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friendly writers

friendly writers

FRIENDLY RIVALS(GL)

FRIENDLY RIVALS(GL)

Liu Kai Ying is a senior manager known for her cold precision and absolute control. At twenty-eight, she has everything—wealth, authority, and a reputation that keeps people at a distance. Emotions are inefficiencies she learned long ago to suppress. Chen Le Xin, a twenty-five-year-old project manager, meets her as an equal—and a problem. Sharp, unyielding, and quietly stubborn, Le Xin refuses to bend under Kai Ying’s authority. Their professional rivalry is immediate, intense, and personal. When a critical project is sabotaged from within, Kai Ying and Le Xin are forced into close collaboration under relentless pressure. Fourteen exhausting hours strip away pretense, revealing competence, integrity, and unexpected care. When Le Xin collapses from exhaustion, Kai Ying’s controlled world fractures—and she chooses action over authority, finishing their work and protecting her without a word. What begins as reluctant respect deepens into something far more dangerous: want. Kai Ying’s fear of losing control manifests as quiet jealousy and emotional withdrawal, while Le Xin struggles between patience and self-protection. Distance, accidents, sleepless nights, and unspoken feelings test them repeatedly, as fate seems determined to keep them apart. Alongside them, two unlikely souls grow closer—Xiao Lan, Kai Ying’s reserved assistant, and Wong Tian Rong, a charismatic bar owner whose persistence is matched only by her sincerity. Their slow-burning connection mirrors the main couple’s journey toward trust and choice. In a story driven not by grand gestures but deliberate decisions, love becomes something neither power nor fear can dictate. Kai Ying learns to soften without surrendering herself, and Le Xin learns that being chosen—fully and freely—is worth the wait. Set against boardrooms, late-night bars, and quiet domestic spaces, this is a GL romance about restraint, growth, and the courage to choose love every day.
LGBT+
29 Chs
Magic: A Friendly LitRPG Adventure.

Magic: A Friendly LitRPG Adventure.

