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The sutra pressing furnace, also known as the sutra pressing furnace, was a type of incense burner. It was an extended version of an incense burner that originated from Buddhist utensils. Its soul came from the famous Ding kiln porcelain style of the Song Dynasty. Its two ears are like a pull standing sideways between the belly of the furnace. The shape of the furnace is flat and shallow. There are rings on both ears and three legs arranged in the shape of chess pieces. It can be placed on Buddhist scriptures, so it is called the pressing furnace. In the Ming and Qing Dynasties, the sutra pressing furnace had different characteristics, reflecting the different aesthetics of the time. The Ming furnace emphasized the charm, the shape and lines were concise, simple and elegant, calm and quiet, plain but not ordinary; The Qing furnace emphasized the shape, the shape was dignified and grand, graceful and steady, full of tension, and domineering. In terms of hand feeling, the open furnace is mostly thin-wall, the bottom is slightly thick, the center of gravity is lowered at the bottom, placed in the palm of the hand, and the palm is down; The clean furnace is thick and the bottom is thick, the center of gravity is moved to the middle of the furnace body, which is heavier. In terms of style, Ming furnace style pays attention to the unique style of gold and stone, which is similar to the Shoushan seal used by literati. The ground seal is uneven, which mostly shows the interest of calligraphy; Qing furnace style pursues delicate and regular, the word is square and severe, the law is strict, and it is closely combined with the furnace shape. The Xuande era was the peak period of copper incense burner production. The Xuande furnace was made of exquisite materials and exquisite workmanship. The design was simple and elegant. It was very precious at that time and had rich colors. With purplish-red as the base color, there were dozens of colors. As the Xuande copper furnace was famous all over the world, there were many imitations in later generations, including the pressing furnace. However, the imitation was far from the real Xuande furnace in terms of color and copper. There was also the Zhou family's (Zhou Yuekang's) work on the sutra pressing furnace. It was made of fine copper, and the weight was heavy. It was simple and elegant. It was a good furnace to collect and play with. The furnace wall was thick and heavy, and the surface of the copper furnace had a treasure light flowing. The skin color was bright and smooth, and the patina was warm. Non-refined copper could not achieve this effect. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!

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