Mid-class, good night, baby, language lesson plan reflectionThe following is an example of a reflection on the language lesson plan for the middle class 'Goodnight Baby:
** 1. Achievement of teaching objectives **
1. ** Emotional goal **
- During the teaching process, the children could feel the warm and quiet atmosphere through the music introduction segment and have a certain touch on the emotional experience at night. However, some children might not have a deep understanding of the emotions of their parents singing lullabies when they were young due to their lack of life experience. In the follow-up teaching, some sharing sessions between children and parents could be added, such as letting children tell stories about their parents coaxing them to sleep to deepen their emotional experience.
2. ** Knowledge and Skill Target **
- For the learning of reduplicated words, under the guidance of the teacher, the children could understand the reduplicated words such as "itchy" and "warm" through their own feelings. They could also try to say other reduplicated words such as "red" and "round" under the teacher's demonstration. However, in the process of reading the big character card, some children might read slower because of the strangeness of the word card. Next time, they could increase the connection between the word card and the object or action to improve the reading effect. In terms of poetry reading, most children could follow the teacher and read poetry with emotion, but a few children needed more practice in pronunciation and rhythm.
** 2. Teaching content **
1. ** Adaptability of content **
- The content of the poem was full of warm emotions, which was more in line with the cognitive level and life experience of middle-class children. However, some of the expressions in the poem, such as " Legend has it that tonight, ghosts will not leave, death will appear again, and ghosts will wander around ", may cause a certain degree of fear in children. The content selection can be adjusted to make it more in line with the positive and healthy emotional development needs of children.
2. ** Abundance of content **
- The entire teaching process revolved around a single poem, and the content was rather monotonous. Some picture books or Mini games related to good night could be added, such as letting children share their good night secrets with each other to enrich the teaching content and increase the participation of children.
** 3. Teaching methods **
1. ** Introduction Stage **
- The music introduction method was more effective. It could quickly attract the attention of children and create an atmosphere at night. However, when guiding children to express their feelings about music, they could use more diverse methods, such as letting children use paintings to express their feelings about listening to music, rather than just using words to describe.
2. ** Reading session **
- In the free reading segment, the children's autonomy was brought into play to a certain extent. However, when the teachers were on tour, they could give more individual guidance and ask different questions for children with different reading abilities to meet the development needs of each child. In the group reading session, the teacher's reading demonstration effect was better, but it could increase the interaction between the children. For example, let the children read aloud in pairs to improve the enthusiasm of the children.
3. ** Interactivity segment **
- In the learning of reduplicated words, the teacher's method of letting the child feel the touch and hug to understand the reduplicated words was very intuitive. However, during the interaction process, more children could participate in the action demonstration, not just one or two children.
** 4. Teaching Organization **
1. ** Teaching process **
- The entire teaching process was relatively smooth, but the transition between each link was slightly stiff. For example, from the introduction of music to the free reading segment, some transition language or Mini games could be added to make the connection between the teaching segments more natural.
2. ** Time Management **
- In actual teaching, it took a long time to read the big character card, which led to the end of the activity being a little rushed. In the next teaching session, time needed to be allocated more reasonably. For the links that the children had mastered well, the time could be shortened appropriately to ensure that each teaching link could be fully implemented.
** 5. Teaching environment **
1. ** Creation of environment **
- The activity room was decorated into a night scene, with curtains drawn and stars hung. This environment played a very good role in creating a teaching atmosphere. However, he could further add some interaction elements, such as posting the child's name or a good night wish on the little star to make the child feel more involved.
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Listening to the lesson, concluding the lesson and reflecting on itThe following is a summary of the reflections on the course from the different courses:
** I. Mathematical Thinking Training Trial Class **
1. ** Teaching effectiveness **
- For young children, the effect was better on the spot than online, except for those with strong self-control and parents who could follow them all the time. This showed that the teaching environment, children's independent learning ability, and the degree of parent supervision had an impact on the teaching effect.
- Even in the training class, it was difficult for the teacher to look at the students one by one. A class with more than ten students could only take into account the average number. Therefore, the "small class" after the training class (with the help of parents to sort out and review) was essential. This reflected the limitations of large-scale class teaching and the importance of the after-school reinforcement.
2. ** Course content **
- The existing institutions mainly focused on extended education in classroom education, rather than solely training mathematical thinking. This might deviate from the original intention of parents to expect their children to systematically train their mathematical thinking.
3. ** Student performance and teaching progress **
- In the class, only four or five out of a dozen students were more active. The teacher's progress would be based on the performance of these active students. This might cause some students to be unable to keep up, and it would be easy to blur the problems that their children did not know.
** 2. Photographic Training Trial Class (There is no specific reflection on the trial class, but it can be inferred from the curriculum)**
1. ** Course positioning **
- The course was suitable for people who were struggling under the age of 38, people who didn't have a lot of free time, people with zero foundation, and people who liked aesthetics. This precise positioning could help attract the target audience, but it could also limit the audience.