I decided to write a litRPG book (or more accurately a GameLit - a litRPG that doesn't focus heavily on visual statistics), following the fate of one individual in his path of power. I wanted to see him tame his magic and grow as an extremely powerful mage. But since I didn't want to just give him everything on a silver plate, I decided to imagine as clearly and realistically as possible the choices and the consequences of his actions. At first I wanted to send him on crazy adventures and bombard him with annoying young masters, greedy and bloodthirsty sociopaths and other cliches from the genre. Very quickly I decided against that. But there was a price for all this. Not giving the MC super powerful cheat skill, meant I had to give him an opportunity to build his own skills. Which made the start of the book a bit slower. Usually the best way to start a litRPG on Webnovel is to make an explosive first chapter, full of action and overpowered MC. But I decided to take the risk and start a bit slower, but go a little bit deeper into the motivation and the realism of the story. Wish me luck :) See you at the end of the book. p.s. I want to make it absolutely clear again (for the two people giving me 0.5 stars at the chapters introducing the starting area and the starting skills). This book is not going to have strong-from-the-start main character! The whole idea is to make the MC work very hard and slowly gather his power. This book doesn't have some goddess giving free skills, nor did we have 1000 years old reincarnators. Naturally since we don't have a super strong hero, he also starts on a relatively safe place, called "The tutorial island". But he still is going to fight every day, learn alchemy, make money, engage in politics, go on interesting adventures and fight strong bosses. His action will matter, not only for his own survival, but for the local human (and sometimes other than human) population, and even, on some small and personal level, the fate of Earth itself.
Fantasy
19 Chs
What are some famous Bangla story writers who write family - friendly stories?
Rabindranath Tagore is a very famous one. His works are full of deep emotions, beautiful language, and family - centric themes. Stories like 'The Postmaster' are excellent examples, which explore relationships in a simple yet poignant way.
2 answers
2024-11-06 12:23
30 ancient writers, 30 modern Chinese writers, 30 foreign writers
1 Ancient: - Cao Xueqin (1715 - 1763) - shakespeare (1564 - 1616) - Dickens (1812 - 1870) - Victor Hugo (1809 - 1885) - Diggory (1839 - 1902) - Tolstoy (1828 - 1911) - Mark Twain (1835 - 1910) - Faulkner (1885 - 1965) - Ernest Hemmingway (1899 - 1961) - Maugham (1892 - 1969) - Kawabata Yasunari (1889 - 1972) - 1859 - 1893 - Victor Hugo (1869 - 1917) - Jean Jacques Rouseau (1789 - 1852) - Dickens (1812 - 1870) - 1859 - 1893 - Tolstoy (1828 - 1911) - Faulkner (1885 - 1965) - Ernest Hemmingway (1899 - 1961) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Mark Twain (1835 - 1910) - Ernest Hemmingway (1899 - 1961) - 1859 - 1893 - Faulkner (1885 - 1965) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - Jean Jacques Rouseau (1789 - 1852) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - 1859 - 1893 - Faulkner (1885 - 1965) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Jean Jacques Rouseau (1789 - 1852) - Faulkner (1885 - 1965) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - 1859 - 1893 - Jean Jacques Rouseau (1789 - 1852) - Faulkner (1885 - 1965) - Dickens (1812 - 1870) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - 1859 - 1893 - Jean Jacques Rouseau (1789 - 1852) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - Jean Jacques Rouseau (1789 - 1852) - Dickens (1812 - 1870) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869
1 answer
2024-09-22 11:18
Need ancient Chinese writers, modern writers, modern writers, contemporary writers and their works
Ancient China: - Cao Xueqin: Dream of the Red Chamber - Lu Xun: A Madman's Diary, The True Story of Ah Q, New Stories - Lao She: Teahouse, Camel Xiangzi - Ba Jin: Home, Spring, Autumn - Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains Modern times: - Lu Xun: A Madman's Diary, The True Story of Ah Q, Hesitation, New Stories - Lao She: Teahouse, Camel Xiangzi - Ba Jin: Home, Spring, Autumn - Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains Modern: - Lu Xun: A Madman's Diary, The True Story of Ah Q, Hesitation, New Stories - Lao She: Teahouse, Camel Xiangzi - Ba Jin: Home, Spring, Autumn - Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains - Zhang Ailing: Red Rose and White Rose, Aquilaria Fragrance: The First Stove of Incense - Qian Zhongshu: Fortress Besieged - Shen Congwen: Border Town Current generation: - Mo Yan: Red Sorghums Family, Big Breasts and Buttocks - Yu Hua: Live, Shout in the Drizzle - Jia Pingao: Qin Qiang, Abandoned City - Ernest Hemmingway: The Sun Also Rises, A Farewell to Arms - Kawabata Yasunari: Snow Country, Thousand Cranes - Margaret Atwood: Gone with the Wind, Gone with the Wind
1 answer
2024-09-09 10:32
Foreign writers and writers after 1950
After 1950, foreign and literary writers included: 1 George Orwell-1984 was published in 1950. 2. H. G. Wales-New War and Peace, 1950. 3 Hugo (Victor Hugo)-published in 1950, Notre-Dame de Paris. 4 William Shakespeare- 1564-1616 His works were not fully translated until 1954. 5 Calvino (Italy)-Born in 1950 His works have been translated into many languages, including Spanish, French, German, Italian, etc. Erle C Stein-The Sun Also Rises, 1950. William F. Buckley-The Sound and the Fury, 1950. 8 Flaubert (Leo Tolstoy)-published in War and Peace in 1950. 9 Ferdinand Mag Mag- 1950, One Hundred Years of Solitude. 10 Maugham (Arthur James Woolf)-The Moon and Sixpence published in 1950. Their ideas and works had a profound impact on modern literature.
