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A Thousand splendid suns

A Thousand Splendid Suns is a 2007 novel by Afghan-American author Khaled Hosseini. It is his second, following his bestselling 2003 debut, The Kite Runner. Mariam is an illegitimate child, and suffers from both the stigma surrounding her birth along with the abuse she faces throughout her marriage. Laila, born a generation later, is comparatively privileged during her youth until their lives intersect and she is also forced to accept a marriage proposal from Rasheed, Mariam's husband.

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53 Chs

chapter 40

Laila Fall 1999

It was Mariam's idea to dig the hole. One morning, she pointed to a patch of soil behind the

toolshed. "We can do it here," she said. "This is a good spot"

They took turns striking the ground with a spade, then shoveling the loose dirt aside. They hadn't

planned on a big hole, or a deep one, so the work of digging shouldn't have been as demanding as it

turned out. It was the drought, started in 1998, in its second year now, that was wreaking havoc

everywhere. It had hardly snowed that past winter and didn't rain at all that spring. All over the

country, farmers were leaving behind their parched lands, selling off their goods, roaming from

village to village looking for water. They moved to Pakistan or Iran. They settled in Kabul. But water

tables were low in the city too, and the shallow wells had dried up. The lines at the deep wells were

so long, Laila and Mariam would spend hours waiting their turn. The Kabul River, without its yearly

spring floods, had turned bone-dry. It was a public toilet now, nothing in it but human waste and

rubble.

So they kept swinging the spade and striking, but the sun-blistered ground had hardened like a rock,

the dirt unyielding, compressed, almost petrified.

Mariam was forty now. Her hair, rolled up above her face, had a few stripes of gray in it. Pouches

sagged beneath her eyes, brown and crescent-shaped. She'd lost two front teeth. One fell out, the other

Rasheed knocked out when she'd accidentally dropped Zalmai. Her skin had coarsened, tanned from

all the time they were spending in the yardsitting beneath the brazen sun. They would sit and watch

Zalmai chase Aziza.

When it was done, when the hole was dug, they stood over it and looked down.

"It should do," Mariam said.

* * *

Zalmai was twonow. He was a plump little boy with curly hair. He had small brownisheyes, and a

rosy tint tohis cheeks, like Rasheed, no matter the weather. He hadhis father'shairline too, thick and

half-moon-shaped,set low on his brow.

When Laila was alone with him, Zalmai was sweet, good-humored, and playful. He liked to climb

Laila'sshoulders, play hide-and-seek in the yard with her and Aziza. Sometimes, inhis calmer

moments, he liked tosit on Laila's lap and have her sing tohim. His favorite song was "Mullah

Mohammad Jan." He swung his meaty little feet as she sang into his curly hair and joined in when she

got to the chorus, singing what words he could make with his raspy voice:Come and lei's go to Mazar, Mullah Mohammadjan, To see the fields of tulips, o beloved

companion.

Laila loved the moist kisses Zalmai planted on her cheeks, loved his dimpled elbows and stout little

toes. She loved tickling him, building tunnels with cushions and pillows for him to crawl through,

watching him fall asleep in her arms with one of his hands always clutching her ear. Her stomach

turned when she thought of that afternoon, lying on the floor with the spoke of a bicycle wheel

between her legs. How close she'd come. It was unthinkable to her now that she could have even

entertained the idea. Her son was a blessing, and Laila was relieved to discover that her fears had

proved baseless, that she loved Zalmai with the marrow of her bones, just as she did Aziza.

But Zalmai worshipped his father, and, because he did, he was transformed when his father was

around to dote on him. Zalmai was quick then with a defiant cackle or an impudent grin. In his father's

presence, he was easily offended. He held grudges. He persisted in mischief in spite of Laila's

scolding, which he never did when Rasheed was away.

Rasheed approved of all of it. "A sign of intelligence," he said. He said the same of Zalmai's

recklessness-when he swallowed, then pooped, marbles; when he lit matches; when he chewed on

Rasheed's cigarettes.

When Zalmai was born, Rasheed had moved him into the bed he shared with Laila. He had bought

him a new crib and had lions and crouching leopards painted on the side panels. He'd paid for new

clothes, new rattles, new bottles, new diapers, even though they could not afford them and Aziza's old

ones were still serviceable. One day, he came home with a battery-run mobile, which he hung over

Zalmai's crib. Little yellow-and-black bumblebees dangled from a sunflower, and they crinkled and

squeaked when squeezed. A tune played when it was turned on.