- The course consisted of live video and offline shooting, eight live broadcast courses, and two real-time observation courses. The courses were in various forms, but there was no mention of whether the connection between different forms of courses was smooth.
2. ** Teaching content **
- The course covered the common functions of the camera, composition, light and shadow, focal length, real shots, and many other aspects. The content was relatively comprehensive, but it did not mention whether the depth of the content was suitable for students of different levels.
** 3. Language Teaching Trial Class (online)**
1. ** Mental-student interaction and student psychology **
- When teaching a five-year-old child with zero foundation, it was difficult for online platforms to adopt immersive teaching. As long as children did not understand, they would be nervous, afraid, and dependent on their parents. This meant that in the online teaching of young children with zero foundation, how to make children adapt to the teaching method and reduce tension was a problem that needed to be solved.
- When the teacher acted as a "stranger," the child would show a "fearful" look. How to close the distance between the teacher and the student in a short period of time needed to be explored. For example, in the self-introduction session, it was necessary to focus on establishing a sense of intimacy with the child.
2. ** Teaching guidance **
- The instructions were trivial and changeable. They were not fixed, which was not conducive to the child's understanding and keeping up with the teaching rhythm.
** IV. Institution Trial Class with Gyroscopic Acceleration as the Themed Item **
1. ** Teaching objectives and parents 'expectations **
- The purpose of the audition class was to let the children have fun and satisfy the parents to increase the success rate. This required that in the teaching process, the children's pure play needs and the parents 'attention to the added value of the course should be taken into account.
- As for the additional value of the curriculum that parents attached great importance to, such as whether it would be helpful for their children's future studies and life, the curriculum design should highlight the competition (such as the Lego competition) and ability development (such as learning ability, communication ability, etc.) to meet the expectations of parents.
2. ** Course content adjustment **
- For children with different levels of knowledge, the explanation of the course knowledge points had to be adjusted. For example, for children in the first or second grade, the gear ratio could be calculated by counting the number of teeth on the gear. For children in the second half of the second grade, multi-level acceleration could be explained, which reflected the importance of teaching students according to their aptitude.
3. ** Teaching process **
- The process of the audition class included links (such as the competition of the top), construction (explaining the gear acceleration and guiding the production of the top accelerator), reflection (re-competition and summary of knowledge points), continuation (choosing the parent interaction method or sublimating the explanation according to the organization's situation), etc. Each link needed to be closely linked, and each link had a clear teaching goal.
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Slap a lessonBeing slapped was a kind of physical injury, but it was also a kind of mental insult. When faced with a slap, people had different reactions. Some people chose to fight back, some chose to admit defeat, covered their faces, and walked away. There were also some who calmly analyzed the situation, accepted the lesson, or called the police. In some cases, slapping could also be seen as a form of punishment and discipline, such as in family education. However, slapping lessons could also lead to serious consequences. For example, after a student in Guizhou was slapped 11 times by a teacher, it caused dissatisfaction and controversy among parents. In short, slapping was a complicated action, and the consequences and handling methods varied according to the situation.
The art lesson plan in kindergarten, the reflection of the pottery lesson plan" Teaching plan and reflection on kindergarten ceramic art "
Teaching plan:
I. Teaching objectives
1. Let the children have a preliminary understanding of the basic knowledge of pottery, such as the characteristics of clay.
2. To stimulate the creativity and imagination of children, to make simple ceramic works.
3. Train the children's fine hand movements.
II. Important and Difficult Points in Teaching
Important point: Let the children master the basic pottery making techniques, such as rubbing, pinching, pressing, etc.
[Difficulty: How to guide children to use their imagination to create unique works.]
3. Teaching process
1. to lead
He took out a small exquisite ceramic ornament and asked the child what it was made of to introduce the ceramic theme.
2. explain
Tell me where clay comes from. It can turn into all kinds of things like magic. Then, he demonstrated the basic movements of rubbing a ball, pinching a small square, pressing a small plate, and so on.
3. creation
Each child was given a piece of clay and allowed to create freely. The teacher guided them around and encouraged the children to try boldly.
4. show
Let the children put their works on the display stage and share what they have done with each other.
Reflection:
The good side:
1. The introduction session was very successful. The children were very interested in the small ceramic ornaments and actively participated in the class.
2. In the creative segment, the children's imaginations were extremely rich, and they created all kinds of unexpected works, such as making clay into little monsters.
Deficiency:
1. The explanation segment was a little rushed. Some children had not fully understood the basic movements before they started to create, resulting in the work not being ideal.
2. He did not consider in advance that the clay might dirty the children's clothes and did not take protective measures. He had to improve these areas in the future.
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