The anime and novel of the Demon Envoy of Zero were created by the light novelist Yu Kano. As of 2022, Yu Kano was in good health and had not publicly disclosed any information about his illness.
The anime of 'A Condition Called Love' concludes at a specific plot point that differs from the manga. This was likely done to create a unique ending for the animated version while maintaining the core themes.
Well, the condition could be 'boredom'. When people are bored, they often start telling random stories just to pass the time or to amuse themselves and others. For example, during a long journey with nothing much to do, boredom might prompt someone to share a story about a strange encounter they had years ago.
The conditions for hegemony varied according to the situation. The conditions for conquering a territory included conquering a specific city, the number of allies, and the level requirements. For example, in the S1 season, the conditions to dominate the industry were that the number of allies must be more than 300, the level of the alliance must be more than 40, and they must capture three or more state capitals and Luoyang City. In addition, there might be different famous generals in different Hegemony card bags. In general, the requirements for hegemony were determined by the specific requirements and achievements in the game.
One of the conditions of love is mutual attraction and respect, but if one party is no longer interested in the other or no longer in love, then the possibility of a sequel is very small. However, some novels may show the conditions of love in different ways, such as letting two people meet again or letting one of them change to win the love of the other person again. However, this depended on the plot of the novel and the author's imagination. There was no guarantee that there would be a sequel.
We can also encourage it by sharing our own random stories first. When we open up and share, it gives others the confidence to do the same. It sets a precedent and makes the atmosphere more conducive to telling random stories.
The conditions for the key extension were not clearly stated. However, some possible conditions could be inferred. Deciding whether or not a movie needed to have a key extension depended on the opinions of the copyright owner of the movie, as well as factors such as the popularity of the movie in the market, box office performance, and reputation. Generally speaking, movies with good reviews and high box office sales were more likely to be eligible for deferment. In addition, the key extension may also be to make up for the lack of supply in the market and to maintain a high attendance rate in the face of competition. However, the specific conditions and standards might differ depending on the film industry.
The conditions for the movie's delay were mainly dependent on the movie's performance in the market. If a movie sold well in the market, the film copyright owner could apply to the key producer to re-create the key to extend the release period. In addition, movies with good reviews and high box office sales were more likely to be eligible for deferment. However, for imported films, the chances of obtaining a key extension were relatively low. Although domestic films could generally get a key extension, it was difficult for imported films to get a key extension after 2012.
The condition for criminal detention to be extended to 30 days was that for major suspects who committed crimes on the run, repeatedly committed crimes, or committed crimes in groups, the public security organs could apply to the people's prosecutor to extend the detention period to 30 days. This was in accordance with the provisions of article 91 of the criminal procedure law of the People's Republic of China. Under other special circumstances, the detention period could be extended by one to four days.