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The Princess Bride

The synopsis of "The Princess Bride" is a humorous and adventurous tale about a beautiful girl who marries a prince, only to discover that he is not the man of her dreams. The story is told by William Goldman, who as a child loved hearing his father read the classic book by S. Morgenstern. However, as an adult, Goldman realizes that his father skipped over the boring parts and only read the "good parts" of the story. In his own version, Goldman presents the "Good Parts Version" of the story, filled with fencing, fighting, true love, strong hate, revenge, giants, bad men, good men, beautiful women, monstrous beasts, thrilling escapes and captures, death, lies, truth, miracles, and a little bit of sex. It is a tale that encompasses a little bit of everything and is sure to entertain both children and adults alike.

Bigsam2482 · Sci-fi
Not enough ratings
62 Chs

The Battle of Strength

"So you are and I accept it," said the man in black, and he began to take off his sword and scabbard. "Although, frankly, I think the odds are slightly in your favor at hand fighting."

"I tell you what I tell everybody," Fezzik explained. "I cannot help being the biggest and strongest; it's not my fault."

"I'm not blaming you," said the man in black.

"Let's get to it then," Fezzik said, and he dropped his rock and got into fighting position, watching as the man in black slowly moved toward him. For a moment, Fezzik felt almost wistful. This was clearly a good fellow, even if he had killed Inigo. He didn't complain or try and beg or bribe. He just accepted his fate. No complaining, nothing like that. Obviously a criminal of character. (Was he a criminal, though, Fezzik wondered. Surely the mask would indicate that. Or was it worse than that: was he disfigured? His face burned away by acid perhaps? Or perhaps born hideous?)

"Why do you wear a mask and hood?" Fezzik asked.

"I think everybody will in the near future" was the man in black's reply. "They're terribly comfortable."

They faced each other on the mountain path. There was a moment's pause. Then they engaged. Fezzik let the man in black fiddle around for a bit, tested the man's strength, which was considerable for someone who wasn't a giant. He let the man in black feint and dodge and try a hold here, a hold there. Then, when he was quite sure the man in black would not go to his maker embarrassed, Fezzik locked his arms tight around.

Fezzik lifted.

And squeezed.

And squeezed.

Then he took the remains of the man in black, snapped him one way, snapped him the other, cracked him with one hand in the neck, with the other at the spine base, locked his legs up, rolled his limp arms around them, and tossed the entire bundle of what had once been human into a nearby crevice.

That was the theory, anyway.

In fact, what happened was this:

Fezzik lifted.

And squeezed.

And the man in black slipped free.

Hmmm, thought Fezzik, that certainly was a surprise. I thought for sure I had him. "You're very quick," Fezzik complimented.

"And a good thing too," said the man in black.

Then they engaged again. This time Fezzik did not give the man in black a chance to fiddle. He just grabbed him, swung him around his head once, twice, smashed his skull against the nearest boulder, pounded him, pummeled him, gave him a final squeeze for good measure and tossed the remains of what once had been alive into a nearby crevice.

Those were his intentions, anyway.

In actuality, he never even got through the grabbing part with much success. Because no sooner had Fezzik's great hands reached out than the man in black dropped and spun and twisted and was loose and free and still quite alive.

I don't understand a thing that's happening, Fezzik thought. Could I be losing my strength? Could there be a mountain disease that takes your strength? There was a desert disease that took my parents' strength. That must be it, I must have caught a plague, but if that is it, why isn't he weak? No, I must still be strong, it has to be something else, now what could it be?

Suddenly he knew. He had not fought against one man in so long he had all but forgotten how. He had been fighting groups and gangs and bunches for so many years, that the idea of having but a single opponent was slow in making itself known to him. Because you fought them entirely differently. When there were twelve against you, you made certain moves, tried certain holds, acted in certain ways. When there was but one, you had to completely readjust yourself. Quickly now, Fezzik went back through time. How had he fought the champion of Sandiki? He flashed through that fight in his mind, then reminded himself of all the other victories against other champions, the men from Ispir and Simal and Bolu and Zile. He remembered fleeing Constantinople because he had beaten their champion so quickly. So easily. Yes, Fezzik thought. Of course. And suddenly he readjusted his style to what it once had been.

But by that time the man in black had him by the throat!

The man in black was riding him, and his arms were locked across Fezzik's windpipe, one in front, one behind. Fezzik reached back but the man in black was hard to grasp. Fezzik could not get his arms around to his back and dislodge the enemy. Fezzik ran at a boulder and, at the last moment, spun around so that the man in black received the main force of the charge. It was a terrible jolt; Fezzik knew it was.

But the grip on his windpipe grew ever tighter.

Fezzik charged the boulder again, again spun, and again he knew the power of the blow the man in black had taken. But still the grip remained. Fezzik clawed at the man in black's arms. He pounded his giant fists against them.

By now he had no air.

Fezzik continued to struggle. He could feel a hollowness in his legs now; he could see the world beginning to pale. But he did not give up. He was the mighty Fezzik, lover of rhymes, and you did not give up, no matter what. Now the hollowness was in his arms and the world was snowing.

Fezzik went to his knees.

He pounded still, but feebly. He fought still, but his blows would not have harmed a child. No air. There was no more air. There was no more anything, not for Fezzik, not in this world. I am beaten, I am going to die, he thought just before he fell onto the mountain path.

He was only half wrong.

wrong.

There is an instant between unconsciousness and death,