1 answer
2025-03-08 04:19
Were the living writers called modern writers or contemporary writers?
Those who are alive now generally concentrate on writing after the 20th century because their writing time span is relatively short. However, some of them could still be called modern.
1 answer
2024-09-18 18:40
How to differentiate modern writers, modern writers and contemporary writers?
Modern times, modern times. In modern times, their works were often influenced by the European Enlightenment, romanticism, realism and other literary trends. For example, Dickens, Maupassant, Tolstoy, Maugham, Ernest Hemmingway, Faulkner, Calvino, Margaret Atwood, and so on. In modern times, their works were mainly influenced by modern, post-modern, realism and other literary trends. For example, Ernest Hemmingway, Faulkner, Marquez, Mo Yan, Jia Pingao, Yu Hua, and so on. Their works are influenced by various thoughts, social, political and cultural factors. For example, Jia Pingao, Mo Yan, Su Tong, Tie Ning, Liu Zhenyun, Annie Baby, Zhou Guoping, Lu Yao, Yu Hua, Han Shaogong, Chen Zhongshi, Wang Xiaobo, and so on.
1 answer
2024-09-18 18:47
Were writers nowadays real writers?
This question involved understanding the definition and meaning of "". Generally speaking. Their works could be regarded as literary works and were recognized and respected by the literary world. However, there were also different opinions on the definition of " real ". Some people think that only those who create literary works with unique styles, profound thoughts, and unique perspectives can be called real. Others believed that even if a person's work was not widely recognized or did not become a classic literary work, they could still be considered because their creation had a certain impact and contribution to society, culture, history, and so on. Therefore, it depended on the definition and understanding of different people. No matter what, he would continue to work hard to improve his literary standards and present better works to his readers.
1 answer
2024-09-13 03:07
Questions about resident writers and contracted writers
Station. A person who is stationed on the website and can freely publish and update their works on the website. Stationed and can communicate with others. Stationing, rules, and policies to ensure that their works received good presentation and feedback. A person who signed a contract to become a member of the website and was free to publish and update his work on the website at a specific time. The contract had to be signed and subject to the management and review of the website. The signing of the contract also required understanding and adapting to the culture and style of the website. However, they were all important people in the field of web novel creation.
1 answer
2024-09-14 03:48
How to recruit original writers and online writers
The following steps could be used to recruit original writers or the Internet: 1. Create a novel website or writing platform to attract writers. These platforms usually provided basic tools such as writing guides, editing services, author benefits, etc., so that writers could start writing and present their works. 2. Post attractive content and recruitment information to attract the attention of writers. The recruitment information posted on the platform included the writer's skills and experience, the type of work, and the target audience. They could also offer rewards or incentive measures to attract writers to join. 3. Build relationships with writers to provide support and services. Building a good relationship with the writer made them feel respected and supported. It could provide advice, editing services, resources, and so on. 4. Build a writing team to improve the quality and efficiency of writing. Co-writing with other writers could improve the quality and efficiency of the novel. 5. Continue to promote and publicize to attract more writers to join. Through social media, blog, forum, and other channels to continuously promote and publicize the platform to attract more writers to join.
1 answer
2024-09-11 11:50
The difference between online writers and traditional writers?
Online writers and tradition: 1. Creation method: Online writers usually publish their works on online platforms and traditional bookstores and other physical platforms. 2. Creation purpose: The main purpose of web writers is to obtain remuneration and feedback from readers. 3. Creation field: Web writers mainly involve web novels, game novels, prose, poetry and other fields. Traditional, drama, prose, poetry and other fields. 4. Creation cycle: Online writers usually need to update their works quickly to maintain the attention of readers and the income of royalties. Traditional writers need to ensure the quality and influence of their works. 5. Audience: The works of web writers are mainly targeted at the readers on the online platform. There were many similarities between online writers and traditional writers in terms of their creative goals, creative fields, and creative cycles.
1 answer
2024-09-04 12:02
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