How did you get the time-lapse video score?If it was a time-lapse video taken on a mobile phone, one could use the "Cool Video Editor" software. After the video was uploaded, one could click on "Video Editor" and add "Music" below. After that, one could select the music, including clicking on "Multiple Soundtracks" to enter the local music and select the favorite music to add. If the video was shot with a single-lens reflex camera or other equipment, the video could be imported into software such as Adobe Premiere Elements, lighthouse, Final Cut Pro, Adobe After Effects, etc.(You can also choose other software according to your own habits and abilities). Add soundtracks to these software to match the time-lapse video with suitable music. In addition, there were many music options suitable for time-lapse photography, such as 1 Rapture John Stanford - Timescapes: Official Soundtrack, Inro Wang Bei-CCTV documentary Aerial China (2017) OST, etc.
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How to write the self-summary and reflection of landscape sketching in practical training classThe self-summary and reflection of writing landscape sketching in the practical training class could be started from the following aspects:
** I. Scene Selection **
1. ** Observation and Choice **
- It described how to choose a suitable scene for painting from many natural sceneries. For example, they were attracted by a certain element in the scenery, such as a unique building, an interesting combination of trees, or a fascinating light and shadow effect. Mention whether you have considered the difficulty of the composition, such as choosing a scene with a clear primary and secondary relationship, or avoiding a scene that is too messy and difficult to express.
- Reflect on whether you were decisive enough in choosing a scene, whether you wasted time because of indecisiveness, or whether you chose a scene that looked good on the surface but had many problems in the actual painting process because you didn't observe it deeply.
2. ** Creation and Transformation **
- If there was an innovative treatment of the selected scene, for example, some painters would combine elements seen in different places into one picture, or change some elements in the actual scene (such as the weather, the location of objects, etc.) to meet their creative intentions, they had to explain the reasons and effects of doing so.
- He thought about whether he dared to break through the tradition in this aspect, whether he was too constrained by reality, resulting in a lack of uniqueness in the painting, or on the contrary, because of excessive modification, he lost the original respect and recording of nature in landscape sketching.
** 2. Drawing process **
1. ** Picture composition **
- He analyzed his own performance in the composition of the painting, such as whether he followed the basic composition principles, such as the golden ratio, balance, and symmetrical principles. If there was a main object in the picture, it was necessary to explain how to highlight the main object so that other elements could play a supporting role.
- Reflect on whether there were any problems in the composition process, such as whether the center of gravity of the picture was unstable, the distribution of elements was too concentrated or scattered, and how to improve it in the future.
2. ** Color Usage **
- It talked about the observation and expression of color. It included how to capture the color relationships in natural scenery, such as the contrast between cold and warm tones, brightness contrast, and so on. If there was a subjective adjustment of color, explain the basis of the adjustment, whether it was to create a specific atmosphere or to emphasize a certain element.
- Think about the shortcomings of your use of color, such as whether the color is too monotonous, or whether the combination of colors is harmonious, or whether it accurately conveyed the emotions and atmosphere you want to express.
3. ** Brush strokes and expression techniques **
- He described the characteristics of the strokes he used, such as what kind of strokes he used to describe different objects (such as leaves, water, buildings, etc.), whether it was delicate, rough, or pointillistic, and how these strokes matched the object he wanted to express.
- He reflected on whether he was skilled in the use of brush strokes, whether the inappropriate use of brush strokes affected the texture or overall effect of the picture, and whether he needed to learn more expression techniques to enrich the picture.
** 3. Dealing with external factors **
1. ** Change in environment **
- If it was outdoor sketching, it was necessary to mention how to deal with changes in the environment, such as the instantaneous change of light, sudden changes in the weather, etc. For example, whether he could adjust the brightness of the painting in time when the lighting changed quickly, or whether he could flexibly change the painting strategy when the weather changed.
- Think about your ability to cope with these changes. If there are any shortcomings, such as the scene being out of sync due to the rapid changes in light, think about how to improve your ability to adapt to the changes in the environment.
2. ** External interference **
- He talked about the external disturbances that he encountered during the sketching process, such as the crowd surrounding him and the noise that affected his painting state, as well as how to overcome these disturbances.
- Reflect on whether you are easily distracted by external interference, affecting the continuity and quality of your painting, and what methods you can use to better focus.
** 4. Emotional and artistic expression **
1. ** Emotions merge **
- Explain the emotion you want to convey in the process of painting, whether it is tranquility, joy, sadness, or other emotions, and how to convey this emotion through the various elements of the painting (selection of scenery, color, brush strokes, etc.).
- Think about whether you have successfully integrated emotions into your work, whether you have neglected emotional expression because you are too focused on technique, or whether your emotional expression is too straightforward and lacks depth.
2. ** Art Pursuit and Style **
- Explain your artistic pursuit in landscape sketching, whether you are more inclined to realism, freehand painting, or other styles, and whether you have made progress towards your artistic pursuit in this practical training class.
- Reflect on whether you have formed a unique artistic style, or what aspects need to be explored and developed, and how to draw nutrients from the experience of this training class to shape your own artistic style.
** 5. Learning and Growth **
1. ** Skill Upgrade **
- He summarized the improvement in his painting skills (such as composition, color, brush strokes, etc.) in this practical training class, and the specific performance in which works or painting links.
- Think about what skills you need to improve and how to develop a plan to improve these skills, such as whether you need more practice, learn more theoretical knowledge, or learn from the works of other artists.
2. ** Increase aesthetic standards **
- He talked about the changes in his understanding of the beauty of the scenery before and after the practical training class, and whether he began to pay attention to the beauty that he had not noticed before, such as the beauty of the details in ordinary scenery, the unique beauty of the scenery under different weather, etc.
- Reflect on whether your aesthetic concept is more mature and diverse, and how to apply the improved aesthetic to future painting creations.
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