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sixty five wounded heart

sixty five wounded heart

The Sovereign’s Name: KRYZENITH VOID-HEART

The Sovereign’s Name: KRYZENITH VOID-HEART

Synopsis: The Bastion of the Twelve (The Final Descent) ​The Bastion of the Twelve is a metaphysical epic tracing the journey of Haoran and Yuxiao as they lead a sanctuary of outcasts through the Forbidden Deep. The Archive, a divine machine of absolute order, treats their existence as a "narrative error" that must be corrected through total erasure. ​The heart of the story lies in the sanctuary’s Metallurgical Metamorphosis, where the city’s physical shell transforms through periodic elements to counter divine protocols. From the Tellurium Logic-Engines to the Thorium Nuclear Hearts, each transformation is a desperate attempt to stay written on the page of existence. ​The Tragedy of the Twin-Logic ​The core conflict is not just between the sanctuary and the Archive, but within the "Lattice of Will" that binds Haoran and Yuxiao. To protect the refugees, they must merge their souls into the city’s core, becoming the very syntax that holds the world together. However, the Archive’s final protocol—the Absolute Paradox—is designed to turn the two pillars of the sanctuary against one another. ​The Climax: The 5,000th Gate ​As the sanctuary reaches the final threshold of the 5,000th chapter, the Archive forces a "Resolution." The divine logic dictates that for the refugees to transition into a new, safe universe, the "Authors" of the rebellion—Haoran and Yuxiao—must be purged to balance the cosmic scales. ​The story concludes in a devastating Zero-Sum Strike: ​The Final Betrayal: Under the weight of the Archive’s corruption, the two protagonists are forced into a terminal duel. Their powers, which once resonated in perfect harmony, become polar opposites—one of absolute density and the other of absolute void. ​The Mutual Sacrifice: Realizing that the only way to break the Archive’s cycle is to leave the narrative entirely, they choose to kill each other simultaneously. By dying at each other’s hands, they create a "Logical Void" that the Creator God cannot fill. ​The Legacy: Their blood fuels the final transformation of the sanctuary into a Trans-Finite Realm, a world without a master. The refugees survive, but the book closes on the image of Haoran and Yuxiao’s armor drifting in the deep, locked in a final, lethal embrace. ​The book ends not with a victory, but with a Final Punctuation—the protagonists become the martyrs of their own story, ensuring that while they perish, their words remain unerasable.
Fantasy
4401 Chs
The Three Hundred and Sixty-Five Gods
In the story of the apotheosis, Jiang Ziya conferred a total of 365 gods. These orthodox gods were distributed in different departments, covering the upper four departments (thunder, fire, plague, and fighting) and the lower four departments (stars, mountains, rain, clouds, and the gods of good and evil). There were a total of twenty-five gods in the Thunder Department, and the twenty-four Heavenly Lords of Cloud and Rain were led by the Heavenly Lord of Thunder, Wen Zhong. There were a total of six Fire Sect members, led by Luo Xuan, the main god of the Three Qi Fire Virtue Star Lord in the south. Plague Clan had a total of seven, and Emperor Hao Tian Lu Yue led six Plague Gods. The Fighting Department was under the control of Zhongtian Fan Qi, Progenitor Doumu, Golden Spirit Holy Mother. She was in charge of three small departments and 29 people, including the Five Dipper Starlord Department, the Southern Dipper Star Department, and the Northern Dipper Star Department. As for the Mountain Gods of the Five Mountains, there were the True God of Qingfu (Bai Jian), the True God of the Three Mountains, Bing Linggong (Huang Tianhua), and the Great Emperors of the Five Mountains, such as the Great Emperor of Benevolence and Saint Emperor of Heaven (Huang Feihu). Some of the god positions were more special. For example, Zhao Gongming, who was named the God of Wealth, was a god that everyone liked, while the god positions such as Zhang Guifang, Lu Yue, and Ma were considered to be relatively bad. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
1 answer
2026-07-22 16:27
Three Hundred and Sixty-Five Miles of Road
