A Comparatively Study of Xiao Hong's and Jiang Jing 'ai's FictionsThe comparison between Xiao Hong's and Jiang Jing 'ai's novels can be carried out from the following aspects:
** I. Life and Literature **
Xiao Hong was born on June 1, 1911, into a landlord family in Hulan County, Hei Long Jiang Province. Although her family conditions were not bad, her parents did not love her, and only her grandfather treated her well. She broke through her family's obstacles to study and experienced many ups and downs in her life, such as escaping marriage, being abandoned by her fiancé, and emotional entanglement with Xiao Jun. She was strongly supported by Lu Xun in literary creation and was considered the most promising female writer in China at that time. Xiao Hong's representative works included Life and Death Field and Hulan River Biography. Her works mostly reflected the suffering of the national life, with a sense of tragedy and self-awareness. She followed Lu Xun's direction of "transforming the national character" and reflected the living conditions of the rural areas in Northeast China. Her words had a tendency of prose.
Kang Jingai (1904 - 1944) was a famous female writer in North Korea.
** 2. Title **
1. ** In terms of social reality **
- Xiao Hong's Life and Death Field and Jiang Jing 'ai's Human Problems both reflected the poor lives of people under colonial rule. In Life and Death Field, it depicted the tragic situation of the people in the northeastern countryside under the rule of the Japanese, and Jiang Jingai's works also showed the similar social predicament faced by the Korean people at that time.
- The two works both revealed the tragic fate of women in the feudal society under the male chauvinistic system. The women in Xiao Hong's works, such as the reunion daughter-in-law in the Legend of Hulan River, were persecuted by feudal ethics, while Jiang Jing 'ai's works also paid attention to the unequal status of women in the male chauvinistic society.
- At the same time, it also reflected the awakening and resistance of people in the face of a new life, expressing their understanding of life.
2. ** In terms of depth of work **
- The title of "Life and Death Field" reflected philosophy. The "Life and Death Field" was the image of time and space, carrying the fable content of life and death, and presupposed many empty meanings.
- The Legend of Hulan River tells the fable from the perspective of children's innocence, showing the backward, indifferent, and barbaric living conditions in the countryside at that time. This is not the situation of Hulan River, but a reflection on the common life forms in rural China at that time.
** 3. Character **
1. ** Female Character Category **
- The female characters in the two works can be divided into traditional women and modern women for comparison. Traditional women were often bound by feudal ethics, and the images of such women in Xiao Hong's works were often tragic. The traditional women in Jiang Jing 'ai's works also faced similar difficulties. In modern times, women might have awakened and rebelled, and this change in personality was reflected in different plots and descriptions in the works.
2. ** Male Character Category **
- The male characters were divided into positive men and negative men. In Xiao Hong's works, people like Xiao Jun might be seen as male characters with a positive sense of resistance, while some feudal paternalistic men showed a negative side. The male characters in Jiang Jing 'ai's works could also be classified according to this, and the theme of the work could be reflected through their personality changes.
** 4. Art features **
1. ** The structural features of the novel **
- Xiao Hong's novels tended to be prose, and they didn't revolve around the story and the characters. For example,"The Hulan River". There were similarities and differences between this structural feature and the structure of Jiang Jingai's works in organizing plots and constructing stories.
2. ** Changes in conflict **
- The two works both promoted the development of the plot by describing the conflicts between characters and the environment, but they had their own characteristics in the setting, development and resolution of the conflicts.
3. ** Symbolism **
- Xiao Hong's works, such as Life and Death Field and Hulan River Biography, had a distinct fable and used symbolism. Jiang Jing 'ai's works may also use symbolism to express their thoughts and intents, and the choice of symbolic meaning and the choice of symbolic objects can be compared and studied.
Through the comparison of Xiao Hong's and Jiang Jingai's novels, we can dig into the writing style, emotional expression, and cultural implication of the two writers, revealing the ideology and social value of the works.
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Royal studyThe imperial study was another name for the study of ancient emperors. It was usually taken from their dynasty or characteristics. The names and characteristics of the imperial study had many changes, such as the Qianlong's tired and diligent Zhai, the Tang Dynasty's Ganlu Hall, and the Qing Dynasty's Sanxi Hall. The royal study was a place where the emperor read, wrote, recited poems, and painted. It was also a place where the women of the palace lived. The imperial study once contained "Mao Shi" by Zhao Ji of Emperor Huizong of Song Dynasty and "Mao Shi Quan Tu" drawn by Ma Hezhi under orders. The royal study was located in the back hall of the Imperial Palace, the Jingyang Palace.
Royal studyThe imperial study was another name for the study of ancient emperors. It was usually taken from their dynasty or characteristics. The names and characteristics of the imperial study had many changes, such as the Qianlong's tired and diligent Zhai, the Tang Dynasty's Ganlu Hall, and the Qing Dynasty's Sanxi Hall. The imperial study was a place where the emperor simply read, wrote, recited poems and painted. It was also a living place for the palace women in the Forbidden City. It once contained cultural relics such as Mao Poetry of Emperor Huizong of Song Dynasty and Palace Training Painting of Ma Hezhi. The upper study and the south study were set up by Kangxi. The upper study was where the prince studied, and the south study was specially set up by Kangxi to discuss knowledge, recite poems, and paint with the Ci ministers of the Imperial Academy.
Royal studyThe imperial study was another name for the study of ancient emperors. It was usually taken from their dynasty or characteristics. The names and characteristics of the imperial study had many changes, such as the Qianlong's tired and diligent Zhai, the Tang Dynasty's Ganlu Hall, and the Qing Dynasty's Sanxi Hall. The royal study was where the emperor read, wrote, recited poems, and painted. At the same time, it was also a place to collect cultural relics and books. The imperial study was located in the rear hall of Jingyang Palace, the rear palace of the Forbidden City. It once contained the "Mao Poetry" by Zhao Ji, Emperor Huizong of Song Dynasty, and the "Palace Training Painting" drawn by Ma Hezhi under orders. The upper study and the south study were set up by Kangxi. They were the places where the princes studied and discussed knowledge, poetry, and painting with the Ci ministers of the Imperial Academy.
Royal studyThe royal study was where the emperor read and collected books. In the Forbidden City, the imperial study could be divided into education, consulting, and reading. The educational royal study was where the prince studied, while the consulting royal study was where the emperor consulted when dealing with government affairs. The royal reading room was used to read and appreciate precious books and relics. The royal study was located in the back hall of Jingyang Palace in the imperial palace.