teleport to the woods

They say she’s a monster. A myth. A demon wrapped in human skin. They call her the Witch in the Woods. They should have called her a warning. Hazel-Anne Davis was raised in the Devil's Playground for the end of the world—part human, part demon, full survivalist, and absolutely done with it all. When she wakes up in the dying body of a child in a foreign world, she doesn’t cry or panic. She builds. She kills. She survives. The mountains become her home, and she becomes the nightmare whispered about in drunken taverns and frightened war councils. No army ever returns. No trespasser lives. Until she met them. Dragged from her mountain, drugged and bound in a trunk like some barbaric trophy, Hazel-Anne is forced into the glittering prison of the royal court—a place where daggers hide behind fans, poison is poured in porcelain cups, and obedience is expected from women who should know their place. Hazel does not know her place. And if she does, she refuses to stay in it. Five powerful men—each dangerous in their own right—are about to learn that the “witch” they stole is no savage. She’s smarter than they are. Deadlier than their worst enemies. And she’s done playing by anyone else’s rules. Now all of them—the scarred warrior prince, the genius Crown Prince, the demon-eyed general, the assassin in the shadows, and the merchant wrapped in silk and lies—will have to decide: Will they try to control her? Or will they kneel before the storm they’ve unleashed? Either way, at the end of the day, the Witch will have her revenge. Other Novels: Rebirth In the Apocalypse: Third Time's A Charm (Completed) Fight, Flight, or Freeze: The Healer's Story (Completed) Star's Ships (Completed) Part Of Your World (Completed) Dancing with Monsters (Completed) As Silent As A Mouse (Completed) Be Careful What You Wish For: A Zombie Apocalypse Novel (Completed) The Witch In The Woods: The Transmigration of Hazel-Anne Davis (Ongoing) Seraphina's Revenge (Ongoing)

A horror fantasy story that follows the journey of a young woman named Elena, who ventures into a dark and foreboding forest to seek out the infamous Baba Yaga, a witch of great power and terror. Elena is desperate to find a cure for her ailing sister, and believes that only the Baba Yaga can provide the magic needed to heal her. As Elena makes her way through the twisted and tangled woods, she encounters a variety of supernatural creatures and obstacles that test her courage and determination. She is aided by a mysterious guide, who seems to know more about the Baba Yaga than he is willing to reveal. When Elena finally arrives at the Baba Yaga's chicken-legged hut, she finds herself face-to-face with the witch herself, who demands a high price for her services. Elena must navigate a dangerous game of wits and bargaining in order to secure the help she needs, but the Baba Yaga's motives and intentions remain shrouded in mystery. As Elena delves deeper into the world of magic and the supernatural, she realizes that the Baba Yaga is not the only threat lurking in the woods. Dark forces are gathering, and Elena must use all her cunning and bravery to survive the challenges ahead. In the end, Elena must make a choice that will determine the fate of herself and her sister, as well as the very fabric of the world itself. Will she be able to outwit the Baba Yaga and emerge victorious, or will she fall prey to the dark powers that seek to consume her?

"Darling." He smirked and eyed my lips. "Promises can be broken." "I don't break promises," I aimed to assure. "I know because I know you." He stretched his palm to caress my chin and this time, I didn't flinch. "How?" I croaked. "Because I've watched you." His hand moved to brush my hair away from my face. "I know about your schedule, when you sleep, how you like your tea, how you interact with strangers, even down to the kind of shampoo you use." He is a stalker, get away from him! My subconscious screamed at me Instead of me to do that, I did the opposite by asking. "Why, do you know all these?" He simply chuckled and inched his face closer, we stared into each other's eyes for what felt like a decade before he shifted to my ear and whispered. "Because you are my mate." ^^^^^^^^^^^^ Tanya Marie Andre. A female writer who has read many werewolf books but never believed them to be real. Diego Dante Domino. An Alpha who has searched for his mate for centuries. Dive in to see how everything turns out. Warning: Mature scenes

Noah wasn’t a good guy—not even close. He’s not a hero. He’s not an antihero. He’s a monster with a devil’s grin. But in a world where superpowers exist, is that really a bad thing? With his teleportation ability, Noah is willing to go to extremes if it means he can gain something from it. A tale of a villainous, charismatic man with an enigmatic goal. Teleport the Devil is a villain story. Don’t expect redemption. Expect terror. --- Illustrator/co-creator: Strange Shounen

