cultural patterns

I'll recommend a few novels to you. " Creator of Entertainment," the author was someone else's kitten, and it was about urban life. This book was either lonely or vulgar. The opposite was quite interesting. The protagonist traveled through a parallel world and turned from a transfiguration show into an idol. Although the protagonist was cold and the updates were slow, it was still refreshing and cool. He could even learn some unorthodox knowledge. The author was a scammer, but the book was a good one. " Art Life " was a novel written by Xin Yue about urban entertainment stars. The story of the artistic youth in the parallel world was plain and warm. It was a refreshing entertainment novel. She didn't act pretentious and slap her face. She was the only female lead. Her pace was slow, and her words were plain but attractive. 'The Rebirth of the Great Master of Culture', a novel about urban life written by the Great Roc of the Vast Sea. The protagonist was reborn in a different world. Many literary giants did not appear, so he became a cultural giant. It was highly readable, but the structure was simple, the content was thin, and the ending was rushed. " Culture Conquers the Other World ", a light novel about the prayers of the people. The main character traveled across the world to save the magic world, becoming a novelist, director, and so on. The beginning was a little vicious, but the later parts gradually improved. The writing style was good, but the author was easily eunuch. There was also 'I, the Immortal Cultivator, Led the Rise of the Clan', a Xianxia novel written by Tearful Fried Rice. It was a story about the main character leading the family to cultivate and ascend. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

There were many types of decorative patterns on cultural relics and they had rich meanings. The following were some common decorative patterns on cultural relics: ** 1. Common decorations in the Central Plains ** 1. ** Animal and plant-themed decorations ** - In the Central Plains, the decorations of cultural relics were mostly based on the common animals and plants in nature. From the early Neoliths, there were almost realistic animal patterns, such as the painted pottery jar of the Yangshao culture,"Stork and Stone Axe Painting". As time passed, these patterns gradually became artistic. For example, during the Miaodigou period of the Yangshao culture, bird patterns and decorative patterns appeared. During the Xinzhai period and Erlitou culture, turquoise dragon-shaped ware with dragon patterns or animal shapes appeared. During the Shang and Zhou Dynasties, the patterns of Taotie, phoenix, dragon, tiger, and so on were popular. The evolution of these patterns was generally a process from realism to artistry. This was related to the political organization model of the Central Plains, which was mainly based on royal power, supplemented by military power and divine power. The ancestors of the Central Plains believed more in the power of nature, so they worshipped the birds and beasts of nature. 2. ** Cloud Thunder Pattern ** - Cloud Lightning Pattern was a general term for Cloud Pattern and Lightning Pattern. Its basic characteristic was that it was formed by continuous lines in the shape of a 'hu'. In the early Shang Dynasty, the cloud thunder pattern could be used as the main pattern on the mouth of the bronze ware, and the abdomen could be spread out horizontally around the ware. It could also be used as the ground pattern and the animal head to form the animal face pattern. In the later period of the Shang Dynasty, the decorative style of "three-layer flower" was popular on bronze ware, and the cloud thunder pattern played a role in enriching the picture. During the Western Zhou Dynasty, the cloud and thunder pattern was rarely used as the main pattern. It often appeared in the form of a ground pattern. Moreover, due to the influence of the Zhou people's emphasis on agriculture and suppression of commerce, the pattern shape changed from complicated and fine to exquisite. The original sense of power and ferocity became gentle and gentle. 3. ** Taotie Pattern ** - The Taotie pattern was a common animal pattern on the bronze ware of the Shang and Zhou Dynasties. The image was generally large eyes, a huge nose, and ears or horns on the head. The basic pattern was symmetrical with the nose bridge as the center line. There were horns, ears, eyes, mouth, claws, body, and tail, giving people a mysterious, strange, and majestic feeling. It had the function of a political symbol, representing the country, class, power, and nation. At the same time, it had the function of offering sacrifices and reaching the heavens. Wizards might communicate with the gods through a medium similar to the " mask." 4. ** Fish Pattern ** - The fish pattern originated from the wizard culture and totem culture in ancient times. It was born from the belief of reproduction worship. Later, it evolved into an auspicious pattern that implied the continuation of good fortune and more than enough years. It entrusted people's yearning for a better life and the pursuit of young men and women for a perfect love. ** 2. Other regions or special decorations ** 1. ** Human or human-face related decorations ** - Outside the Central Plains, there were many cultural relics and patterns of "human shape" or "human face" in the Dadiwan culture in the upper reaches of the Yellow River and the Banpo type of Yangshao culture around Shaanxi Province. They might be the portrayals of the gods in these cultures, such as the half-god and half-human colored pottery vase unearthed in the Dadiwan culture. Such patterns rarely appeared in the Central Plains. 2. ** Twining Branch Pattern ** - The twining pattern was a kind of plant pattern that had a complicated decorative meaning. It was widely used in ancient times. It could be seen on lacquer ware, tiles, embroidery, metal ware, jade ware, carving, and other objects, especially on porcelain. 3. ** Peony holding seal characters "Longevity" pattern ** - For example, each corner of the silver-coated single-eared cup of the Qing Dynasty was decorated with the "longevity" pattern of peony holding seal characters, which reflected the cultural meaning of people's yearning for longevity at that time. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

