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of Ayodhya, won the hand of the beautiful princess Sita (

Sita is Rama's wife and daughter of King Janaka of Mithila. Sita is the epitome of womanly purity and virtue. Laksmana (seen here) is Rama's younger brother. Completely loyal to Rama, he chooses to go with Rama and Sita when they are exiled from Ayodhya. Ravana is the king of Lanka and has 10 heads and 20 arms. He received a boon from the God Brahma that he cannot be killed by gods, demons or by spirits, after performing a severe penance for 10,000 years. After receiving his reward from Brahma, Ravana began to lay waste to the earth and disturbed the deeds of the good Hindu sages. Vishnu incarnates as the human Rama to defeat him, assisted by an army of monkeys and bears, thus circumventing the boon given by Brahma

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shree Ram Prince of Ayodhya

Rama, prince of Ayodhya, won the hand of the beautiful princess Sita (seen here), but was exiled with her and his brother Laksmana for 14 years through the plotting of his stepmother. In the forest Sita was abducted by Ravana, and Rama gathered an army of monkeys and bears to search for her.

The allies attacked Lanka, killed Ravana, and rescued Sita. In order to prove her chastity, Sita entered fire, but was vindicated by the gods and restored to her husband. After the couple's triumphant return to Ayodhya, Rama's righteous rule (Ram-raj) inaugurated a golden age for all mankind.

Rama is the hero of the Ramayana epic, an incarnation of the God Vishnu. The eldest and favourite son of Dasaratha, King of Ayodhya, he is a virtuous prince and is much loved by the people. He is exiled from Ayodhya due to the plotting of his stepmother, Kaikeyi.

Sita is Rama's wife and daughter of King Janaka of Mithila. Sita is the epitome of womanly purity and virtue.

Rama was of a royal race descended from the Sun, and Rajput clans of the Solar dynasty, among them the rulers of Mewar or Udaipur, claimed Rama as their ancestor, making the Ramayana something of a family history.

The Ramayana manuscripts commissioned by Rana Jagat Singh of Mewar (1628-52) are among the most important documents of 17th-century Indian painting. Unlike most other Ramayana manuscripts, they have not been dispersed as individual paintings into various collections but remain largely intact. The huge scale of the project (with originally over 400 paintings) allowed the artists to focus on telling an epic story on the grandest scale.