They often have a strong, concise opening. In just a few words, they grab the reader's attention. For example, they might start with an unexpected statement or a vivid description. Also, the characters, even in such short pieces, are well - defined. Their personalities shine through quickly.
The special thing about award - winning flash fiction is its ability to create a complete world or character in just a few paragraphs. Writers have to be extremely precise with their words. They choose each word carefully to build atmosphere, develop a plot, and make the reader care about what's happening. Take 'The Yellow Wallpaper' as an example. In a short space, it creates a sense of unease and a complex portrait of a woman's mental state.
They are concise. Award - winning flash fictions can convey deep meaning in just a few words. For example, they might use vivid imagery in a short space to create a strong impression on the reader.
A group on the Duke of Edinburgh Award journey got caught in a light rain. One of the participants, who was very proud of his 'outdoor skills', started building a huge shelter out of branches. But it was so big and poorly made that it collapsed on him, covering him in leaves and twigs. Everyone burst into laughter.
One funny story is when a group was on the Duke of Edinburgh Award expedition. They got lost in the woods but instead of panicking, they started making up their own survival guide with the silliest ideas like using leaves as umbrellas against non - existent rain. It was all in good fun and they eventually found their way back.
Some independent bookstores have sections dedicated to award - winning short works, which could include flash fiction. They might be able to recommend specific titles or collections. You can also follow flash fiction writers on social media platforms like Twitter. Writers often share their award - winning works or mention where they can be found.
Some contemporary award - winning flash fictions include works by Lydia Davis. Her stories often play with language and perception in very short forms. For example, her collections contain numerous pieces that have been recognized for their unique take on the human experience within the limited space of flash fiction.
One great award - winning flash fiction is 'Hills Like White Elephants' by Ernest Hemingway. The story is very short but it's full of subtext. It mainly revolves around a couple's conversation at a train station, and through their dialogue, we can sense the underlying tension in their relationship.
Well, in Edinburgh detective fiction, there's a strong sense of place. Edinburgh's rich history, from its medieval past to its more modern developments, seeps into the stories. The detective might be solving crimes that are somehow linked to the city's heritage or its social fabric. And the villains can be as diverse as the city's population, ranging from the seedy underworld characters to those who seem to be upstanding citizens but have dark secrets.
Sure. 'Case Histories' by Kate Atkinson is a great example. It's set in Edinburgh and has a complex detective story. Also, Alexander McCall Smith's '44 Scotland Street' series, while not strictly detective fiction, has elements of mystery and is set in Edinburgh. It gives a wonderful view of the city's daily life and the small mysteries that can occur within it.