There were many kinds of auspicious patterns in the cultural relics and they contained rich meanings. For example, in the Ming Dynasty, the Yongle Greatsword embossed a carving of the divine beast guardian of Tibetan Buddhism, Qiong. In the early days, it was a golden-winged roc, and in the Ming Dynasty, it evolved into a lion. The picture of a Kirin giving birth in the painting of a Kirin giving birth in Meizhuang of the Qing Dynasty. The Kirin was an auspicious beast in ancient legends. The ancients regarded the Kirin as an auspicious sign. This pattern expressed the meaning of giving birth to a noble child early. The jade pendant of the Qing Dynasty was carved on a horse. It was shaped like a monkey riding a horse. Because the words "monkey" and "Hou" were homophonic, and "Ma Ma" originally referred to martial arts, it meant that one could gain fame by martial arts, meaning that fame was just around the corner. In the late Qing Dynasty, there was a golden lacquer wood carving of a human figure. The contents of the carving were such as a banquet, grapes and three squirrels. On the left and right sides, there was a person holding an official hat and nobility. The overall meaning was to be promoted to an official position and to have more children. The grapes symbolized the bumper harvest and wealth. The mouse was a child in the twelve hours, which meant "son". Together, it meant "many children","bumper harvest" and "wealth". On some of the crafts or embroidery, there were eight patterns of the Eight Immortals, consisting of a fish drum (or horsetail whisk), a sword, a flower basket, a fan, a gourd, a walking stick, a lotus flower, a jade plate, and a flute. Each of them was tied with a ribbon, representing the ritual implements held by the Eight Immortals, meaning that the Eight Immortals 'magical power could protect the owner of the artifact and make his wishes come true. The Eight Auspicious Patterns consisted of eight kinds of Tibetan Buddhist ritual implements: wheels, conches, umbrellas, canopies, flowers, jars, fish, and intestines. They could eliminate disasters and solve problems. They were very popular on artifacts during the Yuan, Ming, and Qing Dynasties. In Cui Bai's Painting of Peony and Egret of the Song Dynasty,"Egret Hibiscus" meant "a journey of glory","Egret Peony" meant "a journey of wealth", and "Egret Vase" meant "a safe journey". The pattern of "Three Yang Kai Tai" was usually a mother and a son with three sheep, which meant that evil would be dispelled and good luck would follow. "Five Blessings Holding Longevity" expressed the pursuit of longevity, wealth, peace, good virtue, and the end of life. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

There were many kinds of decorative patterns on the cultural relics and they had rich meanings. Taking the Central Plains as an example, in the early cultural relics, the decorative patterns were mostly based on the common animals and plants in nature. For example, the painted pottery vat "Stork Stone Axe Painting" in the Yangshao Culture was a pure animal pattern close to realism. In the Yangshao Culture Temple Digou period, it gradually became artistic bird patterns and decorative patterns. In the Xinzhai period and Erlitou culture, there were turquoise dragon-shaped utensils with dragon patterns or animal shapes. In the Shang and Zhou Dynasties, the patterns of Taotie, phoenix, dragon, tiger, etc. were popular. These patterns gradually changed from realism to art. In the Shang Dynasty, the mother Wu bronze tripod could be said to be decorated with clouds and thunder patterns, fish patterns, taotie patterns, etc. Cloud and thunder pattern was the general name for cloud pattern and thunder pattern. There were different techniques of expression. In the early Shang Dynasty, it could be used as the main pattern or the ground pattern. In the later period, the "three-layer flower" decorative style became popular and enriched the painting. In the Western Zhou Dynasty, it was rarely used as the main pattern. The fish pattern originated from witchcraft and totem culture, and later evolved into an auspicious pattern. The Taotie pattern was on the abdomen of the cauldron and other parts. It had the function of a political symbol and a sacrifice to heaven. Different cultural relics had their own characteristics. For example, in the surrounding areas of the Central Plains, such as the Dadiwan culture in the upper reaches of the Yellow River and the Banpo type of Yangshao culture around Shaanxi Province, there were many cultural relics and patterns of "human shape" or "human face", which formed a sharp contrast with the Central Plains. In addition, cultural relics such as the Han Woyang decorative plate also had unique patterns, which reflected the culture, beliefs, social development and other information at that time. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

