... a new look comes in ... the story changes. .. and you need to finish the story ...

When the author has no ideas left, he simply begins to "merge" the story. Simple techniques are used: ... 10 years have passed in science fiction novels, 100,000 years have passed ... (interesting, and people live so much?) ... 100 million years have passed (yeah, sometimes the planet will not be able to exist so much) .. or suddenly a literary hero moves from the Earth to no one knows where, to a planet of another galaxy ... from a 3-dimensional space to an idiotic 5-dimensional! Although, logically, it is not there, only science fiction writers will not invent the night ...

What we see is a lot of novels from writers but they end up somehow crumpled up ... an interesting story in the beginning and in the middle at the end turns into an uninteresting dull shit ... why? Because the writer did not stop in time! He needed numbers in 1,000,000 words ... and the novel itself would have been great if they had written 300,000 words, it would have been good if they had written 400,000 words, an average of 450,000 words ... and then the quality would fall.

It's impossible to endlessly drag the main character from the lower world to the middle one, and then to the high, super high, super high, super duper high, heavenly 1 level, then 2 levels and so on to 1,000,000 levels.

The image as the protagonist of a weak person becomes the strongest in his world, and then going to a higher world again becomes a weakling ... making efforts again becomes the strongest and so many times. It annoys you. Fills the edge.

As well as the constant appearance of new and new difficulties, new villains ...

It becomes like a conveyor, a boring one.

Entering into the history of romance and then tragedy ... as Renoir spoke a famous French artist in the world and so full of all sorts of horrors I don't want to draw it in the world invented by me ...

It is clear that the reader is more imbued with history. Needs emotions both positive and negative ...

In general, at the end of many fascinating novels, in the mainstream style, with an interesting and original plot, because of the large volume of words, the ending becomes like a carbon copy. Cliches on the cliche, as if all writers want to enter one format, standard, punched ending, stamp, stereotype, template, it's easier to say just a stencil ...

Maybe you need to have a sense of proportion ...

For example, the story of the magic coin ... can be extended to 90 chapters and may end by 56 ... because its main task was the prologue to the story of the Magic Farmer and the novel about merchants and clans as additional descriptions to the world of the Magic Farmer ... but then, the novel merchant got his own separate life. And the prologue ... there is a lot of historical information about clothes of that time, food, weapons, roads, goods, political intrigues ... but it's difficult to translate them into textual or more literary form. Therefore, the chapter there go not as often as intended before.

With the magic farm, everything is going easy, because the topic is close, there is a practical experience in the garden, on the farm, on the market .... occupation of agribusiness, electronic cartography, historical research, expeditionary work ...

Therefore, the ending of the story will be smooth and not merged ... and there may be quite 300 chapters and easily 1500 ...

Thoughts of why and why stories are written.

All the same English, he has not improved in 18 days.

I'll figure something out, try to correct the text.

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This is a work of art. Any resemblance to real people or real events is purely coincidental.


·        Reincarnation into a feudal period, not necessarily feudal but nothing after the appearance of cannons, guns etc.

·        Reincarnation into works of fiction or novels

                 Ex. ASOIAF, One Piece, Vikings, Star Wars, The Last Kingdom, Harry Potter, Percy Jackson, and   the Olympians+ 

·        Self-Inserts into feudal time periods as key figures

·        Self-Inserts into works of fiction

·        Reincarnation with 3-Wishes (the base format for many on this platform)

·        My own works (these would not be very complete and would be constantly on hiatus as I attempt to make my world-building decent)

·        Works built with others

                 Ex. Other writers and credited friends 

·        Just fanfiction in general 

·        Etc. 

 

 



This is simply an introduction to me myself the author, and what types of stories and genres to expect from my creativity.

fiction writers novel

Imagination fan-fiction (ideas)

for the author's badge

Two Top Winners in Readers Choice Award 2020 from Motivational Strips

BIANCA: The ChatBot That Never Was

Brave New World

piligrims

Let's Imagine a Female Knight from Another World

Veil of existence (BLEACH)

Thoughts on writing stories

Introduction To My World

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