How to judge a story telling competition?Judging a story telling competition involves assessing aspects like the teller's voice modulation, the vividness of the descriptions, and if the story has a unique message or moral. You should also see if the teller interacts well with the audience and if the story fits the theme of the competition.
Judge of the Water Charm Jiangsu photography competitionIn a competition in Jiangsu Province, in order to let outstanding works be discovered and recognized, the competition specially invited Zhang Wangfei, the former deputy secretary of the party group and secretary of the Secretariat of the Jiangsu Writers Association, the executive deputy director of the Jiangsu Province Modern Writers Research Center, and the first-class literary creation, the vice president of the Nanjing City Federation of Literature and Art New Literature Group Committee, the curator of the Jiangsu Yilin Tongxin Art Museum, and the researcher of the China Oriental Culture Research Institute, Zhao Jing, the director of the Jiangsu Branch of Xinhua Agency, the director of the All Media Reporting Center. The producer of the "Temperatures" program, Li Yuze, served as the head of the review team for essays, paintings, and photography works respectively. He Tongbin, deputy editor of the Jiangsu Province 'Association's "Yangtze River Literature Review" magazine and first-class literary creation, Mao Jun, a reporter from the Xinhua Agency's All Media Center and the chief director of the "Temperatures" media column, Zhang Ningfei, an oil painter and senior children's art training expert, and Wei Luan, a professor at the School of Fine Arts of Nanjing Institute of the Arts, were invited as expert judges. Industry experts from the Jiangsu Province Grain and Oil Society and the Jiangsu Province Grain Industry Association participated in the review.
No relevant information was found on the judges of the "Water Rhyme Jiangsu·Global Travel International Photographic Competition", so I can't answer accurately.
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Jining Singing Competition Xiaoyu Yu as a JudgeIn the Jining Singing Competition, the eight-year-old Xiao Yuyu was seen sitting in the judges 'seats to comment, but the event organizers said that Xiao Yuyu was not a judge but a guest of the event. Her father was a member of the organizers, and Xiao Yuyu only came with her father, who liked to sing. Xiao Yuyu did not participate in the evaluation, nor did she have the right to decide. Moreover, she did not receive any remuneration from the event. However, the video of Xiao Yuyu's comment as a guest caused controversy after it was circulated on the Internet. For example, her comments on adult players included pointing out the problem of flat tongue, posture, and rhythm. Her manager's comments when refuting the netizens 'doubts and Xiao Yuyu's father's proud attitude towards his daughter's comment ability further aroused the heated discussion of the majority of netizens.
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How to judge the tempo of a songHere are some ways to determine the tempo of a song:
1. ** Judging by the pattern of strength **
- **2/4 beat **: There are 2 beats in each bar. The first beat is the strong beat, and the second beat is the weak beat.
- **3/4 beat **: 3 beats per bar. The first beat is strong, and the second and third beats are weak.
- **4/4 beat **: Each bar has 4 beats. The first beat is strong, and the second, third, and fourth beats are weak. However, the actual strength of the beat is strong, weak, sub-strong, and weak.
- For the 8/3 beat in the triple beat system (3 beats per bar with an eight-note as a beat), the forms of strength are strong, weak, and weak; for the 8/6 beat (6 beats per bar with an eight-note as a beat), the forms of strength are strong, weak, weak, second strong, weak, and weak; for the 8/9 beat (9 beats per bar with an eight-note as a beat), the forms of strength are strong, weak, weak, second strong, weak, and weak.
2. ** Judging by Rhythm **: For example, if there is a "Bang Da Da" rhythm in the music, it is likely to be in 3/4 beat.
3. [Use your body to feel it: Gently nod or stamp your feet along with the music, each movement representing a beat.]
4. ** Counting numbers **: When listening to music, silently count "1, 2, 3, 4," etc. This helps to determine the common beat rhythm. For example, counting to 4 may be 4/4 beats.
5. ** Observe the performance of musical instruments **: Percussion instruments such as drums usually have a clear rhythm. Each hit may be a beat.
6. ** Use a Metronome **: If you can't hear the beat yourself, you can use the Metronome. First, he set the tempo of the meter to the same tempo as the song, and then he followed the rhythm of the meter to feel the beat of the song.