"I thought you said business was slow," Laila said.

"I have friends I can borrowfrom," he saiddismissively.

"Howwill you pay them back?"

"Thingswill turn around. They always do. Look,he likes it. See?"

Mostdays, Laila was deprived ofher son. Rasheed took him to the shop, let him crawl around under

his crowded workbench, play with old rubber soles and spare scraps of leather. Rasheed drove in his

iron nails and turned the sandpaper wheel, and kept a watchful eye on him. If Zalmai toppled a rack of

shoes, Rasheed scolded him gently, in a calm, half-smiling way. If he did it again, Rasheed put

downhis hammer, sat him up on his desk, and talked to him softly.

Hispatience with Zalmaiwas a well that ran deep and never dried.

They came home together in the evening, Zalmai's head bouncing on Rasheed's shoulder, both of

them smelling of glue and leather. They grinned the way people who share a secret do,slyly, like

they'd satin thatdim shoe shop all day not making shoes at all butdevising secret plots. Zalmai liked to sit besidehis father at dinner, where they played private games, as Mariam, Laila, and Azizaset plates

onthesojrah. They took turns poking each otheron the chest, giggling, pelting each other with bread

crumbs, whispering things the others couldn't hear. If Laila spoke tothem, Rasheed looked up with

displeasure at the unwelcome intrusion. If she asked to hold Zalmai-or, worse,if Zalmai reached for

her-Rasheed glowered at her.

Laila walked away feeling stung.

* * *

Then one night, a few weeks after Zalmai turned two, Rasheed came home with a television and a

VCR. The day had been warm, almost balmy, but the evening was cooler and already thickening into

a starless, chilly night-He set it down on the living-room table. He said he'd bought it on the black

market. "Another loan?" Laila asked. "It'saMagnavox."

Aziza came into the room. When she saw the TV, she ran to it. "Careful, Aziza jo," saidMariam.

"Don't touch."

Aziza's hair had become as light as Laila's. Laila could see her own dimples on her cheeks. Aziza

had turned into a calm, pensive little girl, with a demeanor that to Laila seemed beyond her six years.

Laila marveled at her daughter's manner of speech, her cadence and rhythm, her thoughtful pauses and

intonations, so adult, so at odds with the immature body that housed the voice. It was Aziza who with

lightheaded authority had taken it upon herself to wake Zalmai every day, to dress him, feed him his

breakfast, comb his hair. She was the one who put him down to nap, who played even-tempered

peacemaker to her volatile sibling. Around him, Aziza had taken to giving an exasperated, queerly

adult headshake.

Aziza pushed the TV's power button. Rasheed scowled, snatched her wrist and set it on the table, not

gently at all.

"This is Zalmai's TV," he said.

Aziza went over to Mariam and climbed in her lap. The two of them were inseparable now. Of late,

with Laila's blessing, Mariam had started teaching Aziza verses from the Koran. Aziza could already

recite by heart the surah ofikhlas, the surah of'fatiha,and already knew how to perform the fourruqats

of morning prayer.

It's oil I have to give her,Mariam had said to Laila,this knowledge, these prayers. They're the only

true possession I've ever had.

Zalmai came into the room now. As Rasheed watched with anticipation, the way people wait the

simple tricks of street magicians, Zalmai pulled on the TV's wire, pushed the buttons, pressed his

palms to the blank screen. When he lifted them, the condensed little palms faded from the glass.

Rasheed smiled with pride, watched as Zalmai kept pressing his palms and lifting them, over and

over.The Taliban had banned television. Videotapes had been gouged publicly, the tapes ripped out and

strung on fence posts. Satellite dishes had been hung from lampposts. But Rasheed said just because

things were banned didn't mean you couldn't find them.

"I'll start looking for some cartoon videos tomorrow," he said. "It won't be hard. You can buy

anything in underground bazaars."

"Then maybe you'll buy us a new well," Laila said, and this won her a scornful gaze from him.

It was later, after another dinner of plain white rice had been consumed and tea forgone again on

account of the drought, after Rasheed had smoked a cigarette, that he told Laila about his decision.

