Fortyfold return

Even some local rich players with a habit of collecting are expected to buy a lot of virtual characters.

Hasegawa: "General commands from the game machine will trouble you."

Ryuunosuke: "It's a small matter, I'll take at least seven or eight commissions like that a year."

Hasegawa: "Leave it to you, I'm calm."

Not the Hasegawa Asahi in computer programming, Ryuunosuke is an out and out monster. No one could make a maid like her with just one person.

After that, a maid came to tell him that Ryuunosuke had started work.

After closing the chat room, Asahi is now in the mood to look at various reviews of his movies. On movie review sites, well-known movie critics have left reviews.

Shinki Kento: "Actually, Hasegawa Sensei is quite capable of expressing a lot of complex emotions, and the plot is relatively thin. Although it is a 27 year old female relationship, it is definitely more important than the 15 year old male protagonist. Cowardly and fragile, this kind of hypocrisy might please teenagers, but if the audience can't get into these emotions, this anime has nothing worth mentioning except for the graphics, that's all."

Munehito Rukawa: "A male student's "admiration" for Sensei is more due to the mystery brought on by ignorance. He didn't really understand what a 27 year old woman was worried about. The last outburst appears to be blaming Heroine, but is actually to vent her dissatisfaction with the problems caused by age and the "sense of distance" brought on by experiences of helplessness and fear."

Shiranui Kazuya: "This work is a feast for the senses, from a detailed, psychological point of view, to express beautiful images, and the detailed scenes are mostly based on real scenes. This kind of life can use real life as a basis, and then use it in work, which is very beneficial to me."

Kentaro Nakajima: "Most of the movie has a rainy day as its setting. The most beautiful thing wasn't the rainy day, but the roof where the two hid together. 15 year old Takao and 27 year old Yukari meet in the rain. The two of them have a good impression of each other. At 15 years old, Takao is wise, and he doesn't rush forward without fear, but fulfills his dream of owning one by making shoes. The results are satisfying, this is a very good movie."

...

Various evaluations were mixed, which was what Asahi originally expected from [Kotonoha no Niwa].

At most, it could only be called a masterpiece, and even if he added a lot of his own insights to it, and enriched the plot a lot, it still couldn't get rid of the problem of the time limit.

But he was sure he would not fail.

Sure enough, when he looked at the real-time box office records and the data sent to him by the cinema, he found that the box office on the first day of last weekend had exceeded 100 million yen.

To be honest, Asahi didn't expect that there would be so many of them. His previous novels were well promoted, including his fame, and subject matter. Many factors combine to attract a large number of passers-by.

After all, this is just a low budget anime movie, which is more than half an hour shorter than an orthodox anime movie.

Movie tickets in Japan are relatively expensive, around 150 to 800 yen. It's around 100 yen or so, and discount days are as cheap as 100 to 120 yen, unlike small domestic cities, where you can still buy a pack of tickets and get a small portion of popcorn and an iced Coke.

At the same time, it also shows that many people entered the cinema yesterday, and it's only been one day.

Although it was said that there would be a significant reduction in working days over the weekend, this clearly exceeded expectations, as the costs were so low as to be unimaginable.

In general, a movie's box office is a threefold investment to recover its costs, essentially excluding taxes, production distribution, and cinema distribution, with the remainder being movie studio revenue.

Invest in [Kotonoha no Niwa]. To be honest, only remuneration was paid to Eriri and Sagiri for the most important drawings.

It's completely free.

Misaki and Ryuunosuke's parts just thought about it. Nanami didn't dare to ask for a salary at all. She was very grateful for this opportunity, but Asahi still gave her a million yen to ease her troubles.

After hesitating, Nanami still accepted it.

The rest of the spending is basically something else.

There are also those used by Sonoko in negotiations and publicity.

However, this is a small problem, and all the resources spent have not yet reached 10% of the box office on the first day.

As for the matter of participating in the rewards, Asahi only plans to hand them all over to Misaki, or consider whether to let Sonoko participate.

In the future, the development will accelerate, and it will be impossible for Asahi to spend so much energy on the details, and this is only the initial stage.

In the end, on second thought, excluding theatrical shares and hefty taxes, he was able to get about 40% of the final box office.

According to his estimates, the last box office may be about 20 times that of the first day, which is about 2 billion yen. Of course, it is natural to look up or down.

Even so, it is very profitable, with a cost of less than 10 million yen exchanged for a net income of more than 400 million yen, or 40 times that.

This is only the box office in Japan, and he can also place it in other countries and regions. It wasn't difficult to increase it by half, besides, [Kotonoha no Niwa] was only a small test, and what he was going to do next was a blockbuster.

Time will not rush like now.

At least it will take three months.

Asahi feels some of its energy should be devoted to game development and the game's plot concept, so anime movies must be lacking in this aspect. But luckily, with Misaki's help, she's always full of energy like an alien, so it's good to work with. But, these two know their roots, they know their bottom line, and they're pretty comfortable with each other.