7. [Analysis of lyrics and melody: The lyrics of some songs will appear at specific rhythmic points, or the stress of the melody can also help determine the beat. For example, the melody may be more prominent on the downbeat.]
8. ** Deepen your perception through practice **: You can use musical instruments or rhythmic instruments to practice your performance. For example, you can use a rhythmic instrument to assist in your practice, or you can play along with the beat of some songs to deepen your perception of the beat.
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What happened to the judge of the Song Dynasty?In the end, Song Ci took out eight boxes of evidence and prepared to bring them to the palace. However, when he told Emperor Song about the truth of these cases, Emperor Song claimed that he was asleep and did not hear him clearly, so he let Song Ci leave first. Song Ci had just walked out of the palace when he saw that the palace was on fire. Emperor Song came out and explained that the eight chests had been destroyed by a fire. This outcome made many of the officials who were anxiously waiting ecstatic, while Song Ci felt depressed. Because he was unable to present these important pieces of evidence to the Emperor to uphold the justice of the law. Therefore, in the end, Song Ci resigned in disappointment and went home.
What happened to the judge of the Song Dynasty?In the end, Song Ci took out Emperor Song's personal edict and carried the eight chests to the Imperial Palace. However, Emperor Song claimed that he was asleep and didn't hear clearly, so he let Song Ci leave first. Song Ci had just stepped out of the palace when he saw the palace on fire. Emperor Song came out and said that the eight chests had been destroyed by a fire. This outcome made the officials waiting outside the palace very happy, but Song Ci felt depressed. Therefore, Song Ci resigned from his position and went home.
How to judge whether the song is good or notJudging whether a song was good or not was a complicated and subjective process that involved many factors.
From the basic elements of musicality:
- ** Melody **: It is composed of the main melody of the human voice and the main melody of the solo instrument. In pop music, the human voice is usually the main melody, supplemented by the guitar Solo. It focuses on composing. Melody was the easiest part to distinguish and remember. It was the most important part of the logic of Chinese music audiences to judge whether the song was good or not.
- ** Timbre **: Including the singer's singing timbre, the instrument's original timbre, the electronic effects of the effects device, etc. After the sound meets the basic pitch of the melody and texture, it has a certain emotional extension ability in the color dimension of the sound. Whether it meets the rationality of the audience also affects the judgment of the song. For example, a magnetic tone might have a unique attractive charm, while a defective tone might make the listener feel uncomfortable.
- ** Rhythm **: It is formed by combining the rhythm of the noise instrument with the rhythm of the music instrument. The rhythm of the noise instrument often dominates the rhythm of the music instrument. The rhythm of the noise instrument such as the drum set and the drum is the main rhythm anchor point of the music. The quality of the rhythm affected the overall feeling of the song.
- Harmony: Although it is relatively small in the logic of Chinese music audiences, it is also an important element of musicality.
In addition to these basic musical elements, there were other factors:
- [The emotional appeal of the lyrics: The ability of the lyrics and melody to touch the soul and bring people into the role is also an aspect of the evaluation.] However, there weren't many songs that had this kind of advantage. Some songs had an appeal that was time-effective. When they were popular, they had a feeling when sung, but when they were out of fashion, they might be dull and tasteless.
- ** Overall style-compatibility **: For example, when some music is made in a specific style (such as comedy rap), it is not purely for technical expression, but for the overall shaping of the atmosphere. From this point of view, even if the technical aspects (such as flow, lyrics, etc.) were average, if the overall atmosphere was created well, it also had its unique value. Moreover, there was no difference in the style of music. One could not use the technical standards of one style to demand another style of music.
In addition, judging whether the song was good or not was also related to factors such as the individual's aesthetic level and the breadth of the song. In terms of personal aesthetics, if the audience listened to a limited type of music and only listened to one or a few styles of music, it might be difficult to find the advantages of other music. Different listeners might have different opinions of the same song because of their personal preferences. Some listeners might like a song because it brings a unique emotional experience (such as a relaxed and funny feeling), while others might think that the song is not good because they don't accept this style.
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Japanese judge funny song videoThere was a Japanese song called " Frida Kahlo the Judge ", which might be a funny song video related to the Japanese judges. The song had interesting content such as " Everything must be judged by my thick-browed boy."
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