There were many styles of Han clothing with cultural relics. Some directly used the cultural relics in Henan Museum as the prototype, such as the square tripod of Duling in Shang Dynasty, the square pot of lotus crane in Spring and Autumn Period, and the cloud map of the four gods in the early Western Han Dynasty. There were also the Han costumes created by the non-hereditary inheritors of the Nanjing Yunjin Research Institute, such as green woven gold makeup flower sleeves over the shoulder dragon persimmon satin stand collar short jacket, red woven gold makeup flower dragon horse face skirt and other Yunjin auspicious clothes. These were the results of researching the collection and striving to restore the exquisite patterns on the cultural relics. In addition, some commercial Han clothing products would also have round neck gowns with cultural relics patterns. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The common patterns of hornless dragons were mother and son hornless dragons (including dragon combinations such as two dragons and three dragons), two big and small hornless dragons facing each other, or the big dragon looking back at the small dragon/the small dragon looking back at the big dragon. There were also patterns of coiled hornless dragons, round hornless dragons, and double hornless dragons. These could be considered as the more typical and relatively simple and easy to understand hornless dragon patterns. The novel "Flood Dragon" is equally exciting. Everyone is welcome to click and read it!

There were a few novels with tattoos as the theme that he could recommend. Among them," Sweet oxygen " was a novel with a male lead who was a tattoo artist. The author was Zhang Yuqing. In addition," There's a Dragon on Him " was also a novel with tattoos as its theme. The male protagonist was a retired soldier with a real dragon tattoo. These two novels meet your requirements.

Auspicious patterns were common decorative patterns in China traditional culture, used to express blessings and symbolize auspicious meaning. These patterns were usually represented by patterns, homophones, and words. Some of the common auspicious patterns included peonies, peaches, pomegranate, bats, magpies, fish, and so on. Peonies represented wealth, peaches represented birthday wishes, pomegranate represented many children, bats represented blessings, magpies represented happiness, fish represented wealth, and so on. In addition, there were also many auspicious patterns made of various animals and plants, such as plum blossoms, bamboo, white-headed dragon, horse, monkey, deer, crane, ganoderma lucidum, red crane, Buddha's hand, swastika belt, catfish, Ruyi, lotus, etc. Through metaphor, analogy, pun, and symbolism, these patterns were combined with auspicious words, folk proverb, and mythical stories, implying people's desire for a better life.

Different styles of poetry had different patterns and rules of rhyme: - ** Five-character quatrain **: The rule of Pingze is Pingze Pingze, Pingze Pingze. It was flat and narrow, narrow and narrow. - ** Seven-character quatrain **: The rule of the flat tones is flat tones, flat tones. - ** Rhyming rules of regular poems and quatrains (five and seven characters are common)**: Every double sentence must rhyme, that is, the second, fourth, sixth, and eighth sentences must rhyme. The first sentence can be rhymed or not. Among them, seven-character poems and quatrains, the first sentence can be rhymed as the positive case, and the first sentence can not be rhymed as the variable case; Five-character poems and quatrains, the first sentence can not be rhymed as the positive case, and the first sentence can be rhymed as the variable case. Moreover, the third, fifth and seventh sentences cannot rhyme, and the last word of the non-rhyme sentence must be a sound. The rhyme rules of quatrains were the same as the first four sentences of regular poems. - ** 68 Poem Style **: Rhyming the sixth word of the first sentence with the sixth word of the second sentence. In addition, when choosing the rhyme of a poem, in addition to the difference in width, the relationship between sound and mood should be considered. The sound and emotion of different rhymes are different. For example, Qiyang is bold and open, while Wuwei is tactful and gloomy. The appropriate rhyme should be chosen according to the affection to be expressed. When filling in the lyrics, some of them had to emphasize the rhyme, while others had to emphasize the level rhyme. At the same time, not only did they have to abide by the rhyme, but the level of each word in the sentence also had to be considered.

There were many kinds of patterns on the tripod, and the common ones included the patterns on the beast's face, dragon, phoenix, bird, stealthily bending, cloud and thunder, and so on. Among them, the animal face pattern was a picture of an imaginary divine beast, or it could be abstracted from the image of specific animals such as cattle and sheep. The stealthily curved pattern was a curled slender pattern, often connected into a ribbon, which could be divided into two categories: one with eyes and one without eyes. Under these two categories, it could be further classified according to the subtle differences in shape, such as horizontal S shape, C shape (or G shape), S shape and C shape (G shape) combination. The cloud thunder pattern was diamond-shaped, and some were circular patterns, representing the weather. In addition, there might be patterns such as the dragon pattern on the cauldron. On the Simuwu tripod, its decorative patterns also incorporated elements such as divine beasts, phoenixes, dragon patterns, and human figures. Divine beasts were usually thought to be related to the sacred power and majesty of ancient sacrificial activities. Phoenixes symbolized good luck and were related to sacrificial rituals and auspicious blessings. Dragon patterns were the symbols of ancient royal power, and human figures might reveal the class structure and power system of ancient society. At the same time, some auspicious patterns or words would be engraved around the jade cauldron. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!