Goulan originally referred to railings, which originated in the Tang Dynasty. In the Tang Dynasty, balustrades were related to singing and dancing. Li Shangyin mentioned in his "Poetry of the Provost" that "curtains were light and curtains were heavy." After the Ming Dynasty, brothels were also known as brothels. In the Northern Song Dynasty, due to the expansion of the citizen class and the increase in the demand for cultural entertainment, the "hook bar" appeared. Goulan was a performance studio set up in the Song Dynasty, which could also be understood as a theater at that time. Goulan was a stage for commercial performances. Every day, there would be various performances, including miscellaneous plays, funny plays, storytelling, banter, singing and dancing, puppet shows, shadow plays, magic, acrobatics, Cuju, sumo wrestling, and so on. The construction of the hook column referred to the temple stage at that time. It was completely enclosed and could not be affected by the climate and season. In short, the hook bar originally referred to the railing, which later evolved into the name of the brothel and performance venue.
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"Goulan" was the main performance venue of Song and Yuan operas in the city. It also had names such as "Gousi","Zulan","Youpeng","Wasi","Washe", etc.
There were several possible reasons for the name:
- The original meaning of the word " hook railing " was a curved railing, probably referring to the shape of the building.
- " Hook railing " might be a homonym for " structure railing ", and the original meaning of " structure railing " referred to the grid on the railing, which might refer to the structure of this kind of building.
- " Goulan " might be a homonym for " Goulian," and the original meaning of " Goulian " was to connect and implicate. It might refer to the function of this kind of building, which was to connect different performance venues.
- "Goulan" may be homonym with "Gouliu", and the original meaning of "Gouliu" referred to stay, stay, and may refer to the attraction of this kind of building, which attracted the audience to stay and watch the performance.
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Goulan was a fixed entertainment venue in some big cities. It was also the main performance venue for Song and Yuan operas in the city. It was equivalent to the theater of today. The hook railing was a performance venue surrounded by railings decorated with patterns. It was also called "hook railing" or "structure railing". In ancient times, the hook column was a performance shed set up in the tile house, which was a unique urban cultural system in the Song Dynasty. Goulan would perform all kinds of programs every day, such as dramas, funny plays, storytelling, shadow plays, magic tricks, etc. You had to pay to watch the performances. However, after the Ming Dynasty, it gradually disappeared, mainly because of the war and the Ming Dynasty's restrictions on public entertainment.
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Captain Hook was an arrogant, cunning, and bad-tempered man. He was hypocritical and greedy, loved money and power, and his goal was to defeat Peter Pan and dominate the Seven Seas. His behavior was as elegant as a gentleman, but his personality was very bad. In the game, Captain Hook was an option, but it was not the most popular choice. Compared to the other characters, Iron Hook's attack power and skill range were considered average, but his attack speed was faster. His ultimate skill was the Energy Halo. Whether it was a solo or a team battle, Captain Iron Hook had always performed well. In addition to the character introductions in the game, there was also a movie, Captain Hook, which told the story of Peter Pan's life and death duel with Captain Hook in order to save his child.
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Goulan appeared during the Song and Yuan Dynasties. In some big cities of the Song Dynasty, there were fixed entertainment venues called tile-roofed houses. The performance venue set up in the house was called the hook bar, also known as the hook bar and the hook bar. The original meaning of the hook bar was the winding railing. Goulan was an important cultural phenomenon in the history of Chinese drama. It played the role of the main performance venue in the city, equivalent to the theater of today. The scale of the hoodlum was very large. A large tile-roofed house had more than a dozen hoodluans (theatres), and a larger hoodlum could accommodate thousands of people watching the performance at the same time. Goulan was a stage for commercial performances. Every day, there would be various performances, including plays, songs, dances, operas, acrobatics, and so on. The construction of the hook column drew lessons from some of the characteristics of the temple stage at that time. The stage and the divine building were set up, surrounded by a roof, so that the performance could not be affected by the climate and season.
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" The Life of a Goulan " was a book written by Liu Zhen. As the seventh volume of " History of Chinese aesthetic fashion," it deeply explored the personality characteristics of the Mongolian people and their brave and heroic beauty, as well as the variety of fashion and the entertainment games and aesthetic tastes of the people. In addition, the book also covered the aesthetic characteristics and styles of painting and calligraphy, architecture, clothing, and the development of food culture. Liu Zhen was the director of the Chinese Academy of Arts 'Institute of Drama, a researcher, and a supervisor of PhD students. His work was evaluated as comprehensive, well-informed, and creative, reflecting his rigorous and honest style of study.
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The "hook railing" originally referred to the winding railing, which later became the main performance venue of the Song and Yuan Dynasties opera in the city, equivalent to the current theater. "The songs in the goulan" referred to the various operas performed in the goulan during the Song and Yuan Dynasties.
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Goulan, also known as Goulan or Gousi, was the main venue for the performance of Song and Yuan operas in the city, equivalent to the theater of today. The original meaning of the hook railing was the winding railing. In the Song and Yuan Dynasties, it specifically referred to the performance shed set up in the market. There was usually a stage, theater, divine building, waist shed, and other buildings in the railing, which could accommodate thousands of spectators. The artists who performed in the hook were professional actors. They had their own stage names, such as Zhang Wuniu, Whole Eyes, and so on. Hook-off artists were highly skilled and were often selected by the court to perform. This marked that the development of the art of the citizens of our country had reached an unprecedented stage, and Chinese music had also entered a new era with folk music as the main body.
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"Goulan" was the main performance venue of Song and Yuan operas in the city. It also had names such as "Gousi","Guolan","Youpeng", etc.
be ignorant of
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Goulan was a Chinese word formed by two words. The word " hook " referred to a railing built with hooks or other methods, and the word " lan " referred to a railing. The basic meaning of this word is to refer to the obstacles or restrictions set up, which are used to describe the factors that hinder people's free movement or development.
In ancient times, a railing was a railing built with hooks or other methods to surround a garden or yard to restrict people's entry. Therefore, the hook bar became a metaphor to describe various obstacles or restrictions. It could be used to describe various situations in individuals, organizations, or society.
In modern Chinese, the usage of the word 'hook bar' was relatively rare, but it could still be seen in some literary works. For example, in the ancient novel Water Margins, there was a description of " Wu Song jumped over the railing and came to the door."
It was important to note that the word "hook bar" might have different meanings in different context, and the specific meaning needed to be determined according to the context.
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