"No," Laila said.

He said he wasn't asking.

"I don't care if you are or not."

"You would if you knew the full story."

He said he had borrowed from more friends than he let on, that the money from the shop alone was

no longer enough to sustain the five of them. "I didn't tell you earlier to spare you the worrying."

"Besides," he said, "you'd be surprised how much they can bring in."

Laila said no again. They were in the living room. Mariam and the children were in the kitchen.

Laila could hear the clatter of dishes, Zalmai's high-pitched laugh, Aziza saying something to Mariam

in her steady, reasonable voice.

"There will be others like her, younger even," Rasheed said. "Everyone in Kabul is doing the same."

Laila told him she didn't care what other people did with their children.

"I'll keep a close eye on her," Rasheed said, less patiently now. "It's a safe corner. There's a mosque

across the street."

"I won't let you turn my daughter into a street beggar!" Laila snapped.

The slap made a loud smacking sound, the palm of his thick-fingered hand connecting squarely with

the meat of Laila's cheek. It made her head whip around. It silenced the noises from the kitchen. For a

moment, the house was perfectly quiet. Then a flurry of hurried footsteps in the hallway before

Mariam and the children were in the living room, their eyes shifting from her to Rasheed and back.

Then Laila punched him.

It was the first time she'd struck anybody, discounting the playful punches she and Tariq used to

trade. But those had been open-fisted, more pats than punches, self-consciously friendly, comfortable expressions of anxieties that were both perplexing and thrilling. They would aim for the muscle that

Tariq, in a professorial voice, called thedeltoid

Laila watched the arch of her closed fist, slicing through the air, felt the crinkle of Rasheed's

stubbly, coarse skin under her knuckles. It made a sound like dropping a rice bag to the floor. She hit

him hard. The impact actually made him stagger two steps backward.

From the other side of the room, a gasp, a yelp, and a scream. Laila didn't know who had made

which noise. At the moment, she was too astounded to notice or care, waiting for her mind to catch up

with what her hand had done. When it did, she believed she might have smiled. She might

havegrinned when, to her astonishment, Rasheed calmly walked out of the room.

Suddenly, it seemed to Laila that the collective hardships of their lives-hers, Aziza's, Mariam's-

simply dropped away, vaporized like Zalmai's palms from the TV screen. It seemed worthwhile, if

absurdly so, to have endured all they'd endured for this one crowning moment, for this act of defiance

that would end the suffering of all indignities.

Laila did not notice that Rasheed was back in the room. Until his hand was around her throat. Until

she was lifted off her feet and slammed against the wall.

Up close, his sneering face seemed impossibly large. Laila noticed how much puffier it was getting

with age, how many more broken vessels charted tiny paths on his nose. Rasheed didn't say anything.

And, really, what could be said, what needed saying, when you'd shoved the barrel of your gun into

your wife's mouth?

* * *

It was the raids, the reason they were in the yard digging. Sometimes monthly raids, sometimes

weekly. Of late, almost daily. Mostly, the Taliban confiscated stuff, gave a kick to someone's rear,

whacked the back of a head or two. But sometimes there were public beatings, lashings of soles and

palms.

"Gently," Mariam said now, her knees over the edge. They lowered the TV into the hole by each

clutching one end of the plastic sheet in which it was wrapped

"That should do it," Mariam said.

They patted the dirt when they were done, filling the hole up again. They tossed some of it around so

it wouldn't look conspicuous.

"There," Mariam said, wiping her hands on her dress.

When it was safer, they'd agreed, when the Taliban cut down on their raids, in a month or two or six,

or maybe longer, they would dig the TV up.In Laila'S dream, she and Mariam are out behind the toolshed digging again. But, this time, it's Aziza

they're lowering into the ground. Aziza's breath fogs the sheet of plastic in which they have wrapped

her. Laila sees her panicked eyes, the whiteness of her palms as they slap and push against the sheet.

Aziza pleads. Laila can't hear her screams.Only for a while, she calls down,it's only for a while. It's

the raids, don't you know, my love? When the raids are over, Mammy and Khala Mariam will dig you

out. I promise, my love. Then we can play. We can play all you want. She fills the shovel. Laila woke

up, out of breath, with a taste of soil in her mouth, when the first granular lumps of dirt hit the plastic.