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SHE'S MY FIRST LOVE

by Umee_uuuuuuwNovelUrban
Golden Tickets
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Mei and Otis once loved each other during the most innocent years of their youth, only to break up in the middle of a heavy storm, leaving countless words unspoken. Years later, fate forces them quite unwillingly to become… roommates. A girl who’s cold on the outside but warm on the inside, sharp-tongued yet soft-hearted; A guy who’s rough around the edges but deeply loyal... The two of them crash back into each other’s lives amid hectic summer days, torrential rain, and the smallest moments of daily life. She says she doesn’t like him anymore. He says he’s long forgotten their past. But neither of them has ever changed their phone wallpaper, their old habits remain, and every time they face each other, their hearts skip a beat. From petty arguments, endless teasing, to sudden moments of quiet tenderness— there is still something between them that hasn’t ended. A storm arrives, dragging up all the feelings they buried. A silly blue penguin raincoat. A late-night phone call. And a truth both of them stubbornly refuse to say aloud: “I still like you.” A gentle, humorous, heart-achingly sweet urban romance about two people who once lost each other and slowly learn how to find their way back to each other’s hearts. ... Umee say that: Hi there! First of all, thank you for the interest and for the enthusiasm. Truly. Every time I open my comments and see new invitations to add Discord, buy promotion packages, commission comic adaptations, or “have a quick chat,” I’m reminded that my story has somehow wandered into a very busy marketplace. That said, I should probably set expectations gently before anyone invests too much energy. I’m not looking for promotion services, paid advertising or commissioned artwork. Not because they’re bad ideas, just because they’re not ideas I currently need. I don’t have the budget, the urgency or the illusion that my story is secretly one step away from becoming the next global phenomenon. I’m very aware of where my work stands. It’s doing okay. Respectably okay. Not “adapt-everything-immediately” okay. My passion for writing exists but it hasn’t reached the stage where common sense quietly exits the room. I promise I’m not underestimating myself, I’m simply being realistic, which is a personality trait I’ve grown quite attached to. Another small but important thing: I’m not really interested in chatting, exchanging ideas, networking, or building creative alliances in private messages. I write best when left alone. I think best when no one is pitching anything to me. And I function best when my inbox is not screaming for attention. So if I don’t reply, please know it’s not personal, it’s just me choosing silence over small talk. That being said, if you’re genuinely curious about me rather than what I can potentially become or produce, if you want to see my everyday life, random thoughts, quiet moments and the unmarketable parts of my existence, I do have my Instagram linked in my bio. You’re welcome to follow it. No proposals required. No introductions needed. Just observation, at your own pace. I truly wish you the best with your creative work, your art, your promotions, and your ambitions. Creating something and trying to get it seen is hard, I respect that deeply. I just prefer to walk my path slowly, quietly, and without turning every interaction into a business opportunity. Thank you for understanding, for stopping by, and for letting me return peacefully to my writing corner, where the only thing I’m selling is words.

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177 Chapters Updated
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22
Umee_uuuuuuw
Umee_uuuuuuw6 months ago

People often say that writing a book is a noble, meaningful process, filled with inspiration, passion, and the gentle whisper of the muses. I don’t know which muses those people are talking to, but mine must be on vacation at least five days a week. Every time I sit down to write, I stare at the screen like I’m trying to negotiate with an angry cat: careful, respectful, and absolutely terrified of being attacked by my own bad ideas. Still, I continue writing, mostly because I’ve already bragged to at least three friends that I’m working on “a project,” and now I’m too embarrassed to quit. You know how it is once you call something a project, you lose the right to abandon it quietly. Suddenly people start asking, “How’s your book going?” and you have to make vague noises like “Oh, progressing beautifully,” even though the only thing progressing is your collection of empty snack wrappers. To be fair, sometimes I do feel a spark of inspiration. It usually arrives at 3 A.M., right when I’m about to fall asleep. At that moment, my brain decides to whisper, “Hey, what if the love interest you wrote last month is secretly a time-traveling barista?” And I’m like, “Can you please tell me this at 3 P.M. instead, when I actually have the energy to care?” But no. Genius only visits when I’m horizontal, exhausted, and deeply regretting every decision that led me to becoming a writer. And yet… I love it. Truly. There’s something magical about making a whole world out of nothing but stubbornness and caffeine. My characters may refuse to behave, my plot twists may twist me more than the story, and my motivation may require a search party but somehow, the chaos feels worth it. Even when I write a terrible sentence, I pat myself on the back like, “Good job, champ, at least it exists.” People say writers suffer, but honestly, I think we’re just dramatic by nature. If a normal person misplaces their notes, they shrug. If a writer misplaces their notes, we act like the universe has personally betrayed us. And don’t even get me started on editing. Editing is like meeting the past version of yourself and discovering they were an unhinged goblin who apparently didn’t know what grammar was. But here I am, typing away, proudly contributing to the time-honored tradition of writers everywhere: pretending to be productive while actually procrastinating. And if anyone asks, yes, this totally counts as writing. Because guess what? It’s my story, my chaos, my nonsense, and I love it anyway.

Trung_Mạnh
Trung_Mạnh6 months ago

I have a theory after finishing this story and I’m not sure the author will appreciate it. Objectively speaking, the writing is excellent. Emotionally precise, restrained when it needs to be and unexpectedly gentle. The love in this story doesn’t rush, doesn’t overperform and doesn’t try to prove anything, it simply exists, quietly and sincerely. Which already feels suspicious, because that is not how love behaves in real life. Then I remembered who wrote it. The author is, unfortunately, very pretty. This fact has been independently verified and deeply resented. However, despite this aesthetic advantage, her romantic history suggests that beauty and emotional luck are not correlated variables. At all. She understands love the way an architect understands buildings in theory, with flawless logic but once she has to actually live inside it, everything somehow catches fire. And yet, on the page? Love is calm. Patient. Secure. Emotionally literate. Nobody panics at sincerity. Nobody self-sabotages at the first sign of happiness. Which leads me to only one possible conclusion: this story is not autobiographical. It is aspirational fiction. This isn’t the love she’s lived. This is the love she’s studied, dissected, observed from a safe distance, the love she knows should exist, even if she personally keeps running from it like it owes her money. Writing, clearly, is where she puts all the emotional competence she refuses to use in real life. So yes, the story is sweet. Painfully sweet. But not in a naive way. It’s sweet in the way someone writes when they know exactly how things go wrong and chooses, deliberately, to imagine them going right. Which is impressive. And mildly irritating. Because it means she’s talented, self-aware, emotionally sharp… and still bad at love. Somehow, the story survives all of that. Maybe even because of it.

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