Zhang Miaoyi acted in the same school drama as the schoolbagIn When I Run to You, Zhang Miaoyi played Su Zaizai, and two types of school bags were mentioned. One was a milky yellow backpack from the BANG Dou brand. It had a large capacity and was suitable for young children. It was produced in Guangzhou, Guangdong, China. The style was a mommy bag. The outer material was other materials, the inner material was microfiber leather, and the inner structure had a key ring. The actual size was 10 x 10 x 10 cm, and the style was versatile. The carrying parts were chain-type handles, and the closing method was a zipper. The waterproof strength was waterproof, and the function was a beautiful back. The other was a schoolbag priced at 46.66 yuan. The style was gender-neutral, the item number was other, the material was terylene, and the popular element was sewing thread. The season of the launch was spring 2023, and the lining was terylene. The internal structure of the bag was a zipper hidden pocket, a mobile phone pocket, a sandwich zipper pocket, and a computer pocket. The hardness was soft, and the outer bag was a three-dimensional bag. The brand was other, and there was no sandwich. It was suitable for daily use and had other functions.
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Picture books, pictures, artistic expressions, teaching plans, reflections, how to writeThe following is a reflection lesson plan on the artistic expression of picture books:
* * I. Achievement of teaching objectives **
1. * * Knowledge and Skill Target **
- Review whether the students have understood the different forms of artistic expression in the picture books. For example, when introducing the picture books in the forms of watercolor painting and mosaic, can the students accurately identify and describe their characteristics? For example, whether the students could distinguish the uniqueness of the combination of colors in the watercolor picture book, the sense of clarity, and the combination of materials in the picture book. If some students failed to achieve this goal, they had to analyze whether the teaching was not in-depth enough or the examples shown were not typical enough.
- Reflect on the student's skills in using similar artistic forms to create (if there is a creative segment). For example, when the students were asked to try to create a simple mosaic, they would observe whether the students 'choice and combination of materials met their expectations. If there were problems, it might be because the demonstration was not clear enough, or the students were not given enough time and guidance to create.
2. * * Course, Method, and Target **
- Consider the effectiveness of guiding students to observe and analyze the artistic expression of picture books in the teaching process. For example, when analyzing the watercolor expression of the picture book Little Blackfish, whether to use appropriate questions to guide the students to pay attention to the relationship between the color of the little blackfish and the surrounding environment, as well as the role of this color combination in expressing the theme of the story,"unity is great." If students did not participate in class discussions or did not analyze well, it might be because the way they asked questions was not flexible enough, or they did not give the students enough time to think for themselves.
- Reflect on the methods of cultivating students 'ability to compare different artistic expressions in picture books. For example, when the pencil drawing book "Make Way for the Ducklings" and the pastel drawing book "Fox Phone Box" were displayed at the same time, whether it was effective to guide the students to compare the differences in color texture and line application between the two. If it was difficult for students to differentiate, it might be because the guidance of the comparison analysis was not systematic.
3. * * Emotions, attitudes, values, goals **
- He wondered if he had successfully stimulated the students 'interest in the art of picture books. It could be judged from the students 'reactions in class, such as whether they showed curiosity and concentration on the picture books displayed. If the student's interest was not high, it might be because the picture book chosen was not attractive enough, or the introduction did not connect well with the student's life experience.
- To check whether the students have cultivated their appreciation of different forms of art and respect for diverse arts to a certain extent. For example, when students evaluated the artistic expressions of different picture books, they could objectively recognize the unique charm of each form, rather than just favoring one form. If the students were prejudiced, it might be due to the lack of in-depth exploration of the value of diverse arts in teaching.
* * 2. Teaching content **
1. * * Selection of content **
- Reflect on whether the chosen picture book covers a variety of artistic expressions. If the teaching only focused on a few forms of expression, it might limit the students 'understanding of the variety of art in picture books. For example, whether it included both traditional painting forms (such as pencil drawing, watercolor painting) and non-traditional forms (such as paper carving, mosaic).
- Consider whether the difficulty level of the chosen picture book is suitable for the student's age and cognitive level. If the content of the picture book was too complicated or the artistic expression was too abstract, it might cause students to have difficulty understanding it. For example, for junior students, it might not be appropriate to choose a picture book with complex engravings. Instead, they should choose a colorful and intuitive watercolor or a mosaic picture book.
2. * * Organization of content **
- Check if the order of presentation of the art forms in picture books is reasonable. Generally speaking, the introductions could be done in the order from simple to complex, from common to rare. For example, he would first introduce the common form of pencil drawing, then introduce the relatively complicated form of paper carving. If the order was not appropriate, it might affect the student's learning effect.
- Think about whether the content organization has achieved a gradual and in-depth understanding of different artistic forms. For example, when introducing the concept of a picture book, should he start with simple shapes and then gradually transition to complex scenes and explain them in conjunction with the story content of the picture book?
