Library Confrontation, Part IV
They soon found a teahouse to sit down in. Soft music filled their ears as they entered. The melodies invoked a sense of harmony and contemplation. A young woman dressed in a delicate pink and white hanfu sat on a stage, playing a guqin. This instrument was often referred to as thee “father of string instruments.” Its use dated back thousands of years. It was a seven-stringed zither-like instrument known for its elegant and refined sound.
Adorned in various sword motifs and decorations, the teahouse featured elaborate sword displays, both ornamental and functional, which were mounted on walls, showcasing the sect’s reverence for the Dao of the Sword. There were jeans, daos, and even more ancient swords being used as decor. Intricately carved wooden sword racks were placed throughout the teahouse, holding practice swords, which cultivated a sense of discipline. Their arrangement was meticulous and meant to symbolize order.