The original singer of " Three Hundred and Sixty-Five Miles Road " was Li Lingyu. The lyrics were as follows: The sleepy stars can't stop my journey. I've been wandering for many years, living in the wind and sleeping in the open. For my ideals, I'd rather endure loneliness. Drink up the loneliness and shake off the dust on the ground. I set foot on a long journey, full of sincerity to pursue my dream. Three hundred and sixty-five days passed year after year. One day went a journey, and three hundred and sixty-five miles passed through spring, summer, autumn and winter. How can I let it pass through the 365 li road in vain? My lofty ambition has never disappeared. Even though time has passed, I am still persistent. How much time has passed since I left my hometown? Three hundred and sixty-five days, three hundred and sixty-five miles from home to a foreign land. Three hundred and sixty-five miles from youth to white hair, how many three hundred and sixty-five miles across spring, summer, autumn and winter. How can he waste the 365 li road?
1 answer
2025-01-13 20:45
Three Hundred and Sixty-Five Miles of Road
There was no clear information about the evaluation of the song " 365 Miles." The search results mentioned that this song was a song with a sense of time. It described the image of a traveler from a foreign land, as well as the longing of the traveler for his hometown and his family. However, there was no specific evaluation or comment. Therefore, he was unable to provide any comments on the song " Three Hundred and Sixty-Five Miles."
1 answer
2025-01-17 02:25
Three Hundred and Sixty-Five Miles of Road
The lyrics of the song "Three Hundred and Sixty-Five Miles" are as follows: Sleepy stars can't stop my journey. I've been wandering day and night for many years, living in the wind and sleeping in the open. For the sake of my ideals, I'd rather endure loneliness. Drink up the loneliness and shake off the dust of the foreign land. I'm on a long journey, chasing my dreams with passion.
1 answer
2025-01-17 22:16
The Song of Three Hundred and Sixty-Five Miles
" 365 Miles " was a song sung by Wen Zhang. It was included in his album of the same name," 365 Miles ", which was released in October 1984. This song described the image of a wanderer in a foreign land. It became popular because of the performance of the Taiwan singer Bao Nana on the 1988 Spring Festival Gala and became her amulet. In addition, this song had also been covered by many singers, such as Mao Ning, Yang Yuying, the Black Duck Group, Wei Chen, and so on.
1 answer
2025-01-16 04:48
Three Hundred and Sixty-Five Miles of Road
The lyrics of the song "Three Hundred and Sixty-Five Miles Road" are as follows: Sleepy stars can't stop my journey. I've been wandering day and night for many years, living in the wind and sleeping in the open. For the sake of my ideals, I'd rather endure loneliness. Drink up the loneliness, shake off the dust of the foreign land, and embark on a distant journey. Pursue my dreams with passion.
1 answer
2025-01-16 06:06
Three Hundred and Sixty-Five Miles, Lyricist
The lyrics for " 365 Miles of Road " were written by Xiao Xuan and composed by Tan Jianchang.
1 answer
2025-01-14 21:57
Three Hundred and Sixty-Five Miles of Road
The lyrics of the song "Three Hundred and Sixty-Five Miles Road" are as follows: Sleepy stars can't stop my journey. I've been wandering day and night for many years, living in the wind and sleeping in the open. For the sake of my ideals, I'd rather endure loneliness. Drink up the loneliness, shake off the dust of the foreign land, set foot on the distant road, and pursue my dream with full passion.
1 answer
2025-01-18 07:48
Three hundred and sixty-five miles of road, music
We can find the guitar score and numbered sheet music of "365 Miles". This song was a classic nostalgic song released by Wen Zhang in 1984. Depending on the guitar score, the song could be played in G, C, or E. Guitar score with chord fingering, six-line score, numbered musical notation and lyrics, moderate difficulty. In addition, this song was also sung by Bao Nana and covered by other singers. If you are interested in other music information about " The 365-Mile Road," I suggest you search for more related content.
1 answer
2025-01-14 05:27
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