The meaning and symbol of green feathers and white feathers"Green Plume and White Feather." Green Plume generally gave people a cold and noble feeling. In our culture, green has a fresh and profound meaning. The feathers are the more exquisite and beautiful parts of the bird's body, like those long and elegant feathers. Therefore, green feathers may symbolize extraordinary qualities.
As for white feathers, white itself represented purity and innocence, and feathers were soft and beautiful. The white feather was like the incarnation of purity and beauty. It might symbolize a pure heart or a sacred existence.
In summary, the word "green feathers and white feathers" had the meaning and symbol of purity and nobility.
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What is the plot of the 'Crown Prince' manhwa?In the 'Crown Prince' manhwa, the main focus is on the prince's attempts to overcome obstacles and prove himself worthy of the crown. It might feature battles, alliances, and self-discovery. The story can be quite complex and engaging.
Feathers and Nishang"Rainbow Feathers" usually referred to "Rainbow Feathers". This was a concept of "high-end custom-made" clothing in the Tang Dynasty. It was made of clouds and feathers, gorgeous and luxurious. At the same time, it was also the short name of the famous court music and dance of the Tang Dynasty,"Nishang Feather Dance". This music and dance was a dharma song, which was composed during the Kaiyuan period (713 - 741).
There were many theories about the origin of the song:
- It was said that Emperor Xuanzong of the Tang Dynasty climbed Sanxiang Posthouse and saw Nvji Mountain (the legendary immortal mountain), which triggered inspiration. For example, Liu Yuxi's poem,"The Emperor of Kaiyuan has everything, but unfortunately, the scenery at that time was urgent. Looking at the Immortal Mountain in the Three Villages, it was recorded in the Song of Rainbow Feathers.
- Secondly, according to the records in the Tang Hui Yao, in the 13th year of Tianbao, Emperor Xuanzong of the Tang Dynasty changed some music imported from India using the method of Taichang stone carving. This song was adapted from the Brahmin Song.
- The three theories combined the existing views and believed that Xuanzong composed the first half of the song based on the feeling of boarding Sanxiang Posthouse, and then absorbed the Brahmin Song presented by Yang to complete the whole song.
The music and dance consisted of 36 pieces, divided into three parts: the preface (6 pieces), the middle preface (18 pieces) and the song break (12 pieces), integrating song, dance and instrument performance into one. Its artistic performance, artistic conception creation, and the absorption and integration of foreign music all showed the achievements of the court music of the Tang Dynasty. It reflected the exchange of music and dance between the east and the west on the ancient Silk Road. It was the combination of "Hu Music" and "Hua Music". It also reflected the characteristics of the open, tolerant, and eclectic cultural and artistic creation of the Tang Dynasty. It was the most representative music and dance work of the Tang Dynasty and the classic representative of the Tang Dynasty Daqu. The lead dancer, Noble Consort Yang, was dressed in a colorful dress. She danced gracefully under the escort of the palace maids, like a fairy descending to the mortal world, stunning everyone.
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The meaning of the feathersThe meaning of "Cui" was mainly related to the kingfisher and its feathers. From the origin of the word, the word "Cui" came from the word "Yu". The original meaning was to refer to the kingfisher, but also specifically to the female kingfisher. The feathers of the kingfisher could be used as decorations, such as the ancient women's jewelry named "Cuiqiao", and the "Cuihua" decorated with the feathers of the kingfisher in the royal honor guard. In some expressions, the word " green " was used to describe the colors of green, green, and jade related to feathers. For example," green feathers " referred to both kingfishers and green feathers.
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The feathers are flutteringThe word "" in "Qiyu" is pronounced huée, which is explained in Shuo Wen Jie Zi as ", flying sound." The original meaning of pictophonetic characters was onomatopoeic words, namely the sound of flying. This sentence came from the anonymous "Juan A" of the Qing Dynasty. The original sentence "Phoenix flying, its feathers fluttering" depicted the scene of a phoenix flying high, its wings making a rustling sound. In addition to using the original meaning of the word "","Qiyu" could also be understood as a description of the phoenix's flying posture, showing a peaceful and beautiful artistic conception. In poetry, such descriptions often had the effect of setting off the atmosphere and expressing emotions.
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