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2024-12-11 03:26
Teaching plan and reflection of hand-torn paintings in the middle classThe following are some teaching plans and reflection examples of the middle class's hand-torn paintings:
##I."Tear, Tear, Tear (A Family of Cows)" lesson plan and reflection
###(1) Teaching plan
1. ** Activity Target **
- Carefully observe the picture, understand the first half of the picture book, and learn to use the correct measure words to express it.
- By reading books, he could understand the external characteristics of cows.
- He loved reading and was happy to share his discoveries with his peers and teachers.
- They were willing to act out simple storylines.
- A budding interest in literature.
2. ** Event preparation **
- PowerPoint, black and white paper, and a small book.
- There were several pieces of rectangular white paper, black paper, white paper, glue, and cotton swabs.
3. ** Event process **
- ** Observation **
- Show the characters and animals on the PSP and guide the child to tell the process of tearing the sticker. Tell the child that these beautiful paintings were torn out of paper.
- Show the cover to draw out the theme-a family of cows. Tell the children that the family of cows is also torn out of white and black paper, and guide the children to read this book about tearing cows.
- ** Free Reading for Children **
- Reading requirements: quietly flip through page by page; carefully observe how the cow tore it out.
- During the free reading period, the teacher guided the children on a tour, and then guided the children to talk about how the cow was torn out.
- ** Guide the child to observe the PowerPoint 2 - 7, read the book, and understand the content of the story **
- Ask questions about the pictures on pages 2 and 3 to guide the child to describe what he saw.(One black, one white, one piece by one, some black, some white, etc.), guide the children to guess which part of the cow these pieces of paper are (such as the cow's body), think about which parts of the cow should be torn after the cow's body is torn, observe the appearance of the cow and guide the children to repeat the sentences in the text (tear, tear, a head (two horns, a tail, four legs)...), summarize the usage of the measure words in the book.
- After tearing out Father Niu, the teacher paused to let the children guess who would be torn next (Mother Niu or Baby Niu).
- ** Group Reading P8 - 15**
- Observe the content of the picture and encourage the child to try to tell it. Guide the children to discuss the things that Father Niu, Mother Niu, and Baby Niu need to tear out when they want to eat grass on the mountain (such as grass, hillside, trees, flowers, etc.) and what color paper to prepare (such as green, the grass that Baby Niu eats can be light green, leading to a sentence of dark green, light green, deep and shallow green).
- ** Shiyou read the cover page to P15**
- To further understand the content of the story.
- ** Kids try to tear a cow **
- Make a request and introduce the similarities and differences of the cow family (the big body is the father cow, the smaller body is the mother cow, and the smallest body is the baby cow).
- When the child tore the cow, the teacher reminded the child to tear a cow freely.
- They would show each other their works and ask the children to describe Father Niu in the language in the book.
- ** Extension Event **
- The children were encouraged to continue to tear out the "Cow Family" in the book during regional activities.
4. ** Activity Reflection **
- The activity of "Tear, Tear, Tear" was a combination of language and craftsmanship. In order to let the child understand, he had to first arouse the child's interest. The whole activity was carried out in the form of tearing up the cow. With the image of the "cow" that the children were familiar with and loved as the starting point, they created a relaxed, rich and suitable language environment for their life experience to understand the characteristics of the cow, such as describing that the father of the cow had a wide and square body, a thin and long tail, etc.
##2. Teaching plan and reflection on "Children Tearing Flowers"
###(1) Teaching plan
1. ** Teaching goal **
- He was able to create simple flower patterns by tearing paper with his hands.
- Cultivate children's hands-on ability and creativity.
- Cultivate children's understanding and interest in natural flowers.
2. ** Teaching Focus **
- The technique of tearing paper to make flower patterns.
- Cultivate children's hands-on ability and creativity.
3. ** Teaching Difficulties **
- How to guide children to make flower patterns by tearing paper.
- How to stimulate children's creativity and imagination.
###(2) Reflection (The complete reflection content is not given. The following is a supplementary train of thought)
- During the teaching process, he could reflect on the guidance method, material supply, and results display. For example, when guiding children to make flower patterns, whether there were clear steps to guide them; whether the paper materials provided were easy for children to operate; whether the children's works were given sufficient affirmation and encouragement to further stimulate their creativity, etc.
##3. Luffa creative mosaic lesson plan (can be supplemented with reflection)
###(1) Teaching plan
1. ** Age **
- Children between 4 - 7 years old are recommended (suitable for middle class).
2. ** Material preparation **
- Cardboard, marker, clay.
3. ** Teaching process (supplementary)**
- Guide the child to observe the shape, color, and other characteristics of the loofah.
- Demonstrate how to tear out the shape of a loofah with cardboard. You can start with simple shapes, such as a long melon body, and then tear out the melon stalk and other parts.
- Let the child use a marker to add details such as the texture of the loofah on the torn cardboard.
- Children are encouraged to use clay to make loofah flowers or vines and paste them on the screen to form a complete creative loofah mosaic.
These lesson plans and reflections could be adjusted and improved according to the actual teaching situation to better adapt to the needs of the middle class children's hand-torn painting teaching.
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