* * 3. Teaching Method **
1. * * Teaching Method **
- To analyze whether the language used to explain the artistic expression of the picture book was clear, accurate, and concise. Using overly complex technical terms to explain the concepts or characteristics of a particular artistic expression may confuse students. For example, when introducing pastel paintings, one should avoid using overly obscure color vocabulary, but use easy-to-understand language to describe their soft and hazy color effects.
- Reflect on whether the time allocation for teaching is reasonable. If one spent too much time explaining one form of artistic expression, it might lead to a hasty introduction of other content. For example, when introducing a colored pencil drawing book, one should not emphasize the author's creative background and ignore the explanation of the artistic features of the colored pencil drawing (such as the color stacking effect).
2. * * Visual demonstration method **
- Think about whether you chose the most representative picture for the visual demonstration (such as showing the picture book pictures, playing the picture book animation, etc.). For example, when demonstrating the watercolor picture book Little Blackfish, did you choose a picture that could reflect the unique blurring effect of watercolor painting, such as the picture of the little blackfish swimming in the sea?
- Check if the presentation is able to attract the students 'attention and help them understand. For example, when displaying a paper carving picture book, only showing pictures might not be intuitive enough. If you could show the real thing of the paper carving or the video of the production process, it might allow the students to better understand the three-dimensional and layered sense of the artistic expression of the paper carving.
3. * * Discussion Method **
- To evaluate whether the questions discussed by the students about the artistic expression of picture books are enlightening. For example, when discussing the picture book, asking the question "How does the material selection in the picture book affect the story?" was more stimulating than simply asking "Does the picture book look good?"
- Reflect on whether the guidance to the students during the discussion was appropriate. If the students deviated from the main topic in the discussion or could not reach a consensus, it might be because the teacher did not provide timely and effective guidance, such as not reminding the students to pay attention to the relationship between the artistic expression and the theme of the story.
* * 4. Teaching Resources **
1. * * Picture Book Resources **
- Consider whether the picture book resources used are rich and diverse. If he relied on only a few picture books, he might not be able to fully display the characteristics of various forms of artistic expression. For example, could he add some internationally renowned picture books or picture books with local artistic expressions?
- Check the quality of the picture book resources, including printing quality, picture clarity, and so on. If the picture book was blurry or the color was distorted, it might affect the students 'observation and understanding of the artistic expression.
2. * * Other Support Resources **
- Think about whether you have made full use of other auxiliary resources, such as multi-media equipment (projector, sound system, etc.). If the multi-media equipment malfunctioned or did not fully utilize its functions, such as showing the animation of the picture book with too low a volume or the picture ratio was out of balance, it might affect the teaching effect.
- To evaluate whether more auxiliary resources could be introduced, such as inviting artists to give lectures online or offline (if possible), or providing some artistic creation tools for students to carry out simple practical experiences to deepen their understanding of the artistic expression of picture books.
* * 5. Student feedback **
1. * * Class performance feedback **
- Observe the students 'expressions, questions, answers, etc. in class, and summarize the students' acceptance of the teaching content and methods. For example, if students frequently asked questions about a certain form of artistic expression in class, it might mean that they were interested in the content but had difficulty understanding it. If students answered questions positively and accurately, it meant that the teaching effect was better.
- Pay attention to the interaction between students, such as the atmosphere of cooperation during group discussions, the content of exchanges, and so on. If there was a lack of interaction between students or the content of the interaction deviated from the theme, the teaching organization or guidance method might need to be adjusted.
2. * * After-class homework or work feedback **
- Analysis of the student's homework (if there is a related assignment, such as asking the student to create a work that imitates the artistic expression of a certain picture book) or the work created in class. From the works, one could see the students 'mastery of different forms of artistic expression and their level of creativity. For example, if the student's work did not reflect the characteristics of a certain artistic expression, it might mean that the content of the teaching was not thoroughly explained.
- Collect students 'self-evaluation and mutual evaluation of homework or works. Through the students 'evaluation, they could understand their understanding of their own learning achievements and the understanding of the artistic expressions of other students' works. This would also help teachers find problems in teaching, such as whether students have misunderstandings about certain artistic expressions.
* * 6. Modification measures **
1. According to the result of the reflection, the author puts forward some specific improvement measures for the parts that have not been achieved. For example, if a student had difficulty understanding a certain form of artistic expression, they could add more examples in the next lesson, or use a simpler and easier way to explain it.
2. The content of the lesson was adjusted. If they found that the content selection was not comprehensive enough or the organization was not reasonable enough, they could add new picture book resources or re-plan the order of the teaching content.
3. In terms of teaching methods, the language and time allocation of the teaching method could be optimized according to the reflection situation, the content and method of the visual demonstration method could be improved, and the quality and guidance ability of the discussion method could be improved.
4. To improve teaching resources, such as updating picture book resources, checking and maintaining multi-media equipment, etc.
5. According to the feedback from the students, adjust the teaching strategies to better meet the learning needs of the students, such as increasing the opportunities for group learning and providing more personal guidance.
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