Some of them might be really amused. For example, Thor would probably laugh heartily at any creative interpretations of his character. He might say 'This Midgardian has a wild imagination!'.
Using slapstick comedy in a trailer can be really funny. For example, showing characters slipping on banana peels or getting hit by falling objects in a comical way. It catches people's attention right away.
Thundercats was indeed a comic first. The comic version laid the foundation for its success in various adaptations, including TV shows and toys. The characters and storylines originated from the comic world.
Honestly, it's not straightforward to say. The Thundercats comics have been around for a while, and the count depends on how you define and categorize them. Some might consider only the main series, while others include spin-offs and special editions.
It's a graphic novel related to the Thundercats. It likely features the adventures of the Thundercats characters, their battles against villains, and their exploration of the Thundercats' world. It may also include the development of their relationships and the discovery of new powers or technologies within their universe.
One idea could be to have the Thundercats arrive in the Avatar world. Maybe they land near a Water Tribe. The Thundercats' advanced technology and unique abilities would be a shock to the Avatar world. Lion - O could form an alliance with Aang. They could learn from each other's leadership styles. The Thundercats could help in the fight against the Fire Nation with their strength and weaponry.
Fan Jianjun was a modern teapot maker. He was born in 1971 and his hometown was Yixing, Jiangsu Province. He had been influenced by Fan Dasheng, a famous teapot artist, since he was young. He loved painting and teapot art. Fan Jianjun had a solid and refined teapot making technique, especially good at the decoration of the square teapot. His works have won many awards, including the "Square Corner" pot won the gold medal in the National Arts and Crafts Exhibition, and the "Peach" pot won the gold medal in the first China Hebei Craftsmen Pot Exhibition. Fan Jianjun's works were published in magazines such as Tao Hun and World Artists. He was also hired by the Beijing Purple Sand Art Museum as a craftsman. Fan Jianjun's teapot making style was unique. He was good at integrating modern aesthetic concepts into traditional models to create works of artistic value.
Since Fan Xian was born, he was also made. Fan Xian was originally a modern person. Because of his serious illness, he had transmigrated to the Qing Kingdom and had been reborn there. His biological parents were the Qing Emperor and Ye Qingmei. Ye Qingmei was a woman from the modern era. When she was in Qing Kingdom, she also had modern memories. Fan Xian was the son of Ye Qingmei and the Qing Emperor. Ye Qingmei chose to have a child with the Qing Emperor because she felt that the world was set. She was lonely and wanted a companion. In addition, Fan Xian was also described as a successful experimental subject of technological civilization. He had entered modern civilization into data and finally loaded it into Fan Xian. Thus, Fan Xian had the identity of a transmigrator and was also the product of a technological experiment.