The Four Gods, with their vast territory, are the most powerful country on the continent. However, to the north is Pisan, the second most powerful country after it. There are too many borders and hostile relations between them, which completely restrict the development of the Four Gods; To its west, across the bottomless canyon of the abyss, lies Venier, a country on another continent known for its academic and peaceful nature, which does not stockpile troops, does not resist, and has lived in peace under the mutual restraint of the other three countries; To the east of the Four Gods, across the shallow strait, is Berudendi, known as the land of Magic, with towering mountains to the north, endless marshes to the east, and the sea to the west, though much weaker than the Four Gods, it only needs to defend the west coast facing the Four Gods, though it has no power to contend. But it is no longer an easy piece of meat to chew

Everyone knows fairy tales, they are read to us as children. Every fairy tale has a happy ending, or at least our versions do. This isn't an ordinary fairy tale, there is no 'happy ending', only lies and stories that make us believe there is. Follow the story of four teens that were about to start a war.

At the beginning of the road, the dark wood found them. The frozen city stood against the winds of time - betrayed by the truth it had buried for five hundred years: that nothing is forever.

Miles Chen is thirty-two years old, a former paramedic living in San Francisco, and hasn't slept properly in three years. He quit the ambulance after a building collapse on Fourth Street killed three of his colleagues — Pauline, Dae-jung, and Tomás — and left him the only survivor. He doesn't know why he walked out. The not-knowing has become the shape of his life. When his former partner Marcus Webb is hospitalized with an unexplained cardiac arrhythmia and calls Miles by his full name at 2:47 AM, Miles goes. In the hospital Marcus tells him a story he's been carrying for eleven years: that he once walked Miles out of a burning building through a door that shouldn't have existed, guided there by a woman named Elena Vasquez who died in cardiac arrest and then opened her eyes and said Miles's name. This is how Miles learns he is a walker. Walkers are people who move through non-standard doors — doors that appear in moments of crisis, in walls that shouldn't have them, leading to rooms that hold grief, memory, and the unprocessed weight of loss. The rooms are real. The people in them are real, or real enough. The walker's work is to sit with what the room holds — not to manage it, not to fix it — but to be fully present with it. That quality of presence is what allows the room to close. Miles's grandmother Liu Chen walked for sixty years. She left him a room in the back hallway of a house in Mendocino, bolted from the inside, containing everything she learned. She also left a case notebook — three volumes, started in 1987 — tracking a man she called D., a walker who discovered the mechanism before he had the framework for it and spent thirty-seven years using the wrong doors, dispersing displaced grief onto innocent people, building a network of students who do the same. Elena Vasquez, seventy-four, died once and came back and has been managing the consequences of D.'s wrong crossings alone for thirty years. She is tired in a specific way. She has been waiting for Miles. As Miles moves through the rooms his grandmother prepared for him — finding Pauline on an ambulance step, Dae-jung in a locker room, Tomás watching his daughter learn a cartwheel — he begins to understand what he's been carrying and what he's been running from. He finds Gerald Foss, a building inspector who walked out of Fourth Street the same way Miles did and has spent eighteen months trying to make an impossible exit fit a category that doesn't exist. He finds Anna Reyes, a firefighter who lost her brother at Fourth Street and has been finding rooms by feel ever since — an impressionist, someone drawn to rooms that need sitting with, doing the work instinctively without the framework. Together, Miles and Anna are what his grandmother saw coming. The walker provides structure. The impressionist provides depth. The translation between them is what allows D.'s room — thirty-seven years of accumulated wrong crossings, other people's displaced grief piled without context — to finally be sat with properly. What they find in D.'s room is not a villain. It is a twenty-six-year-old who found a door in a burning building in 1987 and went through it and left someone behind and spent the rest of his life going through other people's doors because going through his own meant finding what he'd left there. The Last Teleport is a novel about grief and the specific work of sitting with it. About the difference between managing a difficult thing and being in the room with it. About what rooms hold and what they give back. About the chain of people who do quiet work in difficult places without knowing what they are — and what becomes possible when they know. It is, finally, about a song that doesn't exist anywhere else. And the kitchen it was made in. And the people who kept it going without knowing they were keeping it going.

Everyone knows fairy tales, they are read to us as children. Every fairy tale has a happy ending, or at least our versions do. This isn't an ordinary fairy tale, there is no 'happy ending', only lies and stories that make us believe there is. Follow the story of four teens that were about to start a war. (This is the same book as the other but with a few mistakes. I had to redo this because I wanted to enter it into the contest. Tell me which one you guys like! Enjoy~)

A normal 24years girl 'Daisy' went to trip with her friends with so much excitement without knowing what this trip turn her life...... meeting a strange man in the woods turns her life ups and downs. Learning about that boy's past and innocence makes her heart fell for him but unexpected things will happen and drift them apart. The things she choose and do after that makes this story more heart felt